Solo exhibition by celebrated Indonesian artist Entang Wiharso opens at Mizuma Gallery
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Solo exhibition by celebrated Indonesian artist Entang Wiharso opens at Mizuma Gallery
Entang Wiharso, Reconciliation-Ground Zero, 2018. Acrylic, ink, thread, resin, colour pigment, glitter on canvas, 200 x 287 cm © Entang Wiharso, courtesy of the artist and Mizuma Gallery.

by Loredana Pazzini-Paracciani



SINGAPORE.- Mizuma Gallery announces Hybrid Brain, a solo exhibition by celebrated Indonesian artist, Entang Wiharso.

Entang Wiharso is one of Indonesia’s most acclaimed contemporary artists and is known for creating provocative works loaded with bold visuals and distinctive imageries. Since 1997, Entang, his American wife, and two children have shuttled between Yogyakarta, where his Indonesian studio is located, and his studio in Rhode Island, U.S., progressively belonging and un-belonging to his land of origin. These two vastly different countries have become important parts of his identity, and this dichotomy of cultures, personal opinions, and experiences are reflected in his works.

In this exhibition, Entang explores the issues of identity, belonging, and otherness in an increasingly mobile society where acceptance and integration are rare privileges coloured by ideology, social statues, and genetic heritage. Disguised by thick impasto and a vivid palette, and through the use of glitter, collage, ink and, occasionally, car paint, the seemingly abstract works on canvas of Ground Zero, Hibernation, Floating Garden, and Precaution are reminiscent of landscape painting where the flat surface of the canvas is deployed to portray the artist’s emotions in relation to his surroundings. However, in these works, natural elements such as the sky and the earth, typical of the landscape format, and their relation to the human being, are reshuffled and transformed through the artist’s emotions and “mind notes” and are translated on the canvas according to his medium of choice.

Hybrid Brain showcases Entang Wiharso’s newest body of works that was intentionally produced in his two studios located in Yogyakarta and Rhode Island, where he is an Indonesian artist in the former, and an American in the latter. It is a reflection on the concept of ‘identity’ as a social conditioning that further unpacks notions of alienation and prejudice to which, in various degrees, we are all subjected to in society.

Entang Wiharso (b. 1967, Tegal, Central Java, Indonesia) graduated from the Indonesian Institute of Arts in Yogyakarta, majoring in Painting, in 1994. He has had solo exhibitions across Asia, Europe and the US including recent exhibitions such as Half Degree of Separation at Tang Contemporary Art, Bangkok, Thailand (2018); Promising Land at Marc Straus, New York, USA (2017); and Never Say No at Singapore Tyler Print Institute, Singapore (2015). Entang has also participated in major group shows as Pathos of the Fringes at Jeonbuk Museum of Art, Jeollabuk-do, South Korea (2018); Folkloristics at Mizuma Gallery, Singapore (2018); Allegories & Identities at Singapore Tyler Print Institute, Singapore (2017); Odyssey: Navigating Nameless Seas at Singapore Art Museum, Singapore (2016); Love: The First of the 7 Virtues at Hudson Valley Center for Contemporary Art, New York, USA (2015); Open Sea at Musée d’art contemporain, Lyon, France (2015); Prospect.3: Notes for Now at Contemporary Arts Center New Orleans, Louisiana, USA (2014-15); and All You Need Is Love at Mori Art Museum, Tokyo, Japan (2013) amongst many others. Entang is represented in numerous notable collections, including the Guy and Myriam Ullens Foundation, Switzerland; the Olbricht Collection, Berlin, Germany; Indonesian Art Institute, Yogyakarta, Indonesia; National Gallery of Victoria, Melbourne, Australia; the Rubell Family Collection, Miami, USA; and the Singapore Art Museum, Singapore. Entang Wiharso lives and works in Rhode Island, USA, and Yogyakarta, Indonesia.










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