LOS ANGELES, CALIFORNIA.- An Australian architect, Glenn Murcutt, who works as a sole practitioner, primarily designing environmentally sensitive modernist houses that respond to their surroundings and climate, as well as being scrupulously energy conscious, has been named to receive the 2002 Pritzker Architecture Prize. The 66 year old Murcutt lives and has his office in Sydney, but travels the world teaching and lecturing to university students.
In announcing the jury’s choice, Thomas J. Pritzker, president of The Hyatt Foundation, said, “Glenn Murcutt is a stark contrast to most of the highly visible architects of the day — his works are not large scale, the materials he works with, such as corrugated iron, are quite ordinary, certainly not luxurious; and he works alone. He acknowledges that his modernist inspiration has its roots in the work of Mies van der Rohe, but the Nordic tradition of Aalto, the Australian wool shed, and many other architects and designers such as Chareau, have been important to him as well. Add in the fact that all his designs are tempered by the land and climate of his native Australia, and you have the uniqueness that the jury has chosen to celebrate. While his primary focus is on houses, one of his public buildings completed in 1999, the Arthur and Yvonne Boyd Education Centre, has achieved acclaim as well, critics calling it ‘a masterwork’.”
Pritzker Prize jury chairman, J. Carter Brown, commented, “Glenn Murcutt occupies a unique place in today’s architectural firmament. In an age obsessed with celebrity, the glitz of our ‘starchitects,’ backed by large staffs and copious public relations support, dominate the headlines. As a total contrast, our laureate works in a one-person office on the other side of the world from much of the architectural attention, yet has a waiting list of clients, so intent is he to give each project his personal best. He is an innovative architectural technician who is capable of turning his sensitivity to the environment and to locality into forthright, totally honest, non-showy works of art. Bravo!”
The formal presentation of what has come to be known throughout the world as architecture’s highest honor will be made at a ceremony on May 29, 2002 at Michelangelo’s Campidoglio in the heart of Rome. At that time, Murcutt will be presented with a $100,000 grant and a bronze medallion. Murcutt is the first Australian to become a Pritzker Laureate, and the 26th honoree since the prize was established in 1979. His selection continues what has become a ten-year trend of laureates from the international community. In fact, architects from other countries chosen for the prize now far outnumber the U.S. recipients, nineteen to seven.
Bill Lacy, who is an architect spoke as the executive director of the Pritzker Prize, quoting from the jury citation which states, “His is an architecture of place, architecture that responds to the landscape and the climate. His houses are fine tuned to the land and the weather. He uses a variety of materials, from metal to wood to glass, stone, brick and concrete — always selected with a consciousness of the amount of energy it took to produce the materials in the first place.”
Lacy elaborated, “Murcutt’s thoughtful aproach to the design of such houses as the Marika-Alderton House in Eastern Arnhem Land; the Marie Short House in New South Wales; and the Magney House at Bingie Bingie, South Coast, New South Wales, are testament that aesthetics and ecology can work together to bring harmony to man’s intrusion in the environment.”
Ada Louise Huxtable, architecture critic and member of the jury, commented further saying, “Glenn Murcutt has become a living legend, an architect totally focused on shelter and the environment, with skills drawn from nature and the most sophisticated design traditions of the modern movement.”
Another juror, Carlos Jimenez from Houston who is professor of architecture at Rice University, said, “Nurtured by the mystery of place and the continual refinement of the architect’s craft, Glenn Murcutt’s work illustrates the boundless generosity of a timely and timeless vision. The conviction, beauty and optimism so evident in the work of this most singular, yet universal architect remind us that architecture is foremost an ennobling word for humanity”
And from juror Jorge Silvetti, who chairs the Department of Architecture, Graduate School of Design at Harvard University, “The architecture of Glenn Murcutt surprises first, and engages immediately after because of its absolute clarity and precise simplicity—a type of clarity that soon proves to be neither simplistic nor complacent, but inspiringly dense, energizing and optimistic. His architecture is crisp, marked and impregnated by the unique landscape and by the light that defines the fabulous, far away and gigantic mass of land that is his home, Australia. Yet his work does not fall into the easy sentimentalism of a chauvinistic revisitation of the vernacular. Rather, a considered, serious look would trace his buildings’ lineage to modernism, to modern architecture, and particularly to its Scandinavian roots planted by Asplund and Lewerentz, and nurtured by Alvar Aalto”
The purpose of the Pritzker Architecture Prize is to honor annually a living architect whose built work demonstrates a combination of those qualities of talent, vision and commitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture.
The distinguished jury that selected Murcutt as the 2002 Laureate consists of its founding chairman, J. Carter Brown, director emeritus of the National Gallery of Art, and chairman of the U.S. Commission of Fine Arts; and alphabetically: Giovanni Agnelli, chairman emeritus of Fiat from Torino, Italy; Ada Louise Huxtable, author and architectural critic of New York; Carlos Jimenez, professor at Rice University School of Architecture, and principal, Carlos Jimenez Studio Houston, Texas; Jorge Silvetti, chairman, department of architecture, Harvard University Graduate School of Design; and Lord Rothschild, former chairman of the National Heritage Memorial Fund of Great Britain and formerly the chairman of that country’s National Gallery of Art.
The prize presentation ceremony moves to different locations around the world each year, paying homage to historic and contemporary architecture. Last year, the ceremony was held in Charlottesville, Virginia at Thomas Jefferson’s home, Monticello, which the former president and author of the Declaration of Independence, as well as accomplished architect, designed. In 2000, the ceremony was held in Jerusalem in the Archaeological Park surrounding the Dome of the Rock.
Philip Johnson was the first Pritzker Laureate in 1979. The late Luis Barragán of Mexico was named in 1980. The late James Stirling of Great Britain was elected in 1981, Kevin Roche in 1982, Ieoh Ming Pei in 1983, and Richard Meier in 1984. Hans Hollein of Austria was the 1985 Laureate. Gottfried Boehm of Germany received the prize in 1986. Kenzo Tange was the first Japanese architect to receive the prize in 1987; Fumihiko Maki was the second from Japan in 1993; and Tadao Ando the third in 1995. Robert Venturi received the honor in 1991, and Alvaro Siza of Portugal in 1992. Christian de Portzamparc of France was elected Pritzker Laureate in 1994. The late Gordon Bunshaft of the United States and Oscar Niemeyer of Brazil, were named in 1988. Frank Gehry was the recipient in 1989, the late Aldo Rossi of Italy in 1990. In 1996, Rafael Moneo of Spain was the Laureate; in 1997 Sverre Fehn of Norway; in 1998 Renzo Piano of Italy, in 1999 Sir Norman Foster of the UK, and in 2000, Rem Koolhaas of the Netherlands. Last year, two architects from Switzerland received the honor: Jacques Herzog and Pierre de Meuron.
The field of architecture was chosen by the Pritzker family because of their keen interest in building due to their involvement with developing the Hyatt Hotels around the world; also because architecture was a creative endeavor not included in the Nobel Prizes. The procedures were modeled after the Nobels, with the final selection being made by the international jury with all deliberations and voting in secret. Nominations are continuous from year to year with over 500 nominees from more than 40 countries being considered each year.
