Best Photos of the Day
Nina Sanadze on view at The Ian Potter Centre: NGV Australia, surveys the work of Melbourne-based contemporary artist Nina Sanadze. With a practice combining installation, sculpture and found objects, Sanadze references public statues, structures and monuments as metaphors for societal transformation, sometimes incorporating physical fragments and traces of public sculpture into her work.Photo: Sean Fennessy.
Best Photos of the Day
Nina Sanadze on view at The Ian Potter Centre: NGV Australia, surveys the work of Melbourne-based contemporary artist Nina Sanadze. With a practice combining installation, sculpture and found objects, Sanadze references public statues, structures and monuments as metaphors for societal transformation, sometimes incorporating physical fragments and traces of public sculpture into her work.Photo: Sean Fennessy.
Best Photos of the Day
Nina Sanadze on view at The Ian Potter Centre: NGV Australia, surveys the work of Melbourne-based contemporary artist Nina Sanadze. With a practice combining installation, sculpture and found objects, Sanadze references public statues, structures and monuments as metaphors for societal transformation, sometimes incorporating physical fragments and traces of public sculpture into her work.Photo: Sean Fennessy.
Best Photos of the Day
Nina Sanadze on view at The Ian Potter Centre: NGV Australia, surveys the work of Melbourne-based contemporary artist Nina Sanadze. With a practice combining installation, sculpture and found objects, Sanadze references public statues, structures and monuments as metaphors for societal transformation, sometimes incorporating physical fragments and traces of public sculpture into her work.Photo: Sean Fennessy.
Best Photos of the Day
Nina Sanadze on view at The Ian Potter Centre: NGV Australia, surveys the work of Melbourne-based contemporary artist Nina Sanadze. With a practice combining installation, sculpture and found objects, Sanadze references public statues, structures and monuments as metaphors for societal transformation, sometimes incorporating physical fragments and traces of public sculpture into her work.Photo: Sean Fennessy.
Best Photos of the Day
Nina Sanadze on view at The Ian Potter Centre: NGV Australia, surveys the work of Melbourne-based contemporary artist Nina Sanadze. With a practice combining installation, sculpture and found objects, Sanadze references public statues, structures and monuments as metaphors for societal transformation, sometimes incorporating physical fragments and traces of public sculpture into her work.Photo: Sean Fennessy.
Best Photos of the Day
Nina Sanadze on view at The Ian Potter Centre: NGV Australia, surveys the work of Melbourne-based contemporary artist Nina Sanadze. With a practice combining installation, sculpture and found objects, Sanadze references public statues, structures and monuments as metaphors for societal transformation, sometimes incorporating physical fragments and traces of public sculpture into her work.Photo: Sean Fennessy.
Best Photos of the Day
Nina Sanadze on view at The Ian Potter Centre: NGV Australia, surveys the work of Melbourne-based contemporary artist Nina Sanadze. With a practice combining installation, sculpture and found objects, Sanadze references public statues, structures and monuments as metaphors for societal transformation, sometimes incorporating physical fragments and traces of public sculpture into her work.Photo: Sean Fennessy.
Best Photos of the Day
Nina Sanadze on view at The Ian Potter Centre: NGV Australia, surveys the work of Melbourne-based contemporary artist Nina Sanadze. With a practice combining installation, sculpture and found objects, Sanadze references public statues, structures and monuments as metaphors for societal transformation, sometimes incorporating physical fragments and traces of public sculpture into her work.Photo: Sean Fennessy.
Best Photos of the Day
Nina Sanadze on view at The Ian Potter Centre: NGV Australia, surveys the work of Melbourne-based contemporary artist Nina Sanadze. With a practice combining installation, sculpture and found objects, Sanadze references public statues, structures and monuments as metaphors for societal transformation, sometimes incorporating physical fragments and traces of public sculpture into her work.Photo: Sean Fennessy.