SAN ANTONIO, TX.- Basketballs, footballs, tennis rackets, hockey sticks, jerseys, punching bags and other sports gear and paraphernalia become art in “Sport and Spectator,” on view March 1-July 27 at the McNay Art Museum. The exhibition celebrates American sports culture and confronts its complex intersection with race, gender and class. “Sport and Spectator” includes approximately 40 sculptures, textiles, screenprints and sports-themed installations by contemporary artists Brandon J. Donahue-Shipp, Jeffrey Gibson, Raul Rene Gonzalez, Sophie Inard, Brian Jungen, Justin Korver, Esmaa Mohamoud, Betsy Odom, Hank Willis Thomas and Tyrrell Winston. Each work offers a recognizable element of sports while inviting viewers to consider athletics’ role in shaping society.


Betsy Odom, “Softball Glove,” 2008. Tooled leather, and shearling. Courtesy of the artist. © Betsy Odom.

Donahue-Shipp, who aspired to a career in professional basketball, uses his artistic practice to explore social and cultural realities in Black and Brown communities. Deflated basketballs and footballs become sculptural floral arrangements that symbolize the unfulfilled dreams of Black and Brown boys who also dreamed of careers in professional sports. “Coach’s Playbook” is a screenprint that juxtaposes a basketball diagram with the floorplans of a courtroom. Strategic plays marked in red and blue cover the image and comment on the relationship between Black and Brown communities and the American legal system.

Multiple works by Thomas highlight the potential for sports to both uplift Black communities and exploit the bodies of Black athletes. Resembling abstract modern sculpture, the metallic shapes in “Perseverance” depict an athlete’s bent limbs in dynamic motion. Presenting an anonymous player in the form of a public monument, Thomas’ sculpture acknowledges the power of sports to both unite and divide. The artist finishes the sculpture with shiny auto paint to comment on the sport’s reliance on international players, many who are of African descent.


Brian Jungen, “Horse Mask (Cher),” 2016. Nike Air Jordans. Courtesy of the artist and Casey Kaplan Gallery, New York. © Brian Jungen.

Mohamoud transforms jerseys to bodices to address gender in sports in her “One of the Boys” series. By pairing each jersey with a floor-length skirt made of silk and velvet, the artist presents a sports-themed ballgown that challenges the propensity for male athletes to be hyper-masculine while women remain underrepresented in sports. Growing up as the only girl with four brothers, she was a self-described tomboy. When her mom insisted that she wear a dress, she once wore a jersey over it.

Inard blankets common sports equipment with intricate patterns, bringing together the fast-paced, harsh sports world and the slower, delicate, calculated practice of crochet. She uses the “granny square” pattern reminiscent of a time that preceded modern-day technology to cover golf clubs, baseball bats, motorcycle helmets, rugby balls, boxing gloves, skateboards and other equipment. Wrapping sports equipment in soft yarn communicates the idea that opposites can coexist.


Brandon J. Donahue-Shipp, Basketball Bloom (Breakaway Outdoor), 2024. Basketballs and shoestrings. Courtesy of the artist and Pentimenti, Philadelphia. © Brandon J. Donahue-Shipp.

Gibson adorns Everlast punching bags with glass beads to pay homage to traditional Native American craft traditions while offering social and political commentary. His works also include references to artists and musicians through titles and words that appear on the works such as “The Love You Give Is the Love You Get,” inspired by lyrics from The Beatles’ “The End.” “Sharecropper” honors his grandparents, who persevered through poverty. Each work also celebrates boxing’s power to release tension and stress.


Hank Willis Thomas, “Perseverance,” 2017. Fiberglass, chameleon auto, paint finish. Courtesy of the artist and Jack Shainman Gallery, New York. © Hank Willis Thomas.

“‘Sport and Spectator’ explores the artistic alchemy of manipulating the materiality and meaning of sports paraphernalia,” said exhibition co-curator René Paul Barilleaux. “The contemporary artists featured are committed to incorporating sports equipment into their artistic practice, and this exhibition is unique in that numerous exhibitions have been organized around the theme of sports culture, but seemingly not specific to sports equipment and gear,” added co-curator Lauren Thompson.


Brandon J. Donahue-Shipp, Basketball Bloom (USA Outdoor), 2024. Basketballs and shoestrings. Courtesy of the artist and Pentimenti, Philadelphia. © Brandon J. Donahue-Shipp.

“Sport and Spectator” is organized for the McNay Art Museum by René Paul Barilleaux, head of curatorial affairs, and Lauren Thompson, curator of exhibitions.

Major funding for “Sport and Spectator” is provided by the Joan and Herb Kelleher Foundation. Additional support is provided by the Semmes Foundation, Inc. and the Louis H. and Mary Patricia Stumberg Foundation. Special thanks to the Exhibition Host Committee chaired by Kelley and Pat Frost and Corinna and J.B. Richter.