Tuesday, November 05, 2024
Rembrandt Harmensz. Van Rijn (1606-1669), Christ crucified between the two Thieves: 'The Three Crosses', drypoint, 1653. Estimate: £800,000 – 1,200,000. © Christie's Images Ltd 2024.
LONDON.— Building on the unprecedented success of the first sale from this fabled collection, Christie’s will present The Sam Josefowitz Collection: Graphic Masterpieces by Rembrandt van Rijn – Part II. Taking place on 5 December 2024 during Christie’s Classic Week, the auction will feature 90 fine and rare prints from this outstanding private collection. Rembrandt’s etchings were an enduring passion for the late Sam Josefowitz, whose collection of the Dutch master’s graphic works remains unparalleled by any other 20th-century collector. The dedicated auction offers a compelling insight into Rembrandt’s masterful and experimental approach to printmaking, featuring a comprehensive selection of works encompassing his entire career: from the immediacy of his early self-portraits and studies of beggars, through the innovative depiction of Biblical scenes and landscapes, to his late years of the highly finished portraits of patrons and friends, studies of nudes, and one extremely rare erotic print. The collection includes several important masterpieces and many fine sheets whose historic provenance, in some cases, can be traced back to the 17th-century. Tim Schmelcher, International Specialist, Prints and Multiples, Christie’s London: “We are delighted to present The Sam Josefowitz Collection: Graphic Masterpieces by Rembrandt van Rijn – Part II, following the remarkable success of last year’s sale. This collection stands as the finest private ensemble of Rembrandt’s graphic works, and its depth is truly unparalleled. Sam Josefowitz’s passion for Rembrandt’s prints was a lifelong pursuit, driven by the artist’s inventive techniques and profound humanity. This auction offers a rare opportunity to acquire some of Rembrandt’s most significant and elusive works, including masterpieces like The Three Crosses and the extremely rare The Monk in the Cornfield. These prints not only showcase Rembrandt’s...
HONG KONG.— Christie’s achieved an impressive running total of HK$836M / US$108M in the inaugural Luxury Marquee Week at The Henderson. This outstanding performance, highlighted by a strong 92% sell-through rate and 106% hammer over low estimate, underscores Christie’s unparalleled expertise in curating exceptional offerings that resonate with luxury collectors. The results place Christie’s on track for Asia market leadership of the category in 2024. The strategic move to The Henderson has enabled Christie’s to engage collectors more effectively in a dynamic environment. Buyer
LONDON.— Saatchi Gallery & Foundation for the Exhibition of Photography are presenting Anastasia Samoylova: Adaptation, the first major survey of contemporary American photographer Anastasia Samoylova. Curated by Taous Dahmani, this exhibition will present works from five of Samoylova’s most significant series: Floridas, FloodZone, Landscape Sublime, Image Cities, and Breakfasts. A modern-day flâneuse with a camera in hand, Anastasia Samoylova observes the everyday to reveal its absurdities and challenge our societal constraints. Wandering through urban and ‘natural’ landscapes, Samoylova
SHANGHAI.— Gagosian will participate in West Bund Art & Design with an extensive group presentation. The gallery will exhibit works by Derrick Adams, Maurizio Cattelan, Dan Colen, Urs Fischer, Helen Frankenthaler, Cy Gavin, Simon Hantaï, Yayoi Kusama, Takashi Murakami, Oscar Murillo, Albert Oehlen, Nam June Paik, David Reed, Sterling Ruby, Ed Ruscha, Mary Weatherford, Cameron Welch, Stanley Whitney, and Zeng Fanzhi. Many of the artists featured
DUBAI.— Green Art Gallery announced the representation of Rossella Biscotti (born 1978 in Molfetta, Italy). Rossella Biscotti uses montage as a gesture to reveal individual narratives and their relation to society. In her cross-media practice, cutting across filmmaking, performance and sculpture, she explores and reconstructs social and political moments from recent times through the subjectivity and experiences of individuals often posed against the backdrop of institutional systems. In the process of composing
NEW YORK, NY.— Every week for the past fifteen years, Caitlin Keogh has received images in the mail. Most often they arrive as postcards––sometimes a single card, other times in batches of two or three. Occasionally she gets a big envelope with clippings from museum catalogs and art books. The pictures reflect the taste and expertise of their sender, a specialist in nineteenth-century
DALLAS, TX.— One collecting trick that seasoned collectors know is that artworks by both veteran artists as well as rising stars often give shape to a charity event or auction. The art world, with all of its talent, presents a bounty for charitable organizations looking for a draw, and the artworks are the draw; informed bidders know to keep an eye out for the charity auction that features the kind of work they’d like to add to a collection (and they know that retail prices may or may not apply).
DALLAS, TX.— If Judy Garland’s ruby slippers from The Wizard of Ozwere the sole item in Heritage’s December 7 auction filled with treasures from cinema’s rich and vast history, it would already rank among the most important auctions ever held. When Heritage announced in March that it would offer one of the four pairs of surviving ruby slippers from the 1939’s masterpiece, they garnered worldwide attention because of their backstory and beauty. This was the pair famously stolen from the Judy Garland Museum in Grand
LONDON.— The RAF Museum London will open a new display that shares the story of Noor Inayat Khan GC, who served under cover in Paris during the Second World War with the Special Operations Executive (SOE), and ultimately gave her life for the Allied cause. Born to an Indian father and an American mother, Noor was living in Paris when Germany invaded France in 1940. She escaped to Britain where she joined the Women’s Auxiliary Air Force (WAAF) and trained
LOS ANGELES, CA.— BLUM is presenting One Piece, Berlin-based artist Kaifan Wang’s first solo exhibition with the gallery. There is a nomadic underpinning to the way that Wang thinks—this mindset sentimentally unifies the artist’s practice as well as this exhibition. Born in Hohhot, China, an area with a long cultural history that has been buried by rapid urban development, and living in Berlin, Wang is a masterful and worldly storyteller with the unique ability to find overlap between
BRUSSELS.— For one of its last exhibitions before moving to the cultural hub in the heart of Brussels, KANAL, CIVA reflects on the latent potential of architecture. With the participation of a transdisciplinary field of architects, artists, sociologists and archeologists, the exhibition pre- architectures critically unveils how the study of prehistory might uncover not only causes of modernity’s present crisis, but also signs of architecture’s future
NEW YORK, NY.— Material Transformation a webinar–co-hosted by Joan B Mirviss LTD and Asia Week New York– will delve into the vibrant history of Japanese textile art, the evolution of the kimono, the continued use of recycled materials in textile creation, and the ways contemporary makers use traditional aesthetics and techniques innovatively to expand the field of Japanese textile art. To register for the webinar on November 14th at 5:00 p.m. (EST), click: https://us02web.zoom.
BALTIMORE, MD.— The Baltimore Museum of Art opened Dana Claxton: Spark, a solo exhibition that focuses on the artist’s large-scale, backlit, color transparency photographs. Claxton (Wood Mountain Lakota First Nation) refers to her photographs as “fireboxes,” playing on the commonly used term “lightboxes” to capture the elemental energy that she finds embedded in the form and to root her work in Indigenous sensibility and perspectives. In addition to Claxton’s photographic
The big artist... keeps an eye on nature and steals her tools.
Thomas Eakins

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Miles McEnery Gallery announced Different Places, an exhibition of new work by Los Angeles-based artist Patrick Philip Lee. The artist’s third solo show with the gallery is on view from 31 October to 7 December 2024. Accompanying the exhibition is a fully illustrated digital catalogue featuring an essay by Jonathan D. Katz. Over the years, Lee has used intimate graphite portraits to explore how physical appearance shapes both self-presentation and external interpretations of identity. Lee takes months at a time bringing each portrait to life—he renders microscopic details like the gentle fraying on the brim of a hat, individual chest hairs, and even the capillaries of the eye. With careful reverence, his portraits transcend photorealism, becoming living, breathing subjects that convey their life stories in a single moment.
