NEW YORK, NY.- El Museo del Barrio announced its fall exhibitions: Coco Fusco: Tomorrow, I Will Become an Island and Jangueando: Recent Acquisitions, 2021-2025. Together, these exhibitions reaffirm El Museos commitment to presenting exhibitions that speak to the depth, resilience, and richness of Latinx and Latin American culture. Coco Fuscos incisive body of work reminds us of the power of art to challenge dominant narratives and amplify stories that are often silenced. At the same time, Jangueando celebrates the collective spirit of our Permanent Collectiona testament to the creative vitality and cultural complexity of the artists we champion. Together, these exhibitions reaffirm El Museo's role as a space for critical dialogue, celebration, and solidarity.
Coco Fusco: Tomorrow, I Will Become an Island
El Museo del Barrio will present the first U.S. survey of influential Cuban-American artist, writer, and activist Coco Fusco (b. 1960, lives in New York). A renowned artist, writer, and activist, Fusco has been globally lauded for her distinctly perceptive, acerbic, and piercing voice. Since the 1990s, her films, photographs, texts, installations, and performances have addressed the dynamics of politics and power in relation to issues of representation, culture, and institutional critique. The exhibition will include more than three decades of Fuscos artistic production, positioning her as one of the foremost artists shaping the contemporary art field. Spanning her now-canonical performance "Two Undiscovered Amerindians Discover the West" (presented with Guillermo Gomez-Peña) to her on-going investigation of post-revolutionary Cuban history and her most recent photographic explorations around U.S. politics, the show will offer an expansive view of her multidisciplinary career.
Borrowing its title from the artist's recent monograph publication, Tomorrow, I will Become an Island is organized at El Museo del Barrio by Susanna V. Temkin, interim chief curator, and Rodrigo Moura, former chief curator.
Coco Fusco is one of the most vital and uncompromising voices in contemporary art. Through her fearless and multifaceted practice, she has consistently challenged dominant narratives and exposed the deeply rooted systems that shape our understanding of power. With this landmark exhibition, El Museo del Barrio proudly honors Fuscos legacy as a trailblazing Cuban-American artist, intellectual, and cultural critic, whose work continues to provoke, inspire, and ignite dialogue at a critical moment. Patrick Charpenel, Executive Director, El Museo del Barrio
Coco Fusco is an interdisciplinary artist and writer based in New York. She is a recipient of a 2023 Free Speech Defender Award from the National Coalition Against Censorship, a 2021 American Academy of Arts and Letters Art Award, a 2021 Latinx Artist Fellowship, a 2021 Anonymous Was a Woman award, a 2018 Rabkin Prize for Art Criticism, a 2016 Greenfield Prize, a 2014 Cintas Fellowship, a 2013 Guggenheim Fellowship, a 2013 Absolut Art Writing Award, a 2013 Fulbright Fellowship, a 2012 US Artists Fellowship and a 2003 Herb Alpert Award in the Arts.
Fusco's performances and videos have been presented at the 56th Venice Biennale, the Sharjah Biennale, Frieze Special Projects, Basel Unlimited, three Whitney Biennials (2022, 2008, and 1993), and several other international exhibitions. Her works are in the permanent collections of the Museum of Modern Art, The Walker Art Center, The Art Institute of Chicago, The Whitney Museum, the Centre Pompidou, and the Museum of Contemporary Art of Barcelona.
Fusco is the author of numerous books, and she contributes regularly to The New York Review of Books and numerous art publications. Her monograph publication Tomorrow, I will Become an Island was published by Thames & Hudson in 2023.
Fusco received her B.A. in Semiotics from Brown University (1982), her M.A. in Modern Thought and Literature from Stanford University (1985), and her Ph.D. in Art and Visual Culture from Middlesex University (2007). She is a Professor at the Cooper Union School of Art.