New Jenness Cortez painting 'Window on the West' to be sold at the Coeur d'Alene Art Auction
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New Jenness Cortez painting 'Window on the West' to be sold at the Coeur d'Alene Art Auction
Jenness Cortez, Window on the West. Acrylic on mahogany panel, 42 by 60 inches, ©2015.



AVERILL PARK, NY.- “Window on the West,” a new painting by acclaimed artist Jenness Cortez, documents exactly 200 years of the American West’s history––from 1804 when President Thomas Jefferson dispatched the Lewis and Clark expedition, to 2004 and the passing of the first truly western U. S. president, Ronald Reagan. The Cortez painting will be sold at the annual Coeur d'Alene Art Auction, July 25, 2015 at the Peppermill Resort in Reno, Nevada.

In 1801, when Thomas Jefferson became president of the United States, two out of every three Americans lived within fifty miles of the Atlantic Ocean. To the west, France owned the vast, largely unexplored Louisiana Territory where Napoleon hoped to establish an empire in the New World. In 1802 President Jefferson offered to buy the port of New Orleans from France, but Napoleon Bonaparte, strapped for cash to fund his wars, counter-offered to sell the entire Louisiana Territory, 820,000 square miles, for $15 million¬¬––an amount which was twice the U. S. federal budget. With a stroke of his pen, Jefferson more than doubled the size of the country. In the press of the times the purchase was called “Jefferson’s Folly.” Today we know Thomas Jefferson's vision as the birth of the American West.

On back wall:
Edward S. Curtis self portrait photogravure 1899

“Fort Worth Five” Butch Cassidy and the Sundance Kid Gang:
Harry A. Longabaugh (Sundance Kid), Ben Kilpatrick (the Tall Texan),
Robert Leroy Parker (Butch Cassidy), standing: Will Carver and Harvey Logan (Kid Curry)
1900 photograph by John Schwartz, Smithsonian Institution’s National Portrait Gallery;

George Caleb Bingham (1811-1879)
“Daniel Boone Escorting Settlers through the Cumberland Gap”
Mildred Lane Kemper Art Museum;

“In from the Night Herd”
Engraving after Remington drawing, “Harper’s Weekly” October 9, 1886;
“Her Calf” en grisaille, Amon Carter Museum of American Art;

George Catlin (1796-1872) Blackfoot Chief “Stu-mick-o-súcks (Buffalo Bull’s Back Fat) Head Chief, Blood Tribe” Smithsonian American Art Museum; Annie Oakley (Phoebe Ann Mosey) studio portrait; Col. W.F. Cody, 1908 Buffalo Bill lithograph.

On the shelf: Albert Bierstadt (1830-1902) “Emigrants Crossing the Plains” The Butler Institute of American Art; Kachina (Paiyatemu), Zuni late 19th century Brooklyn Museum; Frederic Remington (1861-1909) “The Broncho Buster” Bronze Metropolitan Museum; 1901 $10 Legal Tender Bison Note; Early 20th century buffalo skull; Eanger Irving Couse (1866-1936) “The Kachina Painter” private collection; Charles M. Russell (1864-1926) “Bronc to Breakfast” watercolor National Geographic January 1986, Montana Historical Society.

Carte de visite photographs: Gen. George Armstrong Custer, National Photographic Art Gallery; Sitting Bull, Hunkpapa Lakota holy man and tribal chief; Calamity Jane (Martha Jane Canary) frontierswoman and scout; James Butler “Wild Bill” Hickok, lawman, gunfighter; Sara Winnemucca, social reformer for Native American rights c.1880; Chief Gall (Pizi) Hunkpapa Sioux 1881 photographed by David F. Barry, National Archives; William S. Hart, silent film actor; Myra Maybelle Shirley Reed (Belle) Starr, outlaw, Oklahoma Historical Society; Frederic Remington at Yale, Dow Studios, Amon Carter Museum of American Art; Lucia Darling, first Montana school teacher 1863, Beaverhead County Museum; Red Cloud, photographed by Charles Milton Bell 1880; Charles M. Russell, Harry Pollard photographer 1919, Brian W. Dippie Collection; Black Elk, Oglala Lakota (Sioux) medicine man; William Penn Adair “Will” Rogers humorist, 19th century photograph; Chief Joseph–Nez Perce photogravure by Edward Curtis early 20th century.

Foreground display: Rembrandt Peale (1778-1860) Thomas Jefferson, White House Historical Association; Kiowa Moccasins c. 1870, private collection; Norman Rockwell (1894-1978) “Dreams of Long Ago” Saturday Evening Post August 13, 1927; Apache knife and sheath 1870; Colt 1851 Navy Revolver; 1890 pocket watch, American Waltham Watch Company; Acoma Olla (jar) c. 1770 private collection; Time (magazine) Ronald Reagan Commemorative Issue, June 14, 2004; Kachina, Kana-A Hopi c.1880.










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