Wednesday, June 26, 2024
Lovig Rosewood Desk by Dansk. Estimate $200-$600.
GLEN COVE, NY.— Roland Auctions NY presents their upcoming first Multi-Estates Auction of the summer season on Saturday, June 29th at 10am with a main focus back on Contemporary and Modern Art, along with an extensive collection of antiquities from an East 70th Street, NYC residence. The Multi-Estates Auction features hundreds of lots of Fine Art, Decorative Arts, 20th Century Modern, Antique & Vintage Furniture, Textiles, Silver, Gold and Silver Jewelry, Rugs, Collectibles, Asian Art and Decorative Arts, and Lighting. Previews are taking place on Thursday, June 27th & Friday, June 28th 10am - 6pm. Ushio Shinohara (Japanese, b. 1932) Set of Six Large Oils on Canvas. Estimate $15,000-$20,000. In addition to the impressive collection of antiquities from an East 70th Street, NYC residence, Art will have a strong showing, as has come to be expected at Roland Highlights will include a Ushio Shinohara (Japanese, b. 1932) Set of Six Large Oils on Canvas, depicting abstract studies in many colors, shapes, and figures. Signed and dated 1982 lower right. Sticker on back reads "CB230." [Each panel: 49" x 95"; Frame: 50" x 96"]. Estimate $15,000-$20,000, a J. Ferier (19th C.) Lady w/ Teacup - oil on canvas painting of a lady in her boudoir with paper and teacup, signed lower right, in a gilt frame. [Art (oval): 36" H x 29" W; Frame: 48" H x 40 1/4" W]. Estimate $10,000-$15,000, a Minas Avetisyan (Armenian, 1928-1975), "Evening" Oil on canvas painting dated 1973, unframed, titled "Evening", a Fauvist landscape scene, signed and dated right, inscribed and dated verso, together with a Certificate of Authenticity from Gayane and Arman Avetisyan. [24" H x 31 1/2" W] Estimate $10,000-$12,000. Also offered is another Minas Avetisyan (Armenian, 1928-1975), oil on canvas painting of a colorful landscape with trees, signed low...
FALLS CHURCH, VA.— If anyone exemplified the highest standards of the US Marine Corps, it was the late Alfred M Gray Jr (1928-2024). A highly-decorated four-star general and 29th Commandant of the Corps, Gray forged a distinguished 41-year military career that included courageous wartime
WASHINGTON, DC.— Three major projects restored thanks to support from Friends of Florence Foundation are now on public view: Donatello’s monumental bronze sculpture Judith and Holofernes (1457-1464) in the Palazzo Vecchio; the sublime series of frescoes and ornamentation featured in the Brancacci Chapel in the Church of Santa
WILLOUGHBY, OHIO.— Condition was the keyword throughout Milestone’s June 15 auction of vintage advertising, toys, coin-ops and old coins. The 814-lot sale, which totaled a robust $650,000, was chock-full of gasoline, oil and travel-related signs, including a high-quality, fresh-to-the-market
LONDON.— The year 2024 marks the 100th anniversary of Queen Mary’s Dolls’ House, the largest and most famous dolls’ house in the world. To mark this centenary and to celebrate one of the great wonders of the Dolls’ House, Royal Collection Trust has published the first book exploring the creation and contents of the Dolls’ House’s miniature Library. Queen Mary’s Dolls’ House was built between
BILBAO.— In June 2022, the museum launched BBKateak, an initiative that has enabled sixty-four encounters between 110 artists in the collection to be displayed in the old building’s twenty-one rooms over these two years. This curatorial project has sought to show dynamically—with a weekly room change—the chronological extent and richness of the roster of artists harboured at the museum, as well as the vast variety
PARIS.— Gagosian opened an exhibition of new paintings and an immersive installation by Sarah Sze. Pictures at an Exhibition marks the artist’s return to Paris after her first show at the gallery there in 2020, which coincided with her solo exhibition Night into Day at Fondation Cartier pour l’art contemporain. Following its debut at the inaugural
VIENNA.— Zhou Siwei translates the contradictions of living and working in contemporary China into playful, personally fragmented and nonlinear works on canvas and painted objects. Probing the ambivalence of digital technologies, the unceasing global traffic in goods, and the sleeplessness of the late-capitalist era, Zhou interweaves diverse visual and cultural influences in ways that make everyday items and signs
LONDON.— An international team of scientists, from Zimbabwe, South Africa and the UK, have unveiled a new dinosaur species discovered from fossils found on the shoreline of Lake Kariba, Zimbabwe. The remarkable find, named Musankwa sanyatiensis, marks only the fourth dinosaur species to have been named from Zimbabwe and is the first to be named from the Mid-Zambezi Basin in over
LONDON.— Christie’s fine art and luxury auction house announced the first mid-career retrospective of one of the most influential Arab contemporary artists of this century. Ahmed Mater: Chronicles is taking place at Christie’s headquarters located in the heart of St. James’s, London, from 17 July – 22 August. Curated by Dr. Ridha Moumni,
LONDON.— Dickinson announced that their exhibition, Forma Viva - Italian Sculpture 1400 - 1800, is now open. Explore the digital turn-page catalogue on their website, which gives a taste of some of the works they have on display. This exhibition covers the time period from the extraordinary creative energy of the Renaissance to the blistering self confidence and dynamism of Baroque art. In just thirteen artworks, the full scope
ESSEN.— From 13 September 2024 to 12 January 2025, Museum Folkwang is presenting the exhibition Grow It, Show It! Hair through the eyes of Diane Arbus to TikTok. The show highlights the role of hairstyles in society, politics and everyday life through a wide selection of historical and contemporary photographs, videos and film clips from art, fashion and social media. From iconic works such as J.D. 'Okhai Ojeikere's
NEW YORK, NY.— Richard Hatch was searching the card catalog of the Sterling Memorial Library at Yale University, hunting for intriguing titles under the subject heading “Magic.” It was 1979, and Hatch was a young graduate student in physics, but he’d long nurtured an amateur’s passion for the conjuring arts and, on this day at least, he preferred to read about
In place of an intensive cooperation among artists, there is a battle for goods.
Wassily Kandinsky

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For decades, visitors flocking to New York for Pride every June found plenty of packed bars and jubilant parties but no easy way to engage with the city’s rich LGBTQ history. Even the area around Sheridan Square, the center of the 1969 Stonewall Uprising that catalyzed the gay liberation movement, had little to see for anyone interested in the queer past. “The guest experience when they got there was a bar, a bench and a park,” said Ross Levi, the executive director of the New York State Division of Tourism. “That isn’t terribly helpful for somebody who comes during the day when the bar is closed. It’s not terribly helpful if you have kids that you want to bring and learn about the history of the area.” That’s about to change with a new visitors center at Stonewall National Monument, in Greenwich Village, a neighborhood in Manhattan,
Something was in the air — though Tomi Adeyemi couldn’t quite say what. It wasn’t the sweltering heat of a New York City summer, nor the perfume of the sweat that had gathered atop our skin. “What’s your sign?” Adeyemi immediately asked me, before we even began to talk about her new book. Aquarius, I confessed. “Stop!” she responded. “I’m just having my own moment because you are the third Aquarius sun I have met in the past 36 hours.” Later, she learns our zodiac signs are flipped: I’m an Aquarius sun and Leo moon; she’s a Leo sun and Aquarius moon. Air and fire, fire and air. Drama, divination, nature’s elements — all words that could easily be applied to Adeyemi’s bestselling Legacy of Orïsha series, whose third and final book, “Children of Anguish and Anarchy,” will be published Tuesday by Henry Holt Books for Young Readers
The Canal du Midi, entirely hand-dug and hailed as an engineering marvel on completion in 1681, offers a refreshing alternate take on French travel: a bikeable path through the towns and landscapes of the country’s south. Traversing Occitanie, the canal gives cyclists of all skill levels access to parts of France that are rich in history, yet sometimes passed over by visitors with (only) Paris on their mind. When I discovered that the canal was manageable for nonserious cyclists like me, I was hooked. Stretching from the city of Toulouse to the Mediterranean port town of Sète, the 150-mile waterway offers mostly flat cruising for the thousands of riders who take to its towpaths every year. For nearly a week in July, I cycled upstream from Sète as far as Toulouse. I rented an electric bike and other gear from Paulette,
The Fundació Joan Miró presents the first solo exhibition in Spain by Vietnamese American artist Tuan Andrew Nguyen (Saigon, 1976), winner of the eighth edition of the Joan Miró Prize. The show includes some of his most poignant recent video installations, as well as a selection of his sculptures made out of fragments of bombs and artillery shells from the Vietnam War. Nguyen and his family emigrated to the United States as refugees after the end of the war and he uses his artistic practice to interweave his own personal story through the history of his country of birth. This exhibition explores the ways in which conflicts from the second half of the 20th century have impacted not only the people who lived through them but also their descendants. The show gets under way with three sculptures inspired by the mobiles of American
On June 28, the Speed Art Museum will unveil Louisville’s Black Avant-Garde: William M. Duffy, the second installment of an exhibition series exploring the pioneering artists behind the Louisville Art Workshop, a radical artistic collective founded in the 1960s focused on furthering the careers of and building community among Black artists of Louisville, at a time when Black artists were routinely excluded from museums and galleries. Featuring work spanning over four decades, Louisville’s Black Avant-Garde: William M. Duffy highlights not only the sculpture for which Duffy is particularly known, but the full breadth of his wide-ranging practice including drawings, paintings, and digital art, and will be on view through Sept. 29. The exhibition examines Duffy’s contributions as both an artistic and community leader who has provided
In the super election year, horror could become permanent. Elections are held all over the world—including in Austria. And everywhere, nationalism is rearing its ugly head and whispering seductive slogans. steirischer herbst wants to expose the seduction, question the narratives, dissect the fatherland, and put its horrors in their place. The festival’s means are the same as when it was founded in the late 1960s, a time in which the painful consequences of Nazism could be felt everywhere. Back then, performances, exhibitions, interventions, music, and literature were meant to disturb, shake things up, tear away the masks, and let in fresh air. They must do the same today. Titled Horror Patriae, steirischer herbst ’24 takes place from 19 September to 13 October in Graz and Styria. The Latin title is a hybrid, born of the love of the fatherland
