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Tuesday, November 10, 2026 |
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| Yukiko Yamagata appointed Executive Director of Print Center New York |
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Yamagata joins Print Center New York with over two decades of philanthropy, curatorial and leadership experience across photography, socially engaged art and public art.
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NEW YORK, NY.- Print Center New York announced the appointment of Yukiko Yamagata as its next Executive Director.
Yamagata will build upon the organizations commitment to presenting a diverse range of high quality exhibitions and public programming that expand access to and understanding of printmaking. She will succeed Judy Hecker, Executive Director Emerita, following her decade-long tenure, and will work in close partnership with Jenn Bratovich, Chief Curator at Print Center New York, who has been serving as Acting Executive Director since June. Yamagata will begin her role on November 9.
Yukiko brings to Print Center a unique combination of leadership experience in the arts, philanthropy and organizational development, alongside a clear and inspiring vision for how Print Center can be best positioned in this next chapter of the organizations growth, said Board Chair David Sabel. Our Board of Trusteesled by a Search Committee representing the diverse stakeholders of the arts community we serveconducted a national search, and Yukiko stood out for how she balances a talent for capacity-building with strong programmatic instincts and experience working in a global context. We are excited to welcome a leader who will think creatively about strengthening our operational resilience as we continue to grow.
Yamagata joins Print Center New York with over two decades of philanthropy, curatorial and leadership experience across photography, socially engaged art and public art. Throughout her career, she has championed the vital role that art and culture play in strengthening society and affirming individual and collective identity. Her steadfast commitment to ensuring that the platforms, institutions and systems that nurture artists continue to serve as spaces for creativity, innovation and free expression aligns with Print Centers commitment to promoting the historical and contemporary importance of printmaking through robust, accessible programming.
I am thrilled to be leading Print Center New York at such a pivotal moment in the organizations history, and as print is experiencing renewed interest and popularity, said Yamagata. Print Centers founder Anne Coffin and former Executive Director Judy Hecker have laid an incredible foundation for the organization, making it a vital space for the appreciation of what is so unique about printmaking, while also emphasizing creative discovery, innovation and cross-disciplinary inquiry. I look forward to working with Print Centers Board, staff, and collaborators to build on this visionary work to continue deepening our impact on the print ecosystemartists, printers, publishers, curators, collectors, print dealers and enthusiastsand expanding partnerships locally, nationally and globally.
Yamagata most recently served as Deputy Director of Creative Time, the New York-based public arts organization, where she led institutional management and served as Interim Executive Director during the organizations leadership transition last winter. During her tenure at Creative Time, she focused not only on building internal capacity for the organization, but also on collaborative leadership development across the New York City arts ecosystem more broadly, through her participation in the NYFA Incubator for Executive Leaders of Color and as Co-Chair of the Collaborative Arts Network New York (CANNY). Prior to Creative Time, Yamagata led global arts, culture and photography programs at Open Society Foundations, where as Curatorial and Deputy Director for Culture and Art, she oversaw a $15.8 million global program providing fellowships and grants to socially engaged artists, cultural producers and arts organizations throughout Africa, the Americas, Asia, Europe and the Middle East. She also led the transformation and expansion of Open Societys Documentary Photography Project, a $2 million global grantmaking and exhibition program supporting documentary photographers.
Yukiko is an exceptionally well-rounded leader who is deeply attentive to the needs of artists and how they work within greater communities, added Jenn Bratovich, Chief Curator at Print Center. This is no more true than in printmaking, where artists, printers and publishers form uniquely collaborative creative networks. Im so excited to partner with her now to strengthen Print Center New Yorks ambitious program and develop our position as leaders supporting creativity not just in our field but in the broader nonprofit art sector.
Yukiko Yamagata is an arts leader with over two decades of experience leading programs and organizations at the intersection of arts, culture and social justice. Prior to joining Print Center New York, she was Deputy Director of Creative Time, where she led institutional management and worked cross-functionally to align strategy, operations and programming. From October 2025 to February 2026, she served as Creative Times Interim Executive Director.
Previously, she led global arts, culture and photography programs at Open Society Foundations, the worlds largest private funder of independent groups working for rights, equity and justice. She has also held curatorial and research positions at the Schomburg Center for Research in Black Culture and the Whitney Museum of
American Art.
Yamagata holds an MBA from NYU Stern School of Business and a BA in art history and womens studies from Barnard College. She is an executive board member of Peace is Loud and Women Photograph. She was part of the 2025 cohort of New York Foundation for the Arts Incubator for Executive Leaders of Color.
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Today's News
November 10, 2026
Rediscovered handwritten manuscript of Dr. Martin Luther King Jr.'s 1963 speech heads to auction
All signs point to a lively day of 'fun and games' at Milestone's Nov. 21 Advertising, Coin-Op & Antiques Auction
First printing copy of Teenage Mutant Ninja Turtles #1 snaps up $192,000 in Part 1 the Lawrence Klein collection, Part I
Tribal art repatriations: The growing impact on museums and collectors
German museum returns Max Slevogt painting to heirs of collector persecuted by Nazis
Gainsborough's House hosts first UK monographic exhibition for wood engraver Monica Poole in over thirty years
Rare Fayum portraits bring the faces of Roman Egypt to life in major Rome exhibition
Christie's Old Masters Evening Sale to feature rare Jan van Huysum pendant paintings
American Folk Art Museum Board elects Christopher C. Giglio as President
Rare Lyonel Feininger archive estimated at up to €250,000 leads Ketterer Kunst's November book auction
Gallery Wendi Norris presents 'Fine Tuner', first West Coast solo exhibition for Karla Knight
Babe Ruth Cuban exhibition contract and Lindbergh navigation calculations lead auction
Yukiko Yamagata appointed Executive Director of Print Center New York
CARA Fellowship awards $75,000 to artists Pepón Osorio and Ming Smith
Roméo Mivekannin confronts colonial history and "human zoos" in Paris museum exhibition
Musée du quai Branly acquires major Yinka Shonibare sculpture for its 20th anniversary
Art Gallery of Ontario's new Dani Reiss Modern and Contemporary Gallery to open September 25, 2027
Kiruna art museum hosts four-day festival exploring land, mining, and Sámi culture
Kunsthalle Osnabrück presents solo exhibition by artist and designer Simone C Niquille
Letters reveal soldier's sacrifice during WWII
Paper positions vienna returns to Semper Depot for third annual art fair edition
Henry Curchod explores memory, chance, and abstraction in New York solo show
Julie Curtiss explores urban life, identity, and unreality in Gagosian exhibition
Rago Wright to host 'Thieves & Lovers', an auction of conceptual artist Eric Doeringer
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