NEW ORLEANS, LA.- Today the
Contemporary Arts Center, New Orleans announced #fail, its Spring exhibition curated by Anthony Spinello. On view at the CAC March 12 – June 19, 2022, the multimedia group exhibition brings together works by twenty five artists from across the U.S. that expose the systemic failures facing our world.
Featured artists include: Nathalie Alfonso, Eddie Arroyo, Abdul Aziz, Gregory Coates, Joseph Cuillier, Cara Despain, Dawn DeDeaux, Rahehleh Filsoofi, Leon Ford, Nash Glynn, Shana M. griffin, Micol Hebron, Sinisa Kukec, Susan Lee-Chun, Justin H. Long, Emilio Rojas, Sherrill Roland, Naama Tsabar, Frances Trombly, Juana Valdes, Elizabeth M. Webb, Agustina Woodgate, Derrick Woods-Morrow, Antonia Wright, and Octavia Yearwood.
The exhibition explores a world in crisis and it is treated as social and poetic materials. Through a multidisciplinary presentation, the artists express existence as a failure worth narrating.
The opening night celebration for #fail takes place Saturday, March 12, 2022 from 7 to 10 pm, and will feature film screenings, performances, and interactive installations. Artist Naama Tsabar will be performing live, new, original compositions with New Orleans musicians on two of her Melodies of a Certain Damage sculptures at 7:30 pm and 8:30 pm in the CAC’s first floor gallery. Throughout the evening, guests are invited to contribute to the completion of a new work by artist Sinisa Kukec, entitled Sympathy for the Stone (2022), inspired by the James Webb Telescope. This collectively-created sculpture will later be placed in the CAC Atrium in conversation with Dawn DeDeaux’s monumental 30-foot MotherShip Ring: Alpha Omega (2012-2022), and Cara Despain’s video work 2020: A Year in Flames (2020). Sherrill Roland’s participatory installation, AFTER THE WAKE UP (2017), invites visitors to carve into the gallery walls in response to questions about innocence and guilt as posed by the formerly-incarcerated artist. Adjacent to Roland’s work, New Orleans-based photojournalist Abdul Aziz will debut Line of Deceit, 2020, a mural-sized photograph. Concurrently during the opening, Octavia Yearwood’s Imagine: A Video Anthology of Black Thoughts will be screened continuously in the CAC Black Box Theater. The exhibition will also feature Displaced New Orleans: In 10 Words by Shana M. griffin, a public artwork on the exterior facade of the building facing St. Joseph Street.
Admission is free to the public, with RSVP required on the CAC’s website.
On Sunday, March 13 from 1 pm to 4:30pm, the CAC will feature two 90-minute panel discussions with exhibiting artists, moderated by Alpesh Kantilal Patel, art historian, art critic, and author of Productive failure: Writing queer transnational South Asian art histories. Sinisa Kukec’s interactive sculpture entitled Sympathy for the Stone (2022) will be activated for participation from 11 am to 1 pm.
“#fail offers a sobering reflection of our imminent future, bringing together a diverse and intersectional group of artists who are collectively responding to the precarious nature of our environment and existence, “ said Anthony Spinello, #fail Curator.
“This exhibition reverberates with the crisis of the past two years. In both monumental and subtle ways, the artists make visible the often invisible systems that orient our society,” said George Scheer, Executive Director of the CAC. Scheer adds, “Audiences are treated to an array of media, immersively intertwined and multidisciplinary. #fail makes a persuasive argument for our collective future.”
#fail is made possible by The Andrew W. Mellon Foundation, through its support of the CAC’s Inter[SECTOR] program, a three-year multidisciplinary arts program centering cross-sector engagements with the fields of carceral justice, healthcare, and the environment. With generous support of the Knight Foundation, the CAC will utilize technology to expand access and support the creation and distribution of the exhibition to global audiences. CAC will create an online exhibition with 360° virtual experiences, combined with multimedia didactics giving audiences a deeper understanding of artists and the context of their work. In collaboration with Boardroom One, a dedicated livestream service, the CAC will broadcast opening weekend panel discussions with New Orleans and Miami-based artists participating in the exhibition.
Anthony Spinello (b. 1982, Brooklyn, New York) is a curator and gallerist. In 2005 he founded Spinello Projects, a Miami-based contemporary art program. It is a gallery, creative space, and an innovative platform for nomadic site specific curatorial projects. In 2014 Spinello Projects produced Auto Body, a non-commercial exhibition featuring thirty three women artists, nominated by a platform of over thirty five international women curators, in Miami and in 2015 at Faena Art Center, Buenos Aires. In 2017 and 2018 respectively, Anthony Spinello organized, Fair. and FREE!, two non-commercial art fair curatorial projects at Brickell City Center, Miami, Florida. In 2018, Spinello was honored as a Miami Knight Arts Champion. Anthony Spinello lives and works in Miami, FL.
