The tricky process of returning Nazi-looted art
The First Art Newspaper on the Net    Established in 1996 Sunday, October 6, 2024


The tricky process of returning Nazi-looted art
A visitor reads informations during a preview of the exhibition "Gurlitt: Status Report, Nazi Art Theft and its Consequences" ("Bestandsaufnahme Gurlitt") on November 1, 2017 at the Bundeskunsthalle in Bonn, western Germany, where the exhibition runs from November 3, 2017 to March 11, 2018. A spectacular art collection hoarded by Cornelius Gurlitt, the son of Nazi-era dealer Hildebrand Gurlitt, will be shown for the first time since World War II in parallel exhibitions in Switzerland and Germany. The works in the two exhibitions, in Bern and the German city of Bonn, are just a fraction of the more than 1,500 pieces discovered in 2012 in the possession of Cornelius Gurlitt. PATRIK STOLLARZ / AFP.

by Robin Gremmel



PARIS (AFP).- The Nazis stole thousands of artworks from Jewish families during World War II and the restitution of these pieces has been a slow process involving legal battles, complex searches and some stunning finds.

Ahead of a court ruling on the return of a painting by impressionist master Camille Pissarro this week, here is some background.

Plunder and rescue
The art plundered by the Nazi regime was intended to be resold, given to senior officials or displayed in the Fuehrermuseum (Leader's Museum) that Adolf Hitler planned for his hometown of Linz but was never built.

Just before the end of the war, the United States dispatched to Europe teams of experts -- museum directors, curators and educators -- to find, protect and rescue cultural treasures.

Known as the Monuments Men, they were honoured in a 2014 George Clooney film of the same name.

These work and restitution programmes enabled the return of most of the looted works to their owners soon after the end of the war.

But out of 650,000 stolen pieces, about 100,000 had not been returned by 2009, according to figures released at the Holocaust Era Assets Conference in the Czech Republic that year.

Secret records
Works seized by the Nazis in France were stored at the Jeu de Paume site in Paris, originally tennis courts, ahead of their shipment to Germany.

Thanks to the secret notes of Rose Valland, an art historian there, about 45,000 were recovered and three-quarters of these returned, according to a report to the French Senate in 2013.

Of the remaining "orphaned" pieces, some were sold and more than 2,000 were accorded the special status of "MNR", standing for "Musees Nationaux Recuperation" (Recuperation - National Museums) meaning they are provisionally entrusted to museums.

The works were exhibited from 1950 to 1954, but then, "for 40 years, nothing happened", said the 2000 Matteoli report on the looting of French Jews.

The report noted "the total abandon of all searches for the owners of these works".

New impetus
Inertia settled over the restitution drive in the context of the Cold War and the complexities of various cases.

The process was revived in the 1990s after the declassification of thousands of archives and the publication on the internet of databases such as The Art Loss Register.

In December 1998, 44 countries signed the Washington Declaration that committed them to stepping up efforts to return stolen pieces to their prewar owners or heirs.

This led to the creation of special commissions and new laws, including the US Holocaust Expropriated Art Recovery Act of 2016 that lengthened the time limit for lodging a restitution claim.

The Klimt affair
In one of the biggest cases involving art stolen by the Nazis, five masterpieces by Gustav Klimt were caught up in a bitter legal battle between a descendant of the Jewish family from which they were taken and Austria's Belvedere Museum.

They included two stunning portraits of Adele Bloch-Bauer, completed with gold leaf.
The Vienna museum argued that Bloch-Bauer herself had left it the works. But American heiress Maria Altmann disputed the claim, saying the pieces belonged to her uncle, Adele's husband.

Altmann won her battle in 2006 and the pieces were returned. The story was adapted by British filmmaker Simon Curtis into "Woman in Gold" (2015).

Austria estimates it has returned about 10,000 works from public collections after passing a restitution law in 1998.

A spectacular find
In 2011 a raid on a rubbish-strewn flat in Munich as part of a tax investigation uncovered hundreds of priceless paintings, including works by Picasso and Matisse, that had been stolen by the Nazis.

The flat belonged to Cornelius Gurlitt, an octogenarian whose father was one of four art dealers charged by the Nazis with selling the art.

An additional 239 works were found at a house he owned in Salzburg, Austria.

Gurlitt passed away in 2014 and left his collection to the Museum of Fine Arts in Bern, Switzerland. But many of the pieces have been subject to legal challenges across Germany.


© Agence France-Presse










Today's News

November 6, 2017

Clark Art Institute exhibition studies less-explored aspects of Impressionist works

The tricky process of returning Nazi-looted art

Elegant Home Auction to offer nearly 900 diverse pieces at Bonhams Los Angeles

French court to rule on Nazi-looted Pissarro painting

LACMA's seventh annual Art+Film Gala honors Mark Bradford and George Lucas and raises more than $4.4 million

Zahi Hawass criticises pyramid void 'discovery'

The Morgan explores the story behind the creation of Charles Dickens's A Christmas Carol

Exhibition focuses on one of the finest collections of European art ever to have been formed in the U.S.

Artist Hito Steyerl heads 2017 edition of ArtReview's annual Power 100

Laurence Miller Gallery opens exhibition of photographs by Wendell MacRae

Tibor de Nagy opens a solo exhibition of work by contemporary artist Jim Butler

Matthew Marks opens exhibition of seven new sculptures by Katharina Fritsch

Tanya Bonakdar Gallery opens a new exhibition by British artist Phil Collins

Group exhibition rewrites the rulebook for experiencing a work of art

Luhring Augustine exhibits a selection of recent mirror paintings by Michelangelo Pistoletto

Major exhibition dedicated to Sheila Hicks opens at Museo Amparo

Exhibition of drawings and paintings by Neil Jenney on view at Gagosian

Gabriel Rico's debut exhibition in New York on view at Perrotin

Prints & Multiples surpass $2.6 million at Heritage Auctions, set world-records for contemporary artists

Sean Kelly opens exhibition of new work by David Claerbout

Major survey celebrating Japanese artist Yayoi Kusama opens in Brisbane

Jewels, Faberge and objets d'art from the collection of HRH Princess Margaret to be auctioned

Pérez Art Museum Miami opens first career survey devoted to the work of Dara Friedman

Saffronart's Kochi-Muziris Biennale Fundraiser Auction raises $425,000 USD for the biennale

chin(A)frica on view at the Institute of Fine Arts Duke House




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful