NEW YORK, NY.- Palo Gallery (New York, NY) is presenting I Love It When You Beg, the second solo exhibition by Liberian painter Lewinale Havette at Palo Gallery. Featuring a body of work across painting, work on paper, and sculpture, the exhibition uses the female body as its gravitational center. Havette offers a visceral exploration of how history and devotion shape presence, and how memory is held and transmitted across generations.

“In my practice, the female body remains a living archive where power, transcendence, rupture, love, death, war, and sex meet. In I Love It When You Beg, I explore how the body absorbs and carries histories of domination and devotion, existing as both sovereign and violated, fractured yet whole,” says Lewinale Havette.
Working with an intuitive and physically engaged approach, Havette utilizes oil sticks, diluted oil paint, and unconventional tools, including razor blades, to carve, scrape, and blur her surfaces. This process of instinctual mark making produces dense compositions where gesture becomes both language and extraction. From accumulated gestures, figures emerge momentarily before slipping back into expanding fields of colour, movement, and emotion.

In the exhibition’s largest work, The Devil Made Me Do It, the painting reads almost narratively, from left to right. The form of a reclined torso is surrounded by lines depicting hands and limbs, but as one travels across the work, the composition increases in seething density. The churning brushstrokes may allude to masses, bodies or oceans, but undoubtedly require deep looking and restless interpretation.

The paintings in the exhibition mark a clear shift in Havette's practice, where she has embraced the emotional release and chaos of the abstract. While clear facets are still present, they have begun to meld with the composition, creating a space where figure and abstraction shift between one another. The elements of photo transfer in Havette’s practice have faded into a more raw and immediate kind of storytelling. Each canvas is approached as an unknown, with only the tools of emotion and the spiritual as its guide.

A significant development in Havette’s practice is the introduction of a new body of sculptural works. These pieces combine West African ritual wood with European stone, nurturing a dialogue between distinct spiritual and cultural lineages. By uniting these materials, Havette challenges inherited religious and aesthetic systems, revealing the layered connections between power, belief, gendered authority, and ritual as lived through the body.

Throughout I Love It When You Beg, the body is continuously reimagined, at once vulnerable and sovereign, fractured yet whole. Material, gesture, and memory converge to reshape the conditions under which power is seen, felt, and held.

Lewinale Havette (b. 1990 Monrovia, Liberia) is a painter who focuses on the intricacies of feminine identity and explores the complexities of African spirituality, religion, sensuality, and gender power dynamics. Through her work, she unravels the oppressive structures of the past that once entangled her and transcends beyond the limitations of societal expectations, realizing the infinite freedom of liberation.
Stories of Lewinale’s maternal grandmother in her childhood Liberian village were her first encounters with life’s overflowing Magic. Havette then recognized Magic during her metamorphosis from a young girl to a woman, challenging a system of rigid orthodox ideas. In her studio, she explores and converts memories, fantastical visions, and ethereal dreams into tangible artwork that embodies the supernatural, often incorporating gestural drawings to capture the fluidity and immediacy of her creative process. Her oeuvre includes self-portraits, spirits, water deities, and ancient prophetesses known as Sibyls. These elements become conduits through which she explores themes of power dynamics, spirituality, sexuality, religion, gender, immigration, and cultural displacement. By employing diverse materials—such as pencils, ink sticks, ink, acrylics, photography, carbon paint, and gestural drawings—Havette captures a spectrum of emotional and spiritual states, uncovering the layered complexities of her subjects' lives.

Lewinale Havette’s artwork has been featured in exhibitions in museums and galleries in the United States and Europe, including Christie’s London, 1-54 Contemporary African Fair in NY, Delphian Gallery in London, UK; Cierra Britton Gallery, New York; Black Cultural Archives, London, UK; Launch F18 in New York, NY; Alan Avery Art Company in Atlanta, GA; the Masur Museum of Art in Monroe, Louisiana; and The ROOM Contemporary Art Space in Venice, Italy. In addition, she was represented by the Pérez Art Museum Miami at Art Basel Miami.