Largest James Ensor retrospective of the century opens in Antwerp
The First Art Newspaper on the Net    Established in 1996 Monday, October 7, 2024


Largest James Ensor retrospective of the century opens in Antwerp
James Ensor, De intrige, inv.nr. 1856, photo: Rik Klein Gotink, Collectie KMSKA - Vlaamse Gemeenschap.



ANTWERP.- On the occasion of the Ensor Year 2024, the Royal Museum of Fine Arts Antwerp (KMSKA) presents the exhibition In Your Wildest Dreams. Ensor Beyond Impressionism. From 28 September 2024 to 19 January 2025, visitors will be able to immerse themselves in the largest James Ensor retrospective of the century.

KMSKA holds the largest Ensor collection in the world. Owing to the Ensor Research Project, the museum has taken a leading role in researching the artist's oeuvre for many years now. This provides the perfect context for showcasing Ensor’s work. In Your Wildest Dreams. Ensor Beyond Impressionism invites visitors into a colourful universe of visions, masquerades and satire. But there is more. It is the first time that an exhibition shows Ensor's work so grandly, and alongside that of artists who inspire him and with whom he is eager to compete. Even if those competitors are Claude Monet, Edvard Munch or Édouard Manet.

“Never before have top works by Ensor been juxtaposed with other Impressionists in this way, and it is precisely this international context that allows the specific qualities of Ensor's art to be even more fully appreciated. Important loans from, among others, the MoMA in New York and the National Gallery in London, reflect KMSKA's strong international positioning in the global museum ladscape.” - Luk Lemmens, chairman KMSKA vzw

Ensor Beyond Impressionism

In Your Wildest Dreams. Ensor Beyond Impressionism enters the creative mind of James Ensor as a pioneering artist who transcends his own epoch. He is fiercely ambitious and aspires to be the leader of the Belgian avant-garde. Early on, he introduces influences of established French impressionists into his work, such as Édouard Manet, Claude Monet and Pierre-Auguste Renoir. But Ensor would not be Ensor if he did not stray from the well-trodden path, to strike out in his own direction. Works such as Adam and Eve Expelled from Paradise show that he picks up certain elements from Impressionism, such as a bright colour palette. However, Ensor is not interested in showing the beauty of the world; he just wants to convey its delightful turbulence on canvas. His experimental voice thus gains prominence.

Ensor as rebellious gamechanger

With works such as Christ Walking on Water and The Temptation of St Anthony, his artistic adventure really gathers momentum. Despite a deep interest in Impressionism, Ensor tries to break through its limitations. The expressive power of his colours and a preference for strikingly whimsical design, among others, demonstrate this. He also lets his imagination run wild, including wilder visions and wildest dreams, resulting in grotesque, terrifying yet hilarious iconography. His interest in the unfathomable links Ensor to painters such as Edvard Munch or Odilon Redon. Ensor is also struck by late 19th-century popular culture, generating, among other things, his use of the striking carnival masks, with which he wants to expose rather than conceal their wearers. In Your Wildest Dreams. Ensor Beyond Impressionism therefore shows the modern master at his most satirical, an aspect long underestimated. His world is one marked by radical contrasts. He surprises with the comic, morbid, wild and at the same time refined nature of his work, and thus develops into a player who rewrites the existing rules of art, rather than breaking them.

“The unique approach to In Your Wildest Dreams. Ensor Beyond Impressionism makes it possible to follow the painter in his extraordinary artistic development. Never before have his technique, subject matter and, above all, turbulent trajectory been studied in this way. We see that Ensor does not go in search of the essence of art; rather, his essence is precisely that whimsical unpredictability, which makes him constantly explore new paths. In this exhibition, the visitor is taken into his wonderful world in a captivating way.” – Dr. Herwig Todts, curator

Jules Schmalzigaug. Futurismo!