The Art Institute of Chicago is presenting Nancy Holt: Seeing in the Round, on view through April 20, 2025. The first exhibition of Nancy Holt’s work at the Art Institute, the project considers the legacy of the Locator in Holt’s practice. Constructed from two pieces of welded steel pipe, with an opening set at the height of her own line of sight, the Locator was Holt’s first sculpture. It soon became a powerful way for her to train a viewer’s eye on overlooked aspects of the urban landscape, while also grounding them in the conscious process of perception. Her first Locator works were installed in her New York Studio in 1971, and across the decade of the 1970s she developed the works into site-responsive installations. In this exhibition, conceived in collaboration with the Holt/Smithson Foundation, two historical works—Dual Locators (1972) and
The Chicago Architecture Biennial celebrates its tenth anniversary, alongside the announcement of CAB 6: Shift: Architecture in Times of Radical Change, the next iteration of the Biennial to be held in 2025, led by Florencia Rodriguez, a writer, editor and Director at the University of Illinois Chicago’s School of Architecture, who will be the Biennial’s first Latina Artistic Director. In the past decade, CAB has sustained an international forum on architecture and urbanism centered in Chicago and has continued to produce the largest exhibition of contemporary architecture in North America every two years. CAB exhibitions and public programs have engaged over 2.2 million visitors with innovative ideas in design through over 400 original projects created by architects, artists and designers from nearly 50 countries. As one of the most
On the occasion of its fifth anniversary, Aranya Art Center announced the launch of its first affiliate branch, Aranya Art Center North, featuring three solo exhibitions by Chinese artists Cao Minghao and Chen Jianjun, Ma Hailun, and Zheng Haozhong, along with two special artist talks. Aranya Art Center North is located at Aranya North Coast, in Qinhuangdao’s Beidaihe New District. Spanning youth culture, athletics, fashion, the arts, and children’s development, Aranya North Coast explores expanding possibilities for avant-garde culture, and for riverine and coastal lifestyles. It is built along the banks of the Dapu river, with the vibrant Riverain town center at its core. Aranya Art Center North is a comprehensive art venue designed by renowned Japanese architect Kazunari Sakamoto (Kazunari Sakamoto Architectural
Sometimes it’s just that simple: bigger is better. To suggest a massive Brenham Meteorite, which will find a new home when it is sold in Heritage’s November 20 Nature & Science Signature® Auction, will make a massive impact on a new collection is only partly said as a somewhat-obvious play on words. Yes, it is an extraordinary specimen that immediately will become a centerpiece in its new collection. Also ... this museum-quality behemoth is huge. Weighing in at about 275 pounds (125 kilograms) and measuring 55 inches (139.7 centimeters) in length. “Pallasites are generally considered the most beautiful of all of the major varieties of meteorites, in part because of the Olivine crystals that appear within the metallic structures,” says Craig Kissick, Vice President of Nature & Science at Heritage Auctions. “However, some pallasites
After an extensive national search, the board of trustees for The Center for Exploratory & Perceptual Arts (CEPA Gallery) announces the hiring of its next Executive Director, Ben Hickey. A skilled administrator with an excellent curatorial pedigree, Hickey brings 19 years of experience to CEPA. Most recently, he served as Interim Director at the Hilliard Art Museum in Lafayette, Louisiana. During his seven years as Curator at the Hilliard, he also served as a member of the leadership team responsible for the museum’s inaugural American Alliance of Museums accreditation. As an artist-founded gallery, CEPA has a long history of supporting experimental and ground-breaking artists who have changed the world of photography. Hickey’s hire will kick off a year-long 50th Anniversary celebration. Community outreach and education,
A rare Gaius (Caligula) (AD 37-41), with Agrippina Senior. AV aureus NGC AU 4/5 - 4/5 soared to a record $216,000 to lead Heritage’s Nov. 1-2 Heritage’s World & Ancient Coins Platinum Session and Signature® Auction to $7,764,132. “This beautiful coin, which came from the Lattimer Collection, was a microcosm of the overall auction, ” says Cris Bierrenbach, Executive Vice President of International Numismatics at Heritage Auctions. “It is an exceptional coin that drew the attention of several of the almost 3,000 bidders who took part in this event, thanks in part to the full beaded borders on both sides that are such a huge plus for serious collectors of ancient coins. The collectors recognized
Flashback: On a day like today, Italian artist and designer Harry Bertoia died
Harry Bertoia (b. March 10, 1915 in San Lorenzo, Pordenone, Italy. d. November 6, 1978 in Barto, Pennsylvania, United States), was an Italian-born artist, sound art sculptor, and modern furniture designer. In this image: Bertoia's "Textured Screen" caused much controversy when it was unveiled for the Dallas Public Library in 1954.