Lauriston Avery's "Outer Ones": Ethereal sculptures conjured from everyday materials
The First Art Newspaper on the Net    Established in 1996 Sunday, February 23, 2025


Lauriston Avery's "Outer Ones": Ethereal sculptures conjured from everyday materials
Installation view.



NEW YORK, NY.- Dutton presents Outer Ones, a solo exhibition of recent sculptures, wall constructions, and drawings by Lauriston Avery. Formed from lo-fi utilitarian materials commonly sourced from hardware stores and interspersed with found ingredients ranging from faux fur to dust, Avery’s works rely on the subtlety of white, muted hues, texture, light and shadow to express ghostly visages that are at once matter of fact and ethereal. Tightly compressed passages interwoven with structural and rhythmic line interplay over scarred psychic fields where super-sensory, celestial-like figures manifest in material substance and recede into abstraction.

For Avery, this practice can be interpreted as conjuring. Alternating between feverishly building and impulsively excavating, he champions intuition as an interface with the metaphysical. His obsessive process and transmutation of material on the picture plane and in space summons that which is hidden within the tangible. Shimmering between the fantastical and the objective, Avery draws upon his attraction to the mystical and esoteric, where the laws governing what is visible are influenced by what is not.

Outer Ones

Between what the mind dreams, what has happened, and what is trying to be let go of
In there is the wondrous clarity of blind spots, an immense space that feels like an arrival
To gaze and laugh, and hold a movement that mirrors internal movements
Typically uneasy, sometimes imposing, encroaching with unsolicited advice
Sometimes like a loving hand that knows all
Trying to stay within the sphere of honesty
Excited and alive
Energized, open, and free
Massively uncluttered
Instinct using its own means
A hand familiar with material
Thoughts that reach into fantasy
A brain that takes itself way too seriously
Fear, wild, free floating, vibrant

Coming in and out of being

Lauriston Avery (b. 1968, Norwich, CT), lives and works in New York, having studied at the San Francisco Art Institute, he received a BFA from the Maryland Institute College of Art in 1990. Avery’s selected solo exhibitions include Full Moon, Platform Project Space, Brooklyn, NY; Deaf Bats Blind Shepards, Wildpalms, Düsseldorf, Germany; and To be Continued, The Hogar Collection, Brooklyn, NY. Recent group exhibitions include Embers, Platform Project Space, Brooklyn, NY; Magical Operations, Wildpalms, Düsseldorf, Germany; Zip City, Left Field Gallery, Los Osos, CA; Walk the Line, Platform Project Space, Brooklyn, NY; Big Ringer, Andrew Edlin Gallery, NY; Come a Little Closer, DC Moore, NY; and After the End, NADA. His work has been featured at the Bridge Art Fair, Miami; NEXT Art Fair, Chicago; Untitled Art Fair, Miami; and NADA, New York.










Today's News

February 23, 2025

L'Space Gallery opens 'Playing with Light: Danielle Frankenthal' curated by Lilly Wei

A homecoming for heritage: Mexico returns 54 cultural treasures to Guatemala

Bruce Conner's "THREE SCREEN RAY" makes UK debut at Thomas Dane Gallery

Eskenazi Museum explores African photography through portraiture and archives

Dzibanché awakens: Ancient Mayan city in Quintana Roo reopens to the public after modern makeover

Citra Sasmita's "Into Eternal Land": A multi-sensory journey through ancestral memory

Photographs recognize sites of Black history

A Century of The New Yorker opens at The New York Public Library

Bracha Lichtenberg Ettinger's first solo exhibition at a German museum opens in Dusseldorf

Kemper Art Museum at WashU presents Seeds: Containers of a World to Come

NBMAA presents "Masterworks of Color: Shaker Painted Furniture and the Art of George Chaplin"

Planet Pammesberger: A hilarious and sharp-witted look at Austria through the eyes of a master caricaturist

The San Luis Obispo Museum of Art opens a solo exhibition by Esteban Cabeza de Baca

Mexico and France join forces to safeguard cultural treasures with cutting-edge technology

In focus: Agnes Pelton at Frieze Los Angeles

Exhibition at Tucson Museum of Art considers the American West from an expanded lens

Beijing Inside-Out Art Museum presents It Always Sounds Somewhere

Lauriston Avery's "Outer Ones": Ethereal sculptures conjured from everyday materials

Temple Bar Gallery + Studios presents its 2025 exhibition programme

Save the date: Haute Photographie Rotterdam 2025

Graham Sutherland: "Magical Unease" and the metamorphosis of reality at Palazzo Franchetti

LAS Art Foundation presents Laure Prouvost: WE FELT A STAR DYING

Turner Contemporary presents "Resistance' - An exhibition curated by Steve McQueen




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful