COLUMBIA, SC.- The Columbia Museum of Art announces major spring exhibition Rodney McMillian: A Son of the Soil, on view from March 21 through June 28, 2026. Organized by the Columbia Museum of Art in collaboration with the artist, this exhibition is the first solo presentation in the Southeast of the work of Rodney McMillian, a Columbia-born artist working at the national level.

Rodney McMillian: A Son of the Soil is a thematic presentation of the artist’s work across a range of media, including painting, video, and works assembled from industrial materials and household discards. The exhibition broadly locates McMillian’s artistic investigations within the cultural and political landscape of the American South, highlighting his diverse engagements with topics of land, the body, and the domestic sphere. It will feature more than 30 artworks, including new work that will debut in the exhibition.

“It is a great privilege to present Rodney McMillian’s work to our audiences in Columbia,” says CMA Senior Curator Michael Neumeister. “In a rich and varied practice, McMillian invites viewers to consider the forces that shape the world and our responses to it.”

McMillian (b. 1969, Columbia, SC; lives and works in Los Angeles, CA) confronts American identity by addressing complex histories — of class and race, of landscape and region, of art and a nation. He adopts a sweeping view of landscape representation as both a physical space and an ideological position. In large-scale painted expanses and films set in the Deep South, McMillian evokes land’s tillage and spoilage, histories of ownership, and the charged relationship between land and the body.

Drawing on diverse cultural sources ranging from science fiction to political speeches, McMillian registers the complexity of a nation and its multifarious systems. He employs post-consumer objects, such as thrifted bedding and discarded furniture, in an extended meditation on class and domesticity. In the artist’s hands, these materials assume new life, registering experience in tears and stains that bear the weight of history. McMillian's work resonates powerfully in a Southern context, provoking further inquiry into Black citizenship and the continuing presence of historical currents.

McMillian serves as a professor in the Department of Art at UCLA, where he has worked since 2009. His work is in major public collections including, among others, the Art Institute of Chicago, the Museum of Modern Art, New York, the San Francisco Museum of Modern Art, and the Carnegie Museum of Art, Pittsburgh. In 2017, McMillian received the Contemporary Austin’s inaugural Suzanne Deal Booth Art Prize; the previous year, his work was highlighted in solo exhibitions at the ICA Philadelphia, the Studio Museum in Harlem, MoMA PS 1, and the Aspen Art Museum. Rodney McMillian: The Land: Not Without a Politic was on view at the Marta Herford Museum, Germany, in 2024.