LONDON.- The Hayward Gallery, in partnership with the RC Foundation, Taiwan (R.O.C.), will present Val Lee: The Presence of Solitude. This will be the first solo exhibition in the UK by Taiwanese artist Val Lee and the fourth exhibition in the RC Foundation Project Space Exhibition Series, which showcases the next generation of emerging international artists.

Val Lee: The Presence of Solitude takes place in the HENI Project Space in the Southbank Centre’s Hayward Gallery – a space that offers the opportunity for audiences to see exhibitions from emerging international artists for free.

The exhibition will bring together film, photography and costume to highlight Lee’s longstanding exploration of isolation and solitude. By creating disjointed and ambiguous narratives with unidentifiable figures, her work makes viewers feel as though time and meaning have been displaced. This feeling of alienation encourages us to think about how our personal experiences and collective memories are shaped by state and political systems.

The exhibition will feature new iterations of two existing works: Valley in the Minibus (2024) and The Sorrowful Football Team (2025). Valley in the Minibus explores the concept of ‘non-places’, defined by French anthropologist Marc Augé as transitory spaces that people pass through (such as airports, motorways, shopping centres) and become anonymous. Building on the original work and live event that took place over several weekends, a group of strangers travel through a winding landscape in a van with a creature-like masked and costumed figure. A new video commission will introduce the same masked figure DJing completely alone in an anonymous space. Three full body, long haired costumes and veiled masks used in the work will also be on display as part of the installation. Present but disconnected from the audience, the presentation will highlight the artist's interest in creating connections and intimacies through isolated experiences.

Reimagined for the exhibition as a slide projection, The Sorrowful Football Team (2025) depicts a blind football team playing a match in the snow in Northern Japan. Blind football is an organised sport designed for players who are blind or visually impaired. Here, Lee utilises it as a metaphor to reflect on the impact of political repression experienced under the White Terror rule in Taiwan between 1947-1987 as well as the possibility of finding light in solitary darkness.

Yung Ma, Senior Curator of the Hayward Gallery, says: “Straddling visual and live art, Val Lee has embraced different principles to forge an artistic language that invokes various experiences, past and present. While the exhibition will explore the deeply felt presence of solitude in her recent works, it is ultimately a hopeful gesture about finding connections in the most unexpected places.”

Val Lee says: "Presenting this work at Hayward Gallery allows me to further explore ambiguous fields—where collectivity is not given, but quietly rehearsed in the blank spaces of perception. I’m glad to share this piece in London at Hayward Gallery - where form, time, and relation can stay in flux."

Previous artists who have exhibited in the HENI Project Space include Huang Po-Chih, Heecheon Kim, Amol K Patil, Thabiso Sekgala and Hicham Berrada. The exhibition marks the fourth iteration of The RC Foundation Project Space Exhibition Series and makes up an important part of the Southbank Centre’s vast array of free programming for all to enjoy.

Val Lee: The Presence of Solitude is curated by Hayward Gallery Senior Curator, Yung Ma, and Curatorial Assistant, Felix Choong. Additional support provided by the Ministry of Culture, Taiwan (R.O.C.).

Val Lee (b. 1981, Taipei) is a director and visual artist working across expanded cinema, performance, and moving image. Trained in Filmmaking and Sociology at SUNY, Lee founded the art collective Ghost Mountain Ghost Shovel in 2008. Their work constructs temporal scenarios that reframe space, spectatorship, and perception, often exploring systemic violence, war, and affective states through nonlinear, disorienting environments.

Lee’s works have been shown internationally including the 13th Gwangju Biennale, Grand Palais, HKW Berlin, MEP, MOCA Taipei, and others, with performances at TFAM, Kyoto Art Center, and the Taiwan National Theater. Honours include the Taishin Arts Award in 2017 and support from the Asian Cultural Council and C-LAB.