NEW YORK, NY.- Pace Gallery is presenting new paintings by Raqib Shaw. The exhibition showcases Shaws first work in the long tradition of landscape painting, signifying a new direction for the London-based Kashmiri artist. Drawing inspiration from his childhood memories of Kashmir and the nature and architecture of the Indian subcontinent, Shaw has mined and re-envisioned his own personal history through the compulsively-detailed, meticulously-painted, and emotionally-potent works. Raqib Shaw: Landscapes is on view at 537 West 24th Street from April 5 May 18, 2019. A full-color catalogue featuring a conversation between the artist and Pace Gallery Founder Arne Glimcher accompanies the exhibition.
This exhibition is the culmination of two decades of the artists continual refinement and experimentation with Hammerite enamel paint a dedication that has allowed Shaw to push the material beyond its traditional capabilities. Shaw has approached this material and his practice with a mentality resonant with the Japanese mindset of Monozukuri. For the latest paintings, Shaw initially swirled the paint around with matchstick splinters and pieces of wood, then porcupine quills, and finally fine needles attached to quills for the most detailed areas of the compositions. The result is a paint surface that appears both fragile and highly textured, encompassing an extravagant color palette.
While grounded in the artists personal history in Kashmir, the new works also demonstrate Shaws careful study and appreciation of the tradition of Western landscape painting, including the work of masters Pieter Bruegel the Elder, Annibale Carraci, John Constable, Caspar David Friedrich, and Thomas Gainsborough. East meets West in Shaws final works fusing them with pictorial traditions of Persian and Mughal miniature paintings.
Autobiographical in nature, this exhibition presents Shaws experiences, observations, and memories of his life to the present date, with a particular focus on his early years spent in Kashmir before political unrest forced his family to relocate. Shaw referred to the series as: A cathartic exercise to try to suture the wounds of separation from Kashmir.
Although an artist of note, his work should be considered philosophically closer to that of Dubuffet and outsider artists than being integral to the concerns of contemporary figuration.
Raqib Shaw (b. 1974, Calcutta) is a Kashmiri artist who lives and works in London. He is known for his opulent and intricately detailed paintings of phantasmagorical dreamscapes made with surfaces inlaid with vibrantly colored jewels and enamel. His works reveal an eclectic combination of Western and Eastern influences, from Persian carpets and Northern Renaissance painting to industrial materials and Japanese lacquer. Although Shaw suggests specific references through images and titles, the worlds depicted in his work are distinctly born of his own imagination, sieving personal experiences through coded narratives.
Since 2005, Shaw has been the subject of monographic exhibitions at institutions in the United States and across Europe, including The Tate Britain (2006), The Metropolitan Museum of Art, New York (2008) and the Scottish National Gallery of Modern Art, Edinburgh (2018). His exhibition at The Whitworth Art Gallery, The University of Manchester, United Kingdom (2017) was reimagined for the Dhaka Art Summit, Bangladesh, in 2018. Shaws work is held in numerous public collections at institutions including the Amorepacific Museum of Art, Korea; The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; The Nelson-Atkins Museum of Art, Kansas City, Missouri; and Tate, London, among others.
Pace is a leading contemporary art gallery representing many of the most significant international artists and estates of the twentieth and twenty-first centuries. Under the leadership of President and CEO Marc Glimcher, Pace is a vital force within the art world and plays a critical role in shaping the history, creation, and engagement with modern and contemporary art. Since its founding by Arne Glimcher in 1960, Pace has developed a distinguished legacy for vibrant and dedicated relationships with renowned artists. As the gallery approaches the start of its seventh decade, Paces mission continues to be inspired by our drive to support the worlds most influential and innovative artists and to share their visionary work with people around the world.
Pace advances this mission through its dynamic global program, comprising ambitious exhibitions, artist projects, public installations, institutional collaborations, and curatorial research and writing. Today, Pace has ten locations worldwide: three galleries in New York; one in London; one in Geneva; one in Palo Alto, California; one in Beijing; two in Hong Kong; and one in Seoul. Pace will open a new flagship gallery at 540 West 25th Street in New York in September 2019.