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John Webber's Portrait of the Captive Tahitian Princess Poetua to be Sold at Christie's in December |
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John Webber, R.A. (1751-1793), Poedua [Poetua], daughter of Oreo, chief of Ulaietea, one of the Society Isles. Signed and dated, 1785 56¾ x 36½ in. (144.3 x 92.7cm) Estimate: £800,000 to £1,200,000. Photo: Christie's Images Ltd 2008.
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LONDON.- Christies announce that they will offer a little known and highly important portrait of a Tahitian Princess at the auction of Important Old Master and British Pictures on 2 December 2008 in London. Consigned by the descendants of the last Queen of Tahiti, Poedua, daughter of Oreo, chief of Ulaietea, one of the Society Isles by John Webber, R.A. (1751-1793) is the least known of three recorded versions of the portrait by Webber (the other two versions are in the National Maritime Museum, Greenwich and the National Gallery of Australia, Canberra). This is the first great portrait of a woman of the Pacific and the prototype for all the portrayals of the fabled women of the south seas that would follow, a subject most famously portrayed just over a century later in Gauguin's celebrated Tahitian paintings. The portrait has been unseen to the public for over 200 years and will be on public exhibition at Christies London from 29 November to 2 December. It is expected to realise £800,000 to £1,200,000.
Captain Cooks Third Voyage saw the great explorer venture through the Pacific islands before searching for a North West passage which would take him from the Pacific to the Atlantic Ocean. From 3 November to 7 December 1777, Cooks ships were moored at Raiatea, one of the myriad of Tahitian islands.
The stay in the Society Islands ahead of the voyage north into icy waters proved challenging as Cook faced the problem of desertion, as the sailors were tempted by the attractions of life in the islands which promised, according to one of the crew, Alexander Home, Exactly the paradise of Mahomed in Every thing but Immortality. Marine officer John Harrison was the first to try and flee the mission; according to the ships cooper, he deserted from his duty into the Country in order to continue through female attachment & expectation of an easy Life. Harrison was recovered and was given two dozen lashes, and Cook spoke to his men assuring them that his authority would bring them back dead or alive. However, on 23 November, two of the crew from Discovery fled to the islands with a Tahitian in a canoe and early efforts to bring them back to the ship failed. Cook resorted to a tried and tested solution of taking hostage tribal chiefs. On 26 November, chief Oreo visited Resolution with his son Teura, daughter Poetua and son-in-law Moetua and they were duly held captive in order that the deserting sailors would be returned. The confinement of the beautiful princess Poetua on Captain Clerkes Discovery caused outrage among her people, as Clerke described in his journal:
The News of their Confinement of course was blazd instantaneously throughout the Isle; old Orea was half mad, and within an hour afterwards we had a most numerous Congregation of Women under the Stern, cutting their heads with Sharks Teeth and lamenting the Fate of the Prisoners, in so melancholy a howl, as renderd the Ship whilst it lasted, which was 2 or 3 Hours, a most wretched Habitation.
The deserters were returned on 29 November at which time the hostages were released. It is during the time of her confinement that Poetua is thought to have sat for Webber.
The present work, little known, and the only one dated, comes from the collection of Princess Ariimanihinihi Takau Pomare (1887-1976), youngest daughter of Queen Marautaaroa I (1860-1934), the last Queen of Tahiti, from whom it descended to her only daughter Princess Marautaaroa Monique Salmon-Pomare (d.1999), the late mother of the present owners. The portriats early history is unknown, but it may have been taken to Tahiti by Alexander Salmon (1822-1866), a London banker who travelled to the islands in the 1840s and married into the Tahitian Royal Family. Dated 1785, it is possible that this portrait is the version which was exhibited at The Royal Academy in 1785, where it presented the exotic beauty of the Pacific women to the European audience for the first time. It has since been unseen to the public for over 200 years and will be on public exhibition at Christies London from 29 November to 2 December.
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