Thermochromic canvases and bronze bells: Justin Caguiat transforms Serpentine South
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Thermochromic canvases and bronze bells: Justin Caguiat transforms Serpentine South
Justin Caguiat: Change Ringing, installation view, Serpentine South, 2026. Courtesy Serpentine. Photo: George Darrell.



LONDON.- Serpentine presents the first UK institutional exhibition of new and recent works by London-based artist Justin Caguiat, on view at Serpentine South from 8 October 2026 to 10 January 2027.

Change Ringing brings together painting, sculpture, printmaking, sound and film. Justin Caguiat engages with the gallery beyond its interiority, using the architecture and infrastructure of the Serpentine South building to frame and display his artworks.

Through a use of heat-responsive pigment, works on view at Serpentine constantly change in colour and reveal different shapes as they react to environmental factors such as temperature and light. Though they resist fixed narratives, the paintings are reminiscent of fresco painting.

Alongside canvases, sculptures and prints, Caguiat also shows a series of bronze bells cast in the shapes of various flowers and plant seeds varying in size. A score composed by Lily Pickett riffs on the logic of English change ringing, playing mechanically in a continuous loop as pistons fire in sequential code. Like the concrete acoustic mirrors built along Britain's coastline to detect warships, or Le Corbusier's conception of a building as an acoustic receiver, the gallery’s walls gather and amplify the bells’ chimes, transforming architecture into a listening instrument.

An evolution of Zodiac Machine (4 March – 1 April 2026; Madrid), the exhibition organised by Fundación Sandretto Re Rebaudengo Madrid, across the Santa Ana y la Esperanza Church, the nearby Moratalaz Market, and surrounding public spaces, the Serpentine show continues Caguiat’s longstanding exploration of the architecture, spiritual resonance, and symbolic qualities of sacred spaces, alongside the structures and rhythms of everyday urban infrastructure. Devised as a project in two parts taking place in the two institutions, Caguiat’s new body of works was influenced by the Spanish architect Justo Gallego Martínez, specifically his Catedral de Justo, which he designed and built single-handedly using only recycled and found materials.


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Bettina Korek, CEO and Hans Ulrich Obrist, Artistic Director, Serpentine said: “We're honoured to present Justin Caguiat's first institutional exhibition in the UK, following its presentation by Fundación Sandretto Re Rebaudengo Madrid earlier this year. Caguiat's cosmic and multifaceted practice gives rise to mystical, open-ended paintings that dissolve the boundaries between worlds. His work also explore time, and memory, moving between abstraction and figuration."

Change Ringing also includes a new site-specific installation of thermochromic paintings. Painted with heat-responsive pigments on copper, rudimentary heating pads and microcontrollers occupy various areas of the exhibition space and are triggered by the chimes of the bells. Once triggered, the copper panels are heated, shifting the colours and forms visible. These system-based works react to the ambient temperature in the room, which influences their transition from reactive to stable.

A seldomly used space in the back of the gallery has been transformed into a small cinema featuring a 16mm film by Caguiat.

Justin Caguiat: Change Ringing is curated by Hans Ulrich Obrist, Artistic Director and Natalia Grabowska, Curator at Large, Architecture and Site-specific Projects, with Alexa Chow, Assistant Exhibitions Curator. Zodiac Machine, organised by La Fundación Sandretto Re Rebaudengo in Madrid, was curated by Hans Ulrich Obrist, and produced by Isabela Mora.


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