SAN FRANCISCO, CA.- Gregory Lind Gallery presents Maine Paintings, Eric Wolfs first one-person show with the gallery.
Wolfs painting project has continued to evolve, as Wolf has moved from a long strict minimalist phase, into a kind of reversal: using tonal grays to create atmospheric paintings. These new works link the project to American landscape figures and traditions like Marsden Hartley, Charles Burchfield and the Hudson River school, as well as the perceptual suggestiveness of the impressionists and early modernists.
The work inverts the tradition of moving from representation to abstraction while retaining modernisms core value of oscillating and dynamic representations of visual space. Integrating these divergent interests into a coherent project, the work is teeming with references across disparate cultural practices, while delivering unusual visual richness and spatial ambiguity.
Wolfs embrace of experiential nature-as-subject continues to play with formalisms constraints, and representations limits. Inspired by the scale and purity of the subject as it exists in Maines Wilderness, Wolf creates paintings whose deep cross-cultural origins reflect on the history of modern representation, from calligraphic writing to minimalisms deep, blank surfaces.
Eric Wolf is based in New Yorks Hudson Valley. He is a graduate of the Rhode Island School of Design and the City College of New York, CUNY, MFA in Painting, and also attended Skowhegan School of Painting and Sculpture. Wolf has had residencies at Yaddo, The MacDowell Colony, Giverny, Blue Mountain Center, and Art Omi. His solo exhibitions include Oresman Gallery at Smith College, Northampton, MA; The Williston School, Easthampton, MA; Jeff Bailey Gallery, Fredericks-Freiser Gallery, Jessica Fredericks Gallery, all NY; and Kristina Wasserman Gallery, Providence, RI. His work has been reviewed in the New York Times, the New Yorker, Art News, Artforum, Art in America, Frieze, among others. Wolfs most recent project is as curator of an exhibition at LABspace, in upstate New York, called The Nature Lab, an homage to the RISD Nature Lab and its founder, Edna Lawrence.
A 28-page catalogue accompanies the exhibition.