LONDON.- A new video installation by Diana Thater fills the interior of Hauser & Wirth’s Piccadilly gallery with images of the post-nuclear landscape of Chernobyl. For this work, Thater spent time in the ‘Zone of Alienation’ which surrounds the site of the nuclear disaster, filming the eroded architecture and wildlife of the one-hundred mile wide radioactive territory. The animals thrive in the absence of humans, demonstrating a wilderness of man’s making. The installation focuses on the rare and endangered Przewalski’s Horse. Once facing certain extinction in its native habitat in central Asia, this sub-species of the wild horse now roams freely in the ‘Zone of Alienation’.

The desolate remains of an abandoned movie theatre in Prypiat, a city founded to house the Chernobyl nuclear plant workers, forms the backdrop of Thater’s installation. The city’s decomposing architecture is juxtaposed against the footage of the wild animals living in the ‘Zone of Alienation’. Through this installation, visitors experience a world where a man-made catastrophe has abruptly halted all progress and animals inhabit an irradiated landscape. Overlaying physical and filmic spaces, Thater confronts the successes of civilisation with its profound failure.

For over two decades Thater has explored the precarious relationship between culture and nature. Frequently using animals and natural phenomena as subjects, her video installations are compositions of time and space. Their precisely choreographed imagery forms temporal abstractions that immerse the viewer in ambient environments and invite new ways of seeing the world.