|
The First Art Newspaper on the Net |
 |
Established in 1996 |
|
Thursday, September 11, 2025 |
|
Vasari’s Last Supper Restoration to be Undertaken |
|
|
|
FLORENCE, ITALY.- The experts reveal plans for a detailed scrutiny of damages and phases of restoration work, among them the complicated logistics involved in transporting the painting to a laboratory.
Georgio Vasari’s (1511-1574) painting “Last Supper” will be restored in a process that technicians foresee as highly difficult, due to the damages caused by the long time it remained covered in mud during the flood the city of Florence in underwent in 1996. Painted by the artist in mid 16th century , it is one of the largest interpretations of the subject of the last supper of Christ. It is currently stored in the depository of the Florentine Pitti palace.
Vasari, son of a minor painter, studied under Luca Signoreli and Andrea del Santo. An excellent architect, he designed the Palazzo degli Afizzio . His intricate way of painting helped usher in the style of the Baroque. Today, Vasari is best known as a writer. He wrote a summary and a classified list of all the artists of his time, whose two volumes contain 133 biographies of the life of excellent painters, sculptors and architects. When residing in Rome, he made contact with Cardinal Alessandro Farnesio’s art circle, and received from him the support needed to undertake his first significant work, the ornamental series of the Chancery palace. He was acknowledged as a great artist and connoisseur of art history in his time.
In 1560 he returned to Florence, where he planned the structure of the present Ufizi museum, and restructured the Palazzo Vecchio (today’s City Hall) in 1561, as a protégé of Cosme I. Back in Rome and under the auspices of popes Pius V and Gregory XIII, he decorated the Regal salon of the Vatican.
Florentine experts announced that this coming Friday they will carry out a detailed review of the damages suffered by Vasari’s Last Supper painting. Restoration plans will get underway, among them the complexities involved in transporting the painting to a lab. Measuring 6 x 2.5 meters, and containing several depictions, it underwent critical restoration after the 1966 flood that damaged the Santa Croce basilica where the work was at the time. However, that restoration was not enough to remove the mud adhered on the painting, so that task will be undertaken now.
|
|
Today's News
September 11, 2025
Parrish Art Museum announces exhibitions by James Howell and Hiroshi Sugimoto
Ancient Celtic coins plus several lucky finds highlight TimeLine's gold and silver-laden Numismatic Auction
Roland presents over 500 lots from private collections at September 20th auction
Miller & Miller Auctions announces Pre-1980 Sports Cards, etc. sale Sept. 28
Christie's presents Elaine: The Collection of Elaine Wynn
Christie's presents Henri Matisse: Lines of Connection
Musée Jacquemart-André opens major Georges de La Tour retrospective
Robert Longo unveils monumental exhibition 'The Weight of Hope' at Pace Gallery
Fondation d'entreprise Hermès unveils 'Sourdre,' an exhibition of sculptor Claudine Monchaussé's work
Rediscovered imperial Yuan masterpiece, to be offered in Hong Kong
The Julia Stoschek Foundation presents more than 40 works by Mark Leckey
The legendary prerelease Raichu: It's real, and it's coming to auction
The Met presents first major exhibition on Man Ray's radical reinvention of art through the rayograph
Colored gemstones shine in Heritage's Sept. 29 fall jewelry auction
RISD Museum announces new curatorial leadership in prints, drawings, and photographs
Secession presents 'Danzante,' a new exhibition by artist June Crespo
The National Art Center, Tokyo presents Prism of the Real: Making Art in Japan 1989-2010
Hicham Berrada's new exhibition 'Dilutions' unveils AI-generated paintings
PalaisPopulaire opens Charmaine Poh's first institutional exhibition
National Gallery announces 10 new artistic projects for After the Rain
Willie Birch debuts new monochrome paintings in solo exhibition 'Up on the Roof'
La Pascaline 1642: For the first time in history, a machine replaces the human brain
Max Lamb and 1882 Ltd. collaborate on new ceramic furniture exhibition
Swarthmore College presents 'Transitions: Recent prints and animations by Kakyoung Lee'
|
|
|
|
|
Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, . |
|
|
|
Royalville Communications, Inc produces:
|
|
|
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful
|
|