Berlin exhibition imagines the rituals of eating and drinking in 2101
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Berlin exhibition imagines the rituals of eating and drinking in 2101
Tableware "Cielo", Jannes Bock, 2026, biscuit porcelain, © Photo: Jannes Bock



BERLIN.- What might dinner look like 75 years from now? Will people still gather around a shared table, prepare tea together or pass food from one person to another? Or will climate disruption, crowded megacities and increasingly digital lives transform even the most familiar rituals of eating and drinking?

A new exhibition now on view at Berlin’s Kunstgewerbemuseum invites visitors to consider those questions through experimental porcelain, speculative design and imagined social customs.

Titled “2101 – Future Ceramics. Table Culture of the Future,” the exhibition brings together 12 projects created by product design students at the Berlin University of the Arts. It is on view through February 28, 2027.

The project began with a deceptively simple question: How will people live in the year 2101? From there, the students explored what people might eat, how food could be served and which communal rituals might survive—or emerge—in response to a changing world.

Rather than treating tableware as purely functional, the young designers approached it as a reflection of social life. Their vessels, plates and serving pieces imagine possible futures shaped by environmental crises, social isolation and new forms of urban living.

Some of the designs respond to the loneliness associated with digital life. Others imagine how people might reconnect with family and friends through shared ceremonies of eating and drinking. Across many of the projects, the table becomes a place of encounter: a setting where human relationships can be renewed through simple, repeated actions.


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Among the works are drinking vessels equipped with sound codes, containers designed for the ritual preparation of tea and a dinner service intended to encourage sharing. Another project proposes stackable tableware for foods that could become more common in the future, including jellies, algae and insects.

The exhibition also includes ceremonial goblets, fragrance vessels and jardinières created as table decorations. Each object belongs to a larger speculative scenario, offering a glimpse of how designers believe daily life could evolve over the coming decades.

Although the projects look toward the distant future, they center on porcelain, one of the oldest and most culturally significant materials associated with the dining table. The students selected it for its durability, sustainability and long history in domestic and ceremonial life.

Traditional design methods were combined with AI-assisted tools, which helped the students visualize their ideas and develop imagined environments around the objects. The technology, however, remains a means rather than the exhibition’s central subject. At its heart, “Future Ceramics” is concerned with people: how they gather, how they share resources and how ordinary objects can shape social behavior.

The presentation also creates a deliberate conversation between past and future. The students’ experimental works are displayed among historic porcelain and faience objects from the Kunstgewerbemuseum’s collection.

Placed side by side, the objects reveal that table culture has never been fixed. Plates, vessels and decorative pieces have always reflected the customs, technologies and values of the societies that produced them. What appears traditional today was once new, and what now seems speculative may eventually become part of daily life.

This dialogue gives the exhibition a broader historical dimension. Visitors are not simply asked to imagine futuristic dishes or unusual foods. They are encouraged to consider how much information a table setting can contain: ideas about family, hospitality, status, scarcity, celebration and community.

The exhibition suggests that the future of dining may depend less on technological novelty than on the continued human need to gather. Even in visions shaped by climate emergencies, urban density and digital estrangement, the students repeatedly return to shared rituals.

Tea is prepared together. Food is passed around. Vessels produce sound. Objects encourage conversation. In these imagined futures, the table remains a place where people pause, connect and make meaning from everyday life.

“2101 – Future Ceramics. Table Culture of the Future” is organized by the Kunstgewerbemuseum – Staatliche Museen zu Berlin in cooperation with the Product Design Department of the Berlin University of the Arts.

The exhibition is on view through February 28, 2027, at the Kunstgewerbemuseum, Kulturforum Berlin, Johanna-und-Eduard-Arnhold-Platz / Matthäikirchplatz. The museum is open Tuesday through Sunday from 10 a.m. to 6 p.m.


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