The pioneering nature of Ensor's work also left its impression on young artists from Brussels such as Rik Wouters and Jules Schmalzigaug. Together with Ensor, they make up Belgium's big three modern colourists. It is therefore no coincidence that the KMSKA, from 28 September 2024 and thus alongside In Your Wildest Dreams. Ensor Beyond Impressionism, also presents an evocative exhibition on Schmalzigaug in the print room. In Jules Schmalzigaug. Futurismo! this avant-garde artist is highlighted in all his aspects. Schmalzigaug was a pivotal figure in Belgian modernism and was the only Belgian artist to penetrate the core of Italian and international Futurism. Recently, the museum was honoured to add a donation to its sub-collection, consisting of no less than 44 drawings, four sketchbooks, an important preliminary study, a lithograph, a painting, personal photographs and an archive collection of manuscripts and letters by the painter. Consequently, in addition to James Ensor and Rik Wouters, KMSKA now holds the largest collection of Jules Schmalzigaug worldwide.

“Thanks to the generous donation of Ronny and Jessy Van de Velde, the museum was able to complete its Schmalzigaug collection. This closes the circle, because with the largest collections in the world of Ensor, Wouters and Schmalzigaug, the KMSKA can call itself the ultimate home of the three Belgian colourists. The Ensor Year is therefore the ideal occasion to shine an extra spotlight on these artists.” - Carmen Willems, general director KMSKA vzw

Ensor Research Project

Not only does In Your Wildest Dreams. Ensor Beyond Impressionism confirm and rediscover the artist's enduring relevance. The KMSKA is also providing his research project with its proper place in the exhibition. Thanks to a lasting collaboration with the University of Antwerp, the Ensor Research Project enables us to gain fundamental material-technical insights into Ensor's artistic course changes. Using the latest technologies such as a 3D microscope and an MA-XRF scanner, it examines how the artist builds or just changes his compositions, which pigments he uses and why his approach makes him so unique. With the aid of screens, visitors can dive into the layers of paint, experiencing for themselves how troublesome cherries can be on a canvas. Concurrently, you can follow how Ensor uses very different sources of inspiration to form one powerful image. With this progressive approach, the KMSKA is therefore in line with leading international research projects such as the study of The Night Watch or The Mystic Lamb. In In Your Wildest Dreams. Ensor Beyond Impressionism, the exploration of Ensor's creative mind therefore reaches unseen heights - or rather profundity.










Today's News

October 7, 2024

Largest James Ensor retrospective of the century opens in Antwerp

Almine Rech opens an exhibition of works by Farah Atassi

Lark Mason Associates showcases a stunning collection of Chinese and Asian art treasures

Gagosian presents exhibition of new paintings by Jonas Wood

Museo Nacional Thyssen-Bornemisza opens 'Exceptional Picture Frames'

Mio Okido's art explores Japan's complex historical narrative at Humboldt Forum

National Portrait Gallery lands at IVAM with 140 'Portraits to Dream' by Julia Margaret Cameron and Francesca Woodman

Exhibition at the Louvre features masterpieces from the Torlonia Collection

Maureen Paley and Herald St present an exhibition of new works by Alexandra Bircken

Palau de la Música Catalana opens an exhibition of photographs by Bill Armstrong

MoMA PS 1 presents first US museum exhibition of artist Jasmine Gregory

Fotografiska Berlin to open 'Benita Suchodrev: Le bal infernal'

Baronian to open exhibition of works by Helmut Stallaerts

Ant agriculture began 66 million years ago in the aftermath of the asteroid that doomed the dinosaurs

Neïl Beloufa's first institutional solo exhibition in Switzerland at Kunsthalle Basel

TEA Tenerife Espacio de las Artes opens Contemporary Biennial 2024 The Heretical Proclamation

Solo museum exhibition of the New York-based artist Anna K.E. opens at the Kunstmuseen Krefeld

FLAG Art Foundation presents a solo exhibition comprising two new bodies of work by Lubaina Himid

The Museum of Modern Art announces 'Out of the Shadows: Rediscovering Mohammad Reza Aslani'

First solo museum exhibition by the Detroit-based artist Osman Khan on view at MASS MoCA

Exhibition establishes connections to issues of memory, heritage and intimacy

David Gill Gallery opens an exhibition of works by Sebastian Errazuriz




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful