Amy Meyers Named New Director of Yale Center
The First Art Newspaper on the Net    Established in 1996 Monday, August 4, 2025


Amy Meyers Named New Director of Yale Center



NEW HAVEN, CONNECTICUT.- Yale Center for British Art President Richard C. Levin has named Amy Meyers, curator of American Art at the Henry E. Huntington Library, Art Collections, and Botanical Gardens in San Marino, California, as director of the Yale Center for British Art and adjunct professor of the History of Art. Meyers will serve as director for a term of five years, beginning September 1, 2002.



"It gives me the greatest pleasure to announce the appointment of Amy Meyers," said Levin. "She has distinguished herself as an outstanding and imaginative leader in the field of research and a singularly adept administrator at some of the nation’s prominent museums, galleries and research centers. Her experience developing collections in all media and her involvement with the building of collaborative programs, not only regionally, but also nationally and internationally, auger well for her tenure here."





Meyers’ appointment will be a homecoming. After receiving her B.A. from the University of Chicago, she did the graduate work for her 1985 Ph.D. in American Studies at Yale, where professors Howard Lamar, Jules Prown and Bryan Wolf advised her dissertation on Anglo-American and English Naturalists. Since then she has spent most of her time at research institutes, first as a graduate fellow at Dumbarton Oaks, then at the Center for Advanced Study in the Visual Arts at the National Gallery, and for the past 13 years at the Huntington. At the latter she has been responsible for running the Virginia Steele Scott Gallery of American Art, a museum that also serves as a centerpiece for one of the most active research programs in the history of Anglo-American culture. She has helped to build up collections of art from the colonial period through the twentieth century, and she has been instrumental in formulating programs on the history of American art and material culture.



In concert with her colleagues, Meyers has encouraged cross-institutional dialogue about the history of trans-Atlantic culture that has extended to the faculty and student body of the California Institute of Technology, where she is an adjunct faculty member, and to other area colleges, universities, museums and research centers with which the Huntington has ongoing relationships. She was the Huntington’s representative in the Association of Research Institutes in the History of Art, for which she served as Vice Chair from 1995-2000.



The new director is a leading expert on naturalist illustrators, and her scholarship has focused on British interpreters of America. Among her publications are "Imposing Order on the Wilderness: Natural History Illustrations and Landscape Portrayal," in "Views and Visions: American Landscape Painting, 1790-1830," by Edward Nygren (The Corcoran Gallery, 1986); "The Perfecting of Natural History: Mark Catesby’s Drawings of North American Flora and Fauna in the Royal Library, Windsor Castle," in Mark Catesby’s "Natural History of America: The Watercolors from the Royal Library, Windsor Castle, by Henrietta McBurney" (Museum of Fine Arts, Houston, 1997); and "Picturing a World in Flux: Mark Catesby’s Response to Environmental Interchange and Colonial Expansion," in "Empire’s Nature: Mark Catesby’s New World Vision," Amy Meyers and Margaret Pritchard eds. (Colonial Williamsburg and The Omohundro Institute of Early American History and Culture, 1999). She is co-editor with Jennifer Watts of "A Life’s Work: Edward Weston’s Guggenheim Collection" (The Huntington), a catalogue in preparation for 2003, and of "Nexus of Exchange: Philadelphia and the Visual Culture of Natural History, 1740-1840" (The Huntington) to be published.



Among other publications to which Meyers has contributed are the Journal of American History, the New England Quarterly and the Chronicle of Higher Education. She has a lifelong interest in photography, and with Alan Trachtenberg, the Neil Gray, Jr., Professor of English at Yale, edited "Classic Essays on Photography" (Leete’s Island Books, 1980). Meyers will be joined in New Haven by her husband, Jack Meyers, who also is a Yale alumnus, and their daughter, Rachel. Mr. Meyers is the Deputy Director of the Getty Grant Program at the J. Paul Getty Trust.



The search committee was headed by Linda Peterson and included Yale faculty members and administrators: Tim Barringer, Richard Benson, Ned Cooke, Diana Kleiner, Jules Prown, Jock Reynolds, and Keith Wrightson. In making the announcement of the appointment, Levin also acknowledged with deep appreciation the help the committee had received from Constance Clement, acting director of the Center for British Art, and Malcolm Warner, curator of paintings and sculpture at the Center.











Today's News

August 4, 2025

Eli Wilner: The master framer elevating art, one gilded detail at a time

Brian Calvin's new exhibition challenges perceptions of faces and images

The Cummer Museum of Art & Gardens announces an important gift from the Estate of Helen M. and Edward W. Lane, Jr.

Visionary artist Robert Wilson leaves enduring mark on stage and art world

RIBA announces shortlist for the Stephen Lawrence Prize 2025

Pinakothek der Moderne unites Japanese woodcuts with Yoshihiro Suda's "Garden of Eden

National Gallery of Art exhibits American landscapes in watercolor from the Corcoran Collection

Gerda Paliušytė explores expectation and illusion in new exhibition at CAC Vilnius

Yancey Richardson Gallery marks 30 years with artist-curated exhibition

Maruani Mercier spotlights key artists and surrealist masters in anniversary show

RIBA announces shortlist for the Neave Brown Award for Housing 2025

Alison Jacques presents major London exhibition of Carol Rhodes' distinctive landscapes

Alon Zakaim unveils exhibition exploring fear and courage through art history

Beto Fame's latest exhibition at Beers London explores urban rhythms and memory

Still waters run deep: Remy Jungerman unveils first Cape Town solo show at Goodman Gallery

Fabulous selling exhibition: Master painters and pioneers 18th to 20th centuries

Michael C. Carlos Museum announces appointment of the Associate Museum Director for Public Programs

15th Biennale of Young Artists announces curators

Coastal colors and geometric tides: Mary Heilmann's water-inspired art comes to Guild Hall

A building's story: Durango's INAH Center unveils photographic journey through its past

New leadership at Oaxaca's cultural gem: Manuel Aguilar takes helm of Santo Domingo Museum




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful