FRUiTS: Tokyo Street Style - Photographs by Shoichi Aoki
The First Art Newspaper on the Net    Established in 1996 Wednesday, January 7, 2026


FRUiTS: Tokyo Street Style - Photographs by Shoichi Aoki



SYDNEY, AUSTRALIA.- The Powerhouse Museum and Sydney Festival present "FRUiTS: Tokyo street style - photographs by Shoichi Aoki." The exhibition showcases a vibrant and engaging collection of photographs taken in Tokyo between 1997 and 2002. The images capture a radical Japanese fashion subculture that has inspired fashion designers worldwide. FRUiTS: Tokyo street style is part of the visual arts program of Sydney Festival 2003 and is the first major exhibition for Japanese photographer Shoichi Aoki. Shoichi Aoki began documenting street fashion in Tokyo’s fashionable Harajuku area in the mid 1990s when he noticed a marked change in the way young people were dressing. Rather than following European and American trends, people were customising elements of traditional Japanese dress - kimono, obi sashes and geta sandals - and combining them with handmade, secondhand and alternative designer fashion in an innovative ’DIY’ approach to dressing. In 1997 Shoichi Aoki established the monthly magazine FRUiTS, now a cult fanzine with an international following, to record and celebrate the freshness of fashion in Harajuku. All photographs in the exhibition were originally published in FRUiTS.

 

Melanie Eastburn, curator of the exhibition, said: "Shoichi Aoki’s striking portraits provide a fascinating insight to the lives of a group of young Japanese people who express their individuality and fixations through their clothing."

 

Far from an impersonal record of style, each photograph is accompanied by the name and age of the subject, a short description of their outfit and its origins and the subject’s own explanation of their fashion inspirations and obsessions. According to Shoichi Aoki, the fashion featured in FRUiTS is "more about the art of ’putting things on’ than the art of making clothes."

 

He said: "Because western clothing has a short history in Japan, there is a strong tendency for people to dress in the same style as each other ... In Japan, having a different style is a kind of risk..."

 

"Therefore the fashion movement that came about in Harajuku was a revolution. This kind of fashion was not ’suggested’ by designers, but rather, the fashion of the young inspired the designers."

 

Some of the many styles seen in FRUiTS include punk, cyber and decora, in which simple garments are accessorised with toys and plastic jewellery that clink together to add an aural dimension to dress. Clothing inspired by cartoon characters like Sailor Moon are also popular. In the last couple of years ’elegant gothic Lolitas’ have had a strong presence in Japan. This style takes Harajuku’s doll-like ’Lolita’ look into a harder world of black lace crinolines, corsets and bat-shaped handbags.  

In addition to individually devised and handmade outfits, each ’look’ has its own avant-garde designers and brands. Outfits and accessories by Baby the stars shine bright, Takuya Angel, 20471120, Ohya and Christopher Nemeth will be exhibited alongside colourful ’DIY’ garb sourced by Shoichi Aoki direct from the pages of FRUiTS.

 

Featuring more than 30 of Shoichi Aoki’s large portraits and a selection of extraordinary clothing, FRUiTS: Tokyo street style celebrates the spirit of Harajuku and documents an inspirational moment in Japanese fashion and popular culture.











Today's News

January 7, 2026

Dusti Bongé Art Foundation announces digital catalogue raisonné project to debut in 2028

250 years of the American spirit: Nye & Company announces major two-day auction event

Art Institute of Chicago announces 2026 January-June exhibition schedule

Morphy's high-powered Dec. 16-18 Firearms & Militaria auction tops $7M

First comprehensive biography of Lucas Samaras to debut in February

The world's most notorious comics: EC Comic's legendary New Trend era

Woodblock wonders: A visual history of 200 Japanese masterpieces

Defunct utility and classical echoes: Malcolm Kenter presents "Composite Order" at Sebastian Gladstone

Julia Fish transcribes the architecture of home at David Nolan

A retrospective in miniature: Nicolas Party revisits 13 years of work at Karma

The Oklahoma City Museum of Art announces two upcoming exhibitions

Arthur Tress debuts "The Ramble," a clandestine queer archive

The Maison Européenne de la Photographie appoints Julie Jones as Director

Museum of Contemporary Art Zagreb presents 2026 programme

Babe Ruth rookie cards lead Heritage charge after $2.15 billion record-breaking year

The Glass Dream Game: Æmen Ededéen debuts mystic new works in Brussels

Arno Schidlowski reimagines the Rügen landscape in new exhibition at Alfred Ehrhardt Stiftung

Maureen Paley opens exhibitions of works by Agosto Machado, Mary Stephenson and Dirk Stewen

Beyond the body: Davide Hjort Di Fabio's sculptures explore the threshold of human form

Paris becomes the global capital of drawing: Salon du Dessin returns for 34th edition

M announces Els Nouwen's first institutional solo exhibition

Jacqueline de Jong Foundation established to honor artist's life

2026 Mary L. Nohl Fund Fellowships awarded: Five artists to share $70,000




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful