Threads of history: Admiral Othón P. Blanco's uniform undergoing restoration in Quintana Roo
The First Art Newspaper on the Net    Established in 1996 Thursday, January 9, 2025


Threads of history: Admiral Othón P. Blanco's uniform undergoing restoration in Quintana Roo
These are a shirt and trousers (or pants), belonging to Admiral Othón P. Blanco's uniform. Photo: Mauricio Marat / INAH.



CHETUMAL.- A vital piece of Quintana Roo’s history is being carefully brought back to life. Specialists from Mexico’s National Institute of Anthropology and History (INAH) are undertaking the delicate restoration of Admiral Tomás Othón Pompeyo Blanco Núñez de Cáceres’s military uniform, a tangible link to a pivotal figure in the region’s past.

Admiral Blanco (1866-1959) played a crucial role in securing Mexico's southern border during the Caste War (1847-1901), a conflict that deeply shaped the Yucatán Peninsula. Preserving his uniform is seen as essential to safeguarding his legacy and Quintana Roo’s cultural heritage.

The restoration project is led by Abril Rebeca Buendía Sánchez, INAH’s representative in the state, in collaboration with Rosa Lorena Román Torres, head restorer from the Textile Restoration Workshop Seminar (STRT) at the National School of Conservation, Restoration and Museography (ENCRyM), and her students. Their work was recently highlighted at a presentation titled “Textiles, Narrators of Stories and Characters. The Othón P. Blanco Case,” held at the INAH Quintana Roo Center’s library.

The uniform consists of three key pieces: a shirt, pants, and a jacket known as “La Guerrera” (The Warrior). The shirt and pants, which accompanied the Admiral in his tomb until his exhumation and cremation in 1998 (when his ashes were moved to a monument near Chetumal’s Government Palace), are currently undergoing treatment at ENCRyM. “La Guerrera” was previously restored by Professor Román Torres in 1999 and is currently on display at the Chetumal City Museum (MCC). The ultimate goal is to reunite all three garments for a special exhibition at the MCC, contributing to the preservation of the region’s cultural heritage.

The restoration process is complex and painstaking. The shirt and pants suffered significant damage from the region's harsh environment and their time buried: discoloration, stiff and brittle fibers, age-related stains, corrosion of metal insignia, fabric tears, and missing sections, particularly on the shirt’s collar and shoulders.

Restorers have carefully reintegrated missing fabric using dyed-to-match cotton gabardine grafts. The next step involves chromatic reintegration, a process of carefully blending colors to unify the repairs with the original fabric. Prior to this hands-on work, the INAH Quintana Roo Center’s Restoration and Conservation Area meticulously documented, diagnosed, and performed preventive conservation on the garments.

The project is a collaborative effort, with the federal government providing financial support and the MCC taking on the museographic design for the eventual exhibition.

Admiral Othón P. Blanco’s dedication to solidifying and demarcating Mexico’s southern border makes this uniform a particularly important artifact. As Buendía Sánchez explained, preserving it is crucial for future generations to understand their history. Quintana Roo, the last Mexican state to be founded in 1974, holds this uniform as a potent symbol of its unique history and a key element in fostering social cohesion.










Today's News

January 8, 2025

The last staircase: Architectural salvage does not come any rarer than this...

Almine Rech Shanghai announces Jean Miotte's second solo exhibition with the gallery,

Toledo Museum of Art acquires over 250 artworks in 2024

Ancient faces of Tartessos revealed in groundbreaking new exhibition at National Archaeological Museum

Exhibition of new work by Lesley Vance to open at David Kordansky Gallery

Hirschl & Adler Galleries unveil exclusive Winold Reiss portrait exhibition

President Sheinbaum celebrates reopening of National Museum of Anthropology's second floor

Bringing the past to life: Paleoartist Mauricio Antón's work on display in Castilla-La Mancha

Christie's announces two sales

Karma and Gordon Robichaux present a multisite exhibition by Tabboo!

Paul Wallach opens Jan. 9th at Fergus McCaffrey New York

A look at some of the items collected by Museum of Liverpool in 2024

Threads of history: Admiral Othón P. Blanco's uniform undergoing restoration in Quintana Roo

Lyman Allyn Art Museum presents a dynamic series of paintings by Thuan Vu

Hammer Museum to honor Jane Fonda and Lauren Halsey at annual gala in the Garden

Morgan Lehman Gallery opens group exhibition

Heard Museum raises restored "Friendship Totem" by Nisga'a artist Norman Tait

A palace rises from the ashes: Exhibition unveils the story of Alcalá's Archbishop's Palace

Fellowship to support five UK-based artists and collectives working at the intersection of art




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful