BERLIN.- Important architectural drawings held by Sir John Soane’s Museum, one of the most significant collections of its kind in Great Britain, form a new temporary exhibition at the Museum for Architectural Drawing in Berlin.

The exhibition illustrates the ambition of leading British architects of the late 18th century who strove to create new architecture in the Classical tradition that could compete – in terms of public works, private houses, mausolea, interior detail and even furnishings – with the glories of the Ancient World.

Illustrating this central theme, some of the finest drawings and designs by Sir John Soane himself, Robert Adam, George Dance the Younger, Sir William Chambers and James Wyatt are being shown for the first time in Germany.

The exhibition: In Pursuit of Antiquity: Drawings from the Giants of British Neo-Classicism is curated by architectural historian and author Jeremy Musson, and was originally shown at Sir John Soane’s Museum in 2008.

Musson’s selection from the Museum’s unrivalled collection includes an astonishingly detailed cutaway drawing of Holy Trinity Marylebone, one of Soane’s three neo-classical churches. Such designs are a reminder of the passionate belief held by Soane and his architectural contemporaries that the quality of a society could be judged by its public buildings. London was, then, the centre of the largest empire since Rome, and the exhibition includes Soane’s design for two huge triumphal arches (celebrating Waterloo and Trafalgar) at each end of Downing Street. The deliberate association of ancient and modern empires is clear.

Alongside designs for monumental public architecture, In Pursuit of Antiquity also includes more intimate details, such as chimneypieces and domestic furniture, whose Egyptian, Grecian and Roman nuances reflect aspirations for the birth of a new golden age.

In Pursuit of Antiquity focuses on Ancient Rome and its great monuments as a source of inspiration to the architectural students of the 18th and 19th centuries who exhaustively measured, studied, surveyed and above all, drew these structures as part of their education. The exhibition also explores the idea of an architectural drawing – from sketch to final presentation. Drawings by French and Italian artists such as Percier, Clérisseau and the great Piranesi, all represented in Soane’s collection, illustrate the links between these architects and British architects.

Often described as “the father of modern architecture”, Sir John Soane (1753–1837) brought together a magnificent collection of architectural drawings intended to provide exemplars for himself, his sons and his assistants. It was to be a source of reference, inspiration, ideas and comparison and later became a key aspect of his conscious creation of a museum collection.

Today, the outstanding drawings held at Sir John Soane’s Museum stand alongside the collection of the Royal Institute of British Architects as the two pre-eminent collections of architectural drawings in the country.

Jeremy Musson is an architectural historian, broadcaster and author. He is the author of The Drawing Room: Country House Design and Decoration (2014), English Country House Interiors (2011), How to Read a Country House (2006), and series editor of books published from the archive of Country Life , including : The Regency Country House and The Country Houses of Adam . He also contributes to the British Art Journal and the Georgian Group Journal . He lectures regularly, including for the University of Cambridge, the Attingham Summer School and the Royal Oak. Born in London in 1965, he lives in Cambridge with his family.