New exhibition exploring the relationship between art and comedy opens at Bluecoat
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New exhibition exploring the relationship between art and comedy opens at Bluecoat
Double Act: Art and Comedy draws together the work of 16 international artists who use a variety of media to communicate their differing approaches to comedy, ranging from the bodily humour of slapstick to more conceptual articulations of wit.



LIVERPOOL.- A new exhibition exploring the relationship between art and comedy is to open at Bluecoat, Liverpool’s centre for the contemporary arts.

Double Act: Art and Comedy draws together the work of 16 international artists who use a variety of media to communicate their differing approaches to comedy, ranging from the bodily humour of slapstick to more conceptual articulations of wit.

Maurice Doherty’s neon sign spells out the phrase ‘I slept with the curator to get this show’, using humour to undermine the assumed impartialities that lie behind curators’ choices to show some artists rather than others. The piece has been specially commissioned for the exhibition.

Other works include Gemma Marmalade's photographs from her 2015 Seed Series (Green-Fingered), which give a new twist to the well-used joke of funny-looking vegetables by suggesting a relationship between female gardeners' sexuality and the size of their crop. Erica Eyres’s drawings based upon photographs in nudist magazines, dating from the 1970s, rely on the comedy of the body and anxieties about nakedness.

The exhibition examines how