DUSSELDORF.- KIT - Kunst im Tunnel, the unique exhibition space nestled beneath the Rhine, has opened its doors to "Human Work," a compelling exhibition that delves into the intricate complexities of human existence in an era defined by the interplay of humanity and technology. Running from Tuesdays to Sundays, 11 AM to 6 PM, the show invites visitors to confront timely themes through a diverse array of photographs, videos, and installations.


🖼️ Value our daily art insights? Consider a gift to ArtDaily! Find us on PayPal or become a patron on Patreon.


Curated by Gertrud Peters and Johannes Raimann, "Human Work" challenges viewers to consider how our experiences of time and space, memory and displacement, and even the stark realities of privilege and disadvantage based on identity, are shaped by the omnipresent forces of work and technological advancement. The exhibition doesn't just present these ideas; it probes the very nature of work itself, asking profound questions about its purpose and the hierarchies it creates. "Who works for whom or what?" the exhibition implicitly asks. "Do computers work for us? Does our body work against us? Is the corporation our new family?"


🔥 Don't Miss Out! Shop the most popular books on Amazon right now and join the conversation.


Among the featured artists, Yedam Ann explores the human experience of mobility within urban landscapes and architectural forms, examining power dynamics and the profound sense of belonging (or lack thereof). Her work, including "hotel.hotel.net" and "Different Floors" created specifically for KIT, serves as a poignant reflection on the "non-places" that increasingly define our modern, globally connected world. Ann's focus on the shifting meaning of geographical location, as physical distances blur into the digital realm, resonates deeply with contemporary anxieties and realities.

Zauri Matikashvili brings a deeply personal and minimalist approach to his film work. By limiting technical intervention and performing many tasks himself, he fosters an intimate connection with his subjects. Simultaneously, he scrutinizes his own role as a filmmaker, pushing the boundaries of the medium. His two video installations at KIT, "You May Not Want To Be Here" (2024-25) and "Made in Europe" (2023), offer raw, unfiltered insights into personal experiences.

A compelling collaborative piece, "Kaskaden" by Jakob Schnetz and Rebecca Ramershoven, highlights the intricate relationship between technology and aesthetic convention in photographic creation. Schnetz's "Memory Landscape I and II" – screenshots of deliberately glitched photographic images – elevate what might be considered errors into entirely new artistic statements, prompting a re-evaluation of digital imagery. Ramershoven's work, often exploring identity and representation through photography and moving image, complements this examination of the medium's inherent biases and potentials.

Finally, Jan Niklas Thape challenges the very notion of objectivity in documentation. His ongoing investigation into what we perceive as "reality" takes center stage in "Untitled" (2025), which grapples with the complexities of German remembrance culture amidst current antisemitism debates. Thape further steps behind the camera, literally and figuratively, with his installation "Speakers Corner" (2025), inviting contemplation on the constructed nature of what we see and believe.

"Human Work" is an ambitious and timely exhibition, offering a critical lens through which to examine the profound impact of work, technology, and societal structures on our individual and collective lives. The exhibition was initiated and generously funded by the DZ Bank Kunststiftung, underscoring its commitment to fostering contemporary artistic discourse.