NEW YORK, NY.- This spring, the Jewish Museum presents the first U.S. retrospective in nearly half a century dedicated to social realist artist and activist Ben Shahn (1898-1969). Ben Shahn, On Nonconformity examines the prolific and progressive artist’s commitment to chronicling and confronting crucial issues of his era, spanning from the Great Depression to the Vietnam War, as well as his exploration of spirituality and Jewish texts. Featuring 175 artworks and objects from the 1930s to the 1960s, including paintings, mural studies, prints, photographs, commercial designs, and ephemera, the exhibition highlights the enduring relevance of Shahn’s art across media, while revealing new insights into the complexity of his aesthetic and his decisive shift from documentary to allegorical and poetic styles in pursuit of a visual language that would resonate widely.

On view from May 23 through October 12, 2025, Ben Shahn, On Nonconformity extends the Jewish Museum’s history of exploring Shahn’s far-reaching ideas and deep impact of the artist. The exhibition is organized by Dr. Laura Katzman, guest curator, in collaboration with Dr. Stephen Brown, Jewish Museum curator, and is drawn from the recent retrospective curated by Dr. Katzman at the Museo Nacional Centro de Arte Reina Sofía, Madrid.

“Ben Shahn, On Nonconformity showcases the extraordinary work of a pioneering artist whose commitment to social justice across ethnic, class, and racial divides could not have greater relevance today,” said James S. Snyder, Helen Goldsmith Menschel Director. “There is no better place for this timely exhibition than the Jewish Museum, which presented Shahn’s last U.S. retrospective in 1976. The affirmation of shared universal humanity in his art parallels the Jewish Museum’s own mandate to explore the cross-cultural connectedness of Jewish experience throughout the global diaspora over 3,500 years.”

The exhibition draws its title from Ben Shahn’s credo of “nonconformity,” which the artist asserted as an indispensable precondition for both significant artistic production and all great societal change. This philosophy is centered in the exhibition as the foundational thread that runs through the artist’s oeuvre, which investigates issues such as unemployment, discrimination, authoritarianism, and threats to freedom of expression, while championing labor, civil, and human rights. Shahn’s later spiritual work, which embraces the Hebrew language and biblical stories, also reflects his exploration of a tradition of social justice activism within Jewish culture.

Born to a Jewish family in Russian-controlled Lithuania, Shahn immigrated to the United States with his family in 1906. He began his career as a lithographer, mastering drawing, engraving, and typography, before expanding and experimenting across a vast array of mediums. The exhibition demonstrates Shahn’s rejection of a strict hierarchy among mediums, based on a belief in the power of images in all forms to stir the conscience of the public.

“Ben Shahn, On Nonconformity offers a reappraisal of the artist through a contemporary lens,” said Dr. Laura Katzman, guest curator. “Shahn’s understanding of art’s critical role in the perpetual struggle for a more just future resonates powerfully today. The exhibition invites visitors to examine the issues that were important to Shahn through our modern understanding of social justice. It also uplifts the richness and complexity of his aesthetic, which drew inspiration from various artistic movements in the postwar era—from abstract expressionism to conceptual art—and capitalized on the reach of mass media, raising commercial production to a high art.”

“Ben Shahn is one of the great American artists of the twentieth century who believed in the value of dissent and the essential function of art in the life of a democratic society,” said Dr. Stephen Brown, Jewish Museum curator. “The first major presentation of his work in the U.S. in decades, the Jewish Museum exhibition is something of a homecoming for Shahn, who has been part of our collection since 1947 and who was educated and politicized in New York City.”

The exhibition includes artwork and ephemera from throughout Shahn’s career, on loan from more than 30 museums, galleries, and private collections. Across seven sections, Ben Shahn, On Nonconformity explores the artist’s multifaceted use of photography and mass media, his inventive re-purposing of imagery across media, and his layered interrelations of word and image. The sections are organized thematically around the most pressing issues of Shahn’s time, including:

• Art and Activism encompasses Shahn’s earliest social realist work from the 1930s, highlighting the artist’s response to high-profile injustices perpetrated by the American judicial system;

• A New Deal for Art presents Shahn’s powerful photographs, posters, and mural studies made for U.S. government art projects that championed programs aimed at alleviating the devastation wrought by the Great Depression and the Dust Bowl. Also on view are Shahn’s “personal realist” paintings, which dignify the ordinariness of everyday life that he encountered on his photographic travels for New Deal agencies;

• The Labor Movement features Shahn’s mass-produced posters and graphics that speak to his commitment to the cause of labor and to promoting the dignity of manual labor, executed in the mid-1940s when he led the Graphic Arts Division of the Congress of Industrial Organizations’ Political Action Committee;

• War and Its Aftermath explores Shahn’s work created both during and after World War II: propagandistic posters commissioned by the Office of War Information, which confront the horrors of war, and more reflective paintings that grapple with wartime destruction and postwar liberation;

• Age of Anxiety: The Cold War includes the works Shahn made during the era of McCarthyism and the emergent Atomic Age, which both protest America’s anti-communist hysteria and warn of the looming nuclear threat both at home and abroad;

• The Struggle for Civil Rights reflects Shahn’s fervent support of the nonviolent movements for civil rights in the U.S. and for the broader resistance movements against colonialism that were rising up around the world in the 1950s and 1960s;

• Spirituality and Identity—the final section of the exhibition showcases Shahn’s return to the biblical stories and Hebrew texts he grew up with as a child, illuminating how re-engagement with his Jewish roots was yet another lens through which he commented critically on history and society.

Ben Shahn, On Nonconformity builds on the Jewish Museum’s long history of presenting Shahn’s work to American audiences. In 1976, the Museum hosted a major Shahn retrospective, and in 1998, to mark Shahn’s centenary, organized Common Man, Mythic Vision: The Paintings of Ben Shahn, focusing on the role of allegory in the artist’s later, lesser-known paintings. Twenty-two years later, in 2020, the conceptual artist Jonathan Horowitz curated We Fight to Build a Free World, which situated Shahn’s work at the heart of an exhibition that examined how artists responded to cultural and political challenges with art primarily from the early 20th century to 2020.