Frida: The Making of an Icon opens at the Museum of Fine Arts, Houston
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Frida: The Making of an Icon opens at the Museum of Fine Arts, Houston
Yasumasa Morimura, An Inner Dialogue with Frida Kahlo (Hand-Shaped Earring), color photograph on canvas, Minneapolis Institute of Art, gift of funds from Beverly Grossman, 2010.25. © Yasumasa Morimura, courtesy of the artist and Luhring Augustine, New York.



HOUSTON, TX.- On Monday, January 19, 2026, the Museum of Fine Arts, Houston will debut Frida: The Making of an Icon. Conceived and organized by MFAH curator Mari Carmen Ramírez, the exhibition will trace Frida Kahlo’s posthumous transformation from relatively unknown painter to global brand. Featuring 35 works by Frida Kahlo that capture the arc of her artistic legacy, Frida: The Making of an Icon presents Kahlo and her art within the context of works by five successive generations of artists: painters, sculptors and photographers from an array of artistic and social communities and movements, who mined Kahlo’s paintings and personal history to claim her as their own. Frida: The Making of an Icon, travels to the Tate Modern, London, after its premiere in Houston.

Key contributions from the archives of the Documents Project of the ICAA (International Center for the Arts of the Americas) at the MFAH and Museo Frida Kahlo in Mexico City will be featured. Photographs and archival material, including the artist’s clothing, jewelry and other personal items culled from Kahlo’s personal collections and other sources, provide additional context for the artworks.

Frida: The Making of an Icon will address how artists across five decades have responded to Kahlo’s work and appropriated it: from Kahlo’s Surrealist contemporaries of the 1930s to the communities within the Chicana/o movement of the 1970s, Mexico’s and the U.S. feminist and gay- rights activism of the 1980s and 1990s and the identity-focused generations of more recent

decades. A gallery of the exhibition will be devoted to “Fridamania,” displaying more than 200 objects generated by the global, mass-market production of Frida Kahlo merchandise.

Comments Gary Tinterow, director and Margaret Alkek Williams chair of the MFAH, “This Museum has been at the forefront of Latin American art since the founding in 2001 of the International Center for the Arts of the Americas. While there have been numerous Frida Kahlo exhibitions around the world since the 1970s, Mari Carmen Ramírez has leveraged the unparalleled resources of our ICAA to document and assemble a fascinating group of objects that attest to the enduring appeal of Kahlo’s art and life.”

“Frida: The Making of an Icon attempts to separate Frida Kahlo the artist from Frida Kahlo the phenomenon,” says Mari Carmen Ramírez, Wortham Curator of Latin American Art at the MFAH and founding director of the Museum’s International Center for the Arts of the Americas (ICAA). “The exhibition reveals how the different facets of Kahlo’s complex persona(lity), which she so carefully crafted and projected, were adapted again and again over her decades-long transformation into an icon. As a result, her image became subsumed within the desires, fears and hopes of artists and activists who transformed it into innovative proposals that transcend their source of inspiration while commenting on pressing issues of their place and time. In exploring that process, the exhibition re-establishes Kahlo’s own identity, and asserts her persistent relevance to contemporary art as well as activism over the past 70 years.”

Accompanying the exhibition at the MFAH will be a film program, family and community events, and a “Talking Frida” series of conversations with international artists, curators and writers on the varied facets of Frida Kahlo’s legacy, on site and live streamed.










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