MELBOURNE.- The National Gallery of Victoria’s Designing Women exhibition highlights the dynamic and critical force of female designers in shaping contemporary design culture with works including Oru Chair by UAE’s Aljoud Lootah, Yang Metamorphosis designed by Carlotta de Bevilacqua for Artemide and Horse Lamp by Swedish design studio Front Design.
Drawn from the NGV Collection, Designing Women explores lighting, furniture, object and fashion design, together with architecture, textiles and contemporary jewellery. More than sixty diverse works are being showcased alongside new acquisitions, all united by their female authorship.
The exhibition includes works by fifty designers, from Australian icons such as Elliat Rich and Helen Kontouris to international trailblazers including Zaha Hadid and Neri Oxman. Exploring the themes of leadership, research, teamwork and community, the exhibition emphasises the accelerating opportunity for contemporary women to shape the future in a world increasingly defined by design.
Lee Darroch, a Yorta Yorta, Mutti Mutti, Boon Wurrung artist from Gippsland, is at the forefront of the revival of the sacred cultural practice of possum cloak making in Victorian Aboriginal communities. An NGV commission, Darroch’s 25-pelt possum skin cloak will tell the story of identity, Yorta Yorta Country, and the Dhugula, Kaila and Yalooka rivers, in addition to her compelling family history.
Other exhibition highlights include Genesy Lamp by Zaha Hadid, for Italian lighting design manufacturer Artemide. Almost two metres tall, Genesy Lamp is inspired by the growth patterns of trees within a forest. Zaha Hadid’s use of advanced design and manufacturing technology placed her at the forefront of architectural and design practice for nearly forty years. Her designs are characterised by a beauty that is connected to innovation, future technologies and social progress.
Designing Women features Bloom staged as a dynamic installation; a swelling, neon pink structure shaped with coils, rings, spirals and branches. The work is made up of interlocking pieces called ‘cells’, which are used to build a formation that is unique each time the work is displayed, referencing the interaction between people in public spaces. Croatian architect and digital researcher Alisa Andrasek is a professor of design innovation at RMIT University in Melbourne. Designed in collaboration with Chilean architect Jose Sanchez, Bloom was commissioned by the Greater London Authority for a series of events during the Olympic and Paralympic games in 2012.
Tony Ellwood AM, Director, NGV said, ‘Designing Women showcases a diverse and broad range of exceptional international and local design produced by some of the most exciting, innovative and dynamic designers of the last forty years. Featuring recently acquired works, this exhibition highlights the breadth and richness of the NGV’s Collection.’
