"Julianne Swartz: How Deep Is Your" on view at deCordova Sculpture Park and Museum
The First Art Newspaper on the Net    Established in 1996 Monday, October 26, 2026


"Julianne Swartz: How Deep Is Your" on view at deCordova Sculpture Park and Museum
Julianne Swartz, In-fill-trate (Hybrid Periscope), 2004. PVC pipe, Plexiglas, mirror, Mylar, and hardware, 7 x 54 x 27 inches. Edition 1/3. Colby College Museum of Art, Waterville, Maine, Museum purchase from the Jere Abbott Acquisitions Fund, 2005.004



LINCOLN, MA.- DeCordova presents Julianne Swartz: How Deep Is Your, the artist’s first career survey, on view September 2–December 30, 2012. Acclaimed for her unique blend of high and low-tech materials, Julianne Swartz makes the presence of the viewer fundamental to her work in images, objects, and architecturally sensitive installations. She employs lenses that transform mundane objects and hidden locations into magical moving pictures, mirrors that disorient a viewer’s spatial perception and self-awareness, and PVC tubing that allow buildings to communicate with their inhabitants. How Deep Is Your features Swartz’s work in photography, sculpture, installation, and sound, and gathers together for the first time a significant group of her large-scale installations—reconceived for the unique interior, exterior, and liminal spaces of deCordova. The exhibition is curated by independent curator Rachael Arauz and co-organized by deCordova and the Scottsdale Museum of Contemporary Art, Arizona, where it will be on view October 12, 2013–February 2, 2014.

Dennis Kois, Director, says “We are so pleased to be able to partner with the Scottsdale Museum of Contemporary Art to present Julianne Swartz: How Deep Is Your—a show that blurs material and process, viewer and participant, and object and architecture in ways that raise all sorts of questions about technology, about perception, about how we connect with each other, and about what objects and experiences might mean.”

Julianne Swartz: How Deep Is Your introduces Swartz’s work to a new audience, and demonstrates her unique contributions to interactive and participatory art, sound art, and installation art. The way in which ideas take material form in Swartz’s work eludes easy definitions and labels. Swartz writes of her work as “confronting institutional and patriarchal ideas of what is valued as efficient, evident, and independent” and seeking alternatively to foreground undervalued qualities such as “the perceptual, the experiential, the introspective, the emotional, and interdependence within a community.” A refreshing current of sincerity and hopefulness informs all of Swartz’s practice, and her deceptively simple arrangements of materials often result in profound observations about society, power, or human nature. Offering visitors the thrill of a conceptual scavenger hunt for the senses, as well as a thorough introduction to this groundbreaking contemporary artist, How Deep Is Your engages audiences of all ages.

“Swartz is an incredibly talented and intelligent artist. Her work imbues minimalist forms with deep emotional content,” remarked curator Rachael Arauz. “The opportunity to gather her work in all media as well as reconstruct some of her major large-scale installations offers new insights into her complex engagement with themes of interactivity, materiality, and human experience.”

Swartz has exhibited widely, including site-specific commissions for the New Museum, Tate Liverpool, and the Tang Museum, and group shows at P.S. 1/MoMA, the Aldrich Museum, The Israel Museum, Jerusalem, and Ballroom Marfa. She was included in the 2004 Whitney Biennial, and has had recent solo exhibitions at the Jewish Museum, the Colby College Museum and the Indianapolis Museum of Art.

She is represented by Mixed Greens and Josée Bienvenu Gallery in New York and the Lisa Sette Gallery in Scottsdale, AZ.


Today's News

September 2, 2012

A September auction at Christie's South Kensington in celebration of all things British

U.S. Court: Marilyn Monroe's estate can't block photo sales by Milton Greene Archives

A new, large-scale figure and a selection of wall works by Thomas Houseago at Hauser & Wirth

Migrating landscapes represents distinctive Canadian architectural vision at La Biennale di Venezia

N.C. Museum of History opens "Real to Reel: The Making of Gone with the Wind"

Museum of Contemporary Art, Chicago mounts exhibition for John Cage's centenary

VIENNAFAIR takes a step toward an enhanced international presence in the gallery scene

"Helen Marten: Almost the Exact Size of Florida" opens at new Kunsthalle Zurich

Lincoln Memorial reflecting pool reopens in DC after a two-year, $34 million reconstruction

BachmannEckenstein to present Japanese works on paper and ceramics at Asia Week New York

Sotheby's Hong Kong unveils its 2012 autumn sale series with three important wine sales

Exhibition of projects by Ben Kinmont opens at San Francisco Museum of Modern Art

"Julianne Swartz: How Deep Is Your" on view at deCordova Sculpture Park and Museum

Caleb Cain Marcus A Portrait of Ice: Book release & Metropolitan Museum of Art acquisition

History of DuPont Theatre told through vintage images

Guiding force behind Dallas Museum of Art joins faculty in arts and humanities

Dale Chihuly and team to work in Museum of Glass Hot Shop for one day only




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez


Royalville Communications, Inc
produces:

ignaciovillarreal facundocabral-elfinal.org
Founder's Site. Hommage
       
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful