Rare ritual bath found beneath Western Wall bearing witnesses to 70 CE destruction
The First Art Newspaper on the Net    Established in 1996 Wednesday, January 7, 2026


Rare ritual bath found beneath Western Wall bearing witnesses to 70 CE destruction
Glass fragment uncovered in the ritual bath. Photo: Emil Aladjem, IAA.



JERUSALEM.- A rock-hewn mikveh (ritual purification bath) dating to the final days of the Second Temple period, bearing ash remains that testify to the destruction of the Temple, was discovered in recent days during excavations conducted by the Israel Antiquities Authority and the Western Wall Heritage Foundation beneath the Western Wall Plaza. The discovery was made as part of ongoing efforts to uncover Jerusalem’s glorious past.

The mikveh is rectangular in shape, measuring 3.05 meters in length, 1.35 meters in width, and 1.85 meters in height. It is hewn into the bedrock and its walls are plastered. Four hewn steps leading into the mikveh were exposed on its southern side. The ancient installation was found sealed beneath a layer from the Second Temple period, dated to the year 70 CE.

Within this layer, which contains burned ash bearing witness to the destruction, numerous pottery vessels were discovered, along with stone vessels characteristic of the Jewish population that lived in the city on the eve of the destruction.

The excavations beneath the Western Wall Plaza, where the ritual bath was discovered, are located in close proximity to the site of the ancient Temple and to what served as its main entrances some 2,000 years ago - the Great Bridge to the north and Robinson’s Arch to the south. Additional finds in the area attest to activity related to ritual purity, including mikva’ot, stone vessels, and more.

“Jerusalem should be remembered as a Temple city,” explains Ari Levy, excavation director on behalf of the Israel Antiquities Authority. “As such, many aspects of daily life were adapted to this reality, and this is reflected especially in the meticulous observance of the laws of ritual impurity and purity by the city’s residents and leaders. Indeed, the saying ‘purity spread in Israel’ was coined in this context. Among the most prominent archaeological finds representing this phenomenon are ritual baths and stone vessels, many of which have been uncovered in excavations throughout the city and its surroundings,” says Levy. “The reasons for using stone vessels are halakhic, rooted in the recognition that stone, unlike pottery and metal vessels, does not contract ritual impurity. As a result, stone vessels could be used over long periods and repeatedly.”

According to the Minister of Heritage, Rabbi Amichai Eliyahu: “The exposure of the ritual bath beneath the Western Wall Plaza strengthens our understanding of how deeply intertwined religious life and daily life were in Jerusalem during the Temple period. This moving discovery, made just ahead of the fast of the Tenth of Tevet, underscores the importance of continuing archaeological excavations and research in Jerusalem, and our obligation to preserve this historical memory for future generations.”

According to the director of the Western Wall Heritage Foundation, Mordechai (Suli) Eliav: “The exposure of a Second Temple period ritual bath beneath the Western Wall Plaza, with ashes from the destruction at its base, testifies like a thousand witnesses to the ability of the people of Israel to move from impurity to purity, from destruction to renewal.”










Today's News

January 5, 2026

New exhibitions explore Beverly Buchanan's vision of belonging

Faux and fabulous: A dazzling collection that celebrates the beauty and artistry of imitation gems

Pace will unveil the luminous final works of Richard Pousette-Dart

Vitra Design Museum unveils the century-long history of the fashion show

Michel Paysant reimagines Monet's Water Lilies at Musée de l'Orangerie

Sophie Taeuber-Arp's radical geometry arrives at Hauser & Wirth

Paul Reed retrospective at D. Wigmore Fine Art, Inc. traces the sixties' color revolution

Chez Matisse: A century of modernity invades CaixaForum Madrid

Footwear fantasy: Exclusive access to the shoe collection of The Museum at the Fashion Institute of Technology

Rare ritual bath found beneath Western Wall bearing witnesses to 70 CE destruction

Zimmerli unveils decades of "hidden" Armenian art

Display of Cubist art at The Met celebrates the collection and legacy of Leonard A. Lauder

The Icelandic Pavilion moves to a historic new venue

A striking pink dildo sculpture by Maja Malou Lyse is now on view at ARoS

PoMo unveils rapidly growing collection of global icons

A master of German absurdism makes his U.S. museum debut at Institute of Contemporary Art, Miami

Art : Concept launches new collaborative exhibition cycle

Painter, butcher, banker: Zhao Gang unmasks the identity of a post-global gentleman

First major retrospective for sculptor Emma Stebbins on view at the Heckscher Museum of Art

Storm King Art Center announces 2026 exhibitions by Anicka Yi and Saif Azzuz




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful