FRANKFURT.- In the exhibition "Immanence Thread," the artists Niquu Eyeta, Tobias Krämer, and Charlotte Thrane present works that oscillate between technical construction and physical presence, making internal connections visible through a "red thread."
In various ways, they address vulnerability, resistance, and change—both on an individual level and collectively—and explore the traces of "imprints." Their works encourage viewers to question the boundaries between control and letting go and to make the flow of transformation visible.

Niquu Eyeta (b. 1998, lives in Frankfurt/M.) creates her works by collecting and processing natural materials such as cotton and gauze, which she dyes with plant colors. These materials float in multiple layers or are connected in a collage-like manner. Her pieces reflect themes of transformation and impermanence, inviting the viewer to engage in a dialogue with the complex structures of her art.

Tobias Krämer (b. 1995, lives in Frankfurt/M.) views his kinetic sculptures as living bodies that act within space. For him, movement becomes a poetic element that generates choreographic patterns. His works transcend the boundaries of static sculptures and address the influence of technical systems on the human body, with a focus on the dynamics between control and unpredictability.

Charlotte Thrane (b. 1975, lives in Copenhagen) works with found materials such as used mattresses, blankets, and clothing. Through techniques like stacking and folding, she transforms these into sculptures and installations. Her works address the traces left by human use, sometimes exaggerated by dyeing the materials, creating moments of fascination and repulsion. The artist bestows a new appreciation upon these materials by translating emotional states into sculptural forms and creating an aesthetics of the unexpected.