SAN FRANCISCO, CA.- Gallery Wendi Norris presents I Bear Witness, its third solo exhibition with Ambreen Butt (b. 1969, Lahore, Pakistan). The exhibition features a series of eight new works that mark the culmination of a trilogy she began in 2015, through which Butt has rendered visible the lives, names, and stories that acts of violence erase. This final chapter builds upon her series Say My Name (2015–2023), which memorialized children lost to drone warfare, and Lay Bare My Arms (2023), which interrogated American gun culture.

Throughout this new series, Butt casts the maternal figure as both subject and witness, an active vessel of testimony rather than a passive symbol of loss. Drawing on religious and cultural traditions that cast the maternal body as a bearer of memory—particularly the icon of the Madonna and Child—Butt positions witnessing as an act of holding and carrying forward fragments of grief, displacement, and care. In works such as Awladi (My Children) (2026) and Awladna (Our Children) (2026), maternal figures confront the viewer directly, their bodies delineated through repetition, framing, and the collaged text of a poem. In Silence! (2026), the figure, deftly rendered in urgent red threadwork, cries out, her call reverberating across the surface as a sweeping field of florals disperses outward.

Across the series, body and ground become inseparable, each absorbing and carrying the traces of what has been endured. The land—figured here as the ultimate manifestation of the maternal—functions in this series not only as material but as collaborator and witness. Butt cultivates walking irises from her own garden, which reappear throughout the series as meditations on ephemerality and resilience. The keffiyeh, integrated into each composition, extends its history of protection and resistance into a woven emblem of memory and endurance.

“To witness without the power to intervene is an act of endurance; this endurance in itself is a form of resistance,” says Butt.

Using techniques rooted firmly in tradition, Ambreen Butt (b. 1969, Lahore, Pakistan) creates works that explore the complexities of contemporary global politics, female identity and living as a Muslim in the United States. Employing actions including staining, stitching, cutting, ripping and tacking with repetitive urgency, Butt's painted and collaged works on paper and large-scale resin installations espouse the radiant aesthetics of sacred geometries and Islamic ornamentation. Often using text-based source materials that include the names of children who lost their lives to war, transcripts from terrorism trials, and quotations from news media, Butt's work is built upon some of the most challenging moral questions of the 21st century, tackling issues ranging from drone warfare and gun culture, to forced displacement and mass migration. Rather than offer answers, her artworks exist as laborious meditations on humanity.

Butt's work has been featured in solo exhibitions at institutions including the Dallas Contemporary, TX; Institute of Contemporary Art, Boston, MA; Isabella Stewart Gardner Museum, Boston, MA; Museum of Fine Arts, Boston, MA; National Museum of Women in the Arts, Washington, DC; Worcester Art Museum, Worcester, MA; among others.