Folk Art gifted to Mississippi Museum of Art by artists Claudia DeMonte and Ed McGowin
The First Art Newspaper on the Net    Established in 1996 Sunday, September 29, 2024


Folk Art gifted to Mississippi Museum of Art by artists Claudia DeMonte and Ed McGowin
William “Bill” Traylor, Untitled (Black Dog with Red Tongue), ca. 1939-40. Opaque watercolor and pencil on cardboard, 16 x 13.75 in.



JACKSON, MISS.- Artists Claudia DeMonte and Ed McGowin donated more than 100 works by self-taught artists to the Mississippi Museum of Art. They were subsequently honored at the Museum’s annual Rembrandt Society Dinner held on November 1. The works represent part of their personal collection of sculptures, paintings, and assemblages.

The objects from the DeMonte/McGowin collection add to a growing body of self-taught Southern artists represented in the Museum’s permanent collection. Of Mississippi-born artists, works by O.W. “Pappy” Kitchens, Mary T. Smith, James “Son Ford” Thomas, and Luster Willis are now strongly represented, offering varied richness and depth to the arts of 20th-century Mississippi. Other notable artists from across the South include Howard Finster, Lonnie Holley, James Harold Jennings, and Mose Tolliver.

“Particularly exciting is the gift of a pristine watercolor, Untitled (Dog with Red Tongue) by Bill Traylor, an artist not previously represented in the Museum’s collection,” said Museum Curator of American Art Elizabeth Abston. “Traylor’s striking paintings are currently featured in a major retrospective at the Smithsonian American Art Museum that explores his world of memories, taletelling, and direct observation in the segregated South. The dog in ‘Untitled’ is an image Traylor returned to regularly, its proportions likening it more to a mythical beast than household pet, though Traylor seemed to enjoy merging those two worlds.”

Ten James “Son Ford” Thomas sculptures add depth to the representation of the Mississippi bluesman and artist’s work already in the Museum’s collection. Thomas’ ever-evolving art practice and interest in death and the dreamworld provide unique avenues to access the life he lived in rural Mississippi. Further, the gifts of Mary T. Smith’s work now bring the Museum’s holdings up to nine works, many of which would have been arranged proudly outside of her home in Hazlehurst in one of the South’s most notable examples of rural artistic environments known as yard shows or yardscapes.

“Over a period of 25 years, my husband and I drove thousands of miles, around the backroads of the United States—particularly in the American South—in our desire to meet folk artists. We did not start out to collect … rather as artists, we were interested in the creative process as it relates to self-taught artists. With few exceptions, we met most of the artists whose work we acquired, and we feel that this collection contains extraordinary examples of the expression of human spirit that these artists embodied. This group of works is not a survey of folk art but the result of a personal quest to understand art-making,” said DeMonte.

“Claudia and Ed have been friends of the Mississippi Museum of Art since its 1978 opening. The deeply personal nature of this collection makes it especially meaningful for us, and it ties us in perpetuity to this Mississippi-born artist and his brilliant artist wife. We were delighted to celebrate them and toast their latest act of generosity at our annual Rembrandt Society Dinner earlier this month. We are deeply grateful,” said Museum Director Betsy Bradley.

Claudia DeMonte is a mixed media artist renowned for her analysis of contemporary women's roles. She was born and raised in the Astoria neighborhood of New York City. Her work has been exhibited in more than 100 one-person shows and 500 group shows, nationally and internationally, including exhibitions at the Corcoran Museum, Modern Art Museum of Fort Worth, Tucson Museum, Flint Institute of Art, Museum of the Southwest, and Mississippi Museum of Art. For 33 years, DeMonte has served on the faculty of the University of Maryland, where she was named Distinguished Scholar Teacher and Professor Emerita. In 2006, She was awarded an Honorary Doctorate from the College of Santa Fe.

Ed McGowin is best known for his 1970-71 work "Name Change," for which he changed his name legally 12 times over an 18-month period and created distinct bodies of work under those personas. He has continued this practice over the last five decades. McGowin has taught at the Corcoran Gallery of Art and Design, The University of Southern Mississippi, and the State University of New York. His work has been exhibited in more than 70 solo shows at venues in the U.S. and abroad, including the Museum of Modern Art of the City of Paris and The National Museum of American Art in Washington, D.C. His work can be found in the permanent collections of the Whitney Museum of American Art (New York, NY), The Guggenheim Museum (New York, NY), and the Lowe Museum of Art (Miami, FL), among others.

DeMonte and McGowin are married and live in New York City and Kent, CT.










Today's News

December 4, 2018

Artemis Gallery to present no-reserve auction of antiquities, ethnographic & Asian art

Exhibition explores the role of monuments and monumental art, featuring works from antiquity to present day

Christie's announces highlights of the sale of Catherine Deneuve's wardrobe

Iraq's ancient pottery struggles to outlive modern plastic

Finland's 'ode' to a new era in libraries

Richard P. Feynman's Nobel Prize medal leads Sotheby's $7.4 million 'Geek Week' auctions in NY

Kennedy Center gala honors best in arts -- and George H.W. Bush

New Director to steward the Corita Collection in Los Angeles

Berkowitz Contemporary Foundation unveils designs for Miami art space

Exhibition at White Cube Hong Kong features rare, early works by Park Seo-Bo

Folk Art gifted to Mississippi Museum of Art by artists Claudia DeMonte and Ed McGowin

Bonhams appoints Muys Snijders as Head of Americas for Post-War & Contemporary Art in America

How engineers are straightening the Leaning Tower of Pisa

Jerwood Charitable Foundation announces 12 new artists to watch in 2019

Platinum ring with an 11-carat diamond center stone climbs to six figures at Miller & Miller

Iraq's Mohamed al-Daradji battles inner demons through film

Novelist Sir Kazuo Ishiguro to be awarded Bodley Medal

1912 Boston Red Sox World Series jewelry passed down for generations headlines Grey Flannel auction

David Shrigley creates print to help fund Brighton Dome Building

Christie's announces highlights of the Design and Masterpieces in Glass sales

Cadogan Contemporary opens an exhibition of new works by Janette Kerr

Rodin's Éternel Printemps ratchets up the romance in Heritage Auctions' European Art Auction

14-18 NOW brings WW1 centenary to 35 million people as five-year programme comes to an end

CONTEXT Art Miami celebrates seventh edition with 96 international galleries




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful