NEW YORK, NY.- The Metropolitan Transportation Authority celebrates the life and legacy of the internationally recognized artist Yayoi Kusama, who died on August 14, 2026, in Japan at the age of 97, three years after the MTA unveiled one of her final public artworks at the opening of Grand Central Madison.
The artwork, A Message of Love, Directly from My Heart unto the Universe, is a permanent glass mosaic located on the Madison Concourse of Grand Central, between 46th and 47th streets. The vibrant, 120-foot public art installation was commissioned by MTA Arts & Design and the Long Island Railroad and was unveiled to the public in early 2023 with the opening of Grand Central Madison. The permanent artwork, fabricated by Miotto Mosaics Art Studios, measures 120 W x 7 H, totaling approximately 875 square feet of glass mosaic.
Yayoi Kusama leaves behind an extraordinary artistic legacy, and we are honored her work will remain part of the fabric of New York City through Grand Central Madison, said Tina Vaz, Director of MTA Arts and Design. Her vision for this project transformed a public passageway to bring love, meaning and connection to every person who walks through the station. Her artistic expression and spirit will continue to be experienced by generations of New Yorkers to come.
Expanding on Kusamas iconic My Eternal Soul series, the piece is an exploration of lines, forms and bold colors. At once abstract and figurative, the mosaic features a variety of motifs that invite visitors and commuters to discover its details as they move through the space. The messages of LOVE, UNIVERSE, PEACE and OWE TO ALL MANKIND are conveyed throughout the work and reflect themes central to Kusamas artistic vision.
Kusama began the My Eternal Soul series in 2009. The paintings in this collection feature the significant qualities of her Infinity Net pieces and emphasize the obsessive, recurring geometries that defined her decades-long career. A Message of Love, Directly from My Heart unto the Universe carries those themes into a continuous expanse designed specifically for the Madison Concourse.
Kusama described the artwork as a gift to New York City, and included an accompanying poem in which she expressed her hope that the public display of this artwork will bring love and beauty to anyone that will experience her artwork high and low, near and far and everywhere:
This is Yayoi Kusama.
I offer you a message of love, directly from my heart unto the universe.
May you all experience the true beauty of loving humanity.
Human life is beautiful.
My wish is to deliver this vision, with all that is my life, to the people of New York.
Kusama devoted her life to artistic creations and endeavors, developing a distinct style and visual language centered on repetition, the concept of infinity, polka dots and bold colors. Born in Matsumoto City, Japan, Kusama first moved to the United States in 1957 and established herself in New Yorks artistic community at a time when Abstract Expressionism was at the center of the art scene. During this time, she created paintings, sculptures, performances and installations that explored themes of infinity, self-obliteration and the universe. Her work transcended artistic languages including visual art, film, fashion, design, literature and immersive installations.
Her work has been presented extensively at major museums and institutions across the world. Kusama represented Japan at the 45th Venice Biennale in 1993, and lived and worked in Tokyo, where the Yayoi Kusama Museum opened in October 2017. Over the past decade there have been museum exhibitions of Kusamas work touring the world in North and South America, Japan, Korea, Singapore, China, Australia, Russia, Mexico, Spain, England, France, Denmark, Norway, Sweden and Finland, Canada, Taiwan, Indonesia, Germany, and Israel. In 2016, Kusama received the Order of Culture, one of the highest honors bestowed by the Imperial Family in Japan. Kusama was the first woman to be honored with the prestigious medal for drawings and sculptures.
Kusama continued creating art throughout her life, painting until her final days. Her work remains among the most recognizable and influential in contemporary art.
Grand Central Madison was the largest passenger rail terminal to be built in the country in 67 years when it opened in 2023 and was one of the largest transportation infrastructure projects in the United States in recent years. The terminal contains two-level caverns that support four platforms and eight tracks.