Tate Modern is presenting the work of the acclaimed visual activist Zanele Muholi (b.1972), who came to prominence in the early 2000s with photographs that told the stories of Black lesbian, gay, bisexual, trans, queer and intersex lives in South Africa. Over 300 photographs are brought together to present the breadth of Muholi’s career to date, from their very first body of work to their latest and on-going series. These images challenge dominant ideologies and present the participants in their photographs as empowered individuals superbly existing in the face of prejudice, intolerance and often violence. This exhibition – the first major UK survey of the artist’s work – was originally opened at Tate Modern in 2020 but was cut short by the national lockdown. UK visitors now have the opportunity to see a revised and expanded version of the
In a time of flux in Hollywood, the Academy of Motion Picture Arts and Sciences, the organization that oversees the Oscars, placed a bet on continuity, announcing Monday that it would extend Bill Kramer’s tenure as CEO through July 2028. Kramer’s contract, which was up for renewal in 2025, was approved one year early “due to his exceptional leadership and significant contributions,” the academy said. “He is the ideal person to continue to broaden the Academy’s reach and impact on our international film community and successfully guide the organization into our next 100 years,” Janet Yang, the academy’s president, said in a statement. The academy has faced a number of challenges in recent years: It has worked to diversify the Oscars after nominating only white actors in 2015, faced the steep drop-off in television
A flounder looks like a hallucination of a fish. Its body is flat as a pancake, its head permanently tilted to one side, and instead of having one eye on each side of its head, both eyes are crowded on one side. This anatomy, as weird as it may be, is one of evolution’s remarkable success stories. Flounder, like more than 800 other species of flatfish, lie flat on the sea floor, their two eyes gazing up at the water overhead. When a smaller fish swims by, a flatfish shoots up and strikes. One species, the Pacific halibut, can grow to the size of a barn door. The bizarre bodies of flatfish have long puzzled biologists. In fact, Charles Darwin’s critics used it as evidence against his theory of evolution. In “The Origin of Species,” Darwin argued that natural selection favors tiny variations. Each little increment benefited an organism.
Jeremy Tepper, who over a long and varied career as a journalist, singer, label owner and radio producer championed the anarchic, high-energy music that straddled the lines separating country, rock, punk and plain old Americana, died June 14 in Queens, New York. He was 60. His wife, musician Laura Cantrell, said the cause of death, at Elmhurst Hospital, was a heart attack. Born in upstate New York and educated in Manhattan, Tepper was perhaps an unlikely apostle for a style of music variously called alt-country or outlaw country, but which he preferred to call “rig rock” — the sort of sounds favored by long-haul truck drivers. Far from the big hats and ostrich-skin boots of Nashville’s Lower Broadway, it is the music one might hear coming from honky-tonks, jukeboxes, truck stops and big-rig radios, the corners of Americana that Tepper celebrated with unironic joy.
Debates over antisemitism have flared for months on college campuses, in local government meetings and in Congress, in many cases boiling down to bitter disagreements over what is, and what is not, antisemitism. There was no such argument 5 1/2 years ago in Pittsburgh. When 11 worshippers were killed at the Tree of Life synagogue Oct. 27, 2018, the gunman who carried out the massacre was blunt in his bigotry, declaring beforehand on social media that he was acting out of a conviction that Jewish people were conspiring to replace the white race. On Sunday, members of the Tree of Life congregation will gather to break ground for a memorial and a new Tree of Life building. The airy, angular structure, designed by architect Daniel Libeskind, will house a sanctuary for the Tree of Life congregation — one of three
Venus Over Manhattan is presenting Celestial Songs, a group exhibition curated by artist Adrianne Rubenstein. Organized in conversation with a simultaneous exhibition of work by Maija Peeples-Bright and Roy De Forest, Celestial Songs comprises both historical and contemporary works by artists whose visual and thematic interests recall aspects of the Funk Art movement of the 1960s. The show comprises 25 different artists, and includes drawings, collage, paintings, fiber works, sculptures, and various other mixed media. Celestial Songs is on view at 55 Great Jones street from June 20 to July 26, 2024. Celestial Songs traces a vibrant journey through the enduring legacy of California funk. It details an expansive and autobiographical history rooted in the Bay Area in the 70s, whose influence reverberates
Flashback: On a day like today, American painter Philip Guston was born
Philip Guston (born Phillip Goldstein (June 27, 1913 - June 7, 1980), was a painter and printmaker in the New York School, an art movement that included many abstract expressionists like Jackson Pollock and Willem de Kooning. In this image: Philip Guston, "Untitled", (book, ball and shoe), 1971. Oil on paper, 50.2 x 70.5 cm., 19 3/4 x 27 3/4 inches. (T004167) ©The Estate of Philip Guston. Courtesy: Timothy Taylor Gallery, London.