New photography exhibition complements Manet & Morisot experience at the Cleveland Museum of Art
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New photography exhibition complements Manet & Morisot experience at the Cleveland Museum of Art
Arc de Triomphe de l'Etoile, Paris, c. 1860s. Édouard Baldus (French, 1813–1889). Albumen print from collodion negative; 21.5 x 28.2 cm. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund 2022.16



CLEVELAND, OH.- Opening this weekend at the Cleveland Museum of Art, France in the Time of Manet and Morisot offers visitors a vivid view of the people, places, and defining moments that shaped 19th-century France. With approximately 50 photographs from CMA’s rich holdings, visitors will get a firsthand glimpse of the rapid industrial growth and political upheaval in this tumultuous, yet fertile, period of time.

This CMA-organized companion exhibition was designed to complement Manet & Morisot, the first ever major exhibition dedicated to the artistic exchange between Édouard Manet often referred to as the father of modern painting, and Berthe Morisot, the only woman among the founding members of the Impressionist movement. While Manet & Morisot travels nationally, this companion exhibition is uniquely presented at CMA, offering visitors an experience available only in Cleveland. Visitors to the CMA will have the opportunity to experience both exhibitions now through July 5, 2026.

“It’s truly a pleasure to share our rich holdings of 19th-century French photography alongside Manet & Morisot,” said Barbara Tannenbaum, curator of photography and chair of prints, drawings, and photographs. “In the mid-1800s, when the two painters were living in Paris, it became the largest city in continental Europe and the arts capital of the world. However, France also endured war and the loss of territory; experienced modernization and the rise of industry; and saw a shift from rural to urban living. These events coincided with the birth of a new art form—photography—which was used to record these social, political, and cultural changes.”

In the 19th century, masters of the newfound photography medium, such as Charles Marville and Édouard Baldus, were commissioned by Emperor Napoleon III, the Louvre museum, and the railroads to document both historic monuments and the construction of new architectural and engineering marvels throughout the country.

This era also saw the rise of celebrity portraiture and of the public as patron. Actresses such as Sarah Bernhardt and popular authors Charles Baudelaire, Alexandre Dumas, and others sat for photographers such as Nadar, André Adolphe-Eugene Disderi, and Étienne Carjat. The resulting portraits were printed—and sold—in large quantities to meet a soaring public demand for portraits of the luminaries of the time. When the rising urban middle class sought to have their own likenesses recorded, they flocked to the same studios.

France in the Time of Manet and Morisot, a free exhibition, will be on view in the Mark Schwartz and Bettina Katz Photography Galleries from May 10, 2026, through August 23, 2026. Manet & Morisot, a ticketed exhibition, is on view in the Kelvin and Eleanor Smith Foundation Gallery through July 5, 2026.

“Together, these exhibitions offer a compelling portrait of a society in transition—one that visitors can now experience firsthand at the Cleveland Museum of Art,” said Tannenbaum.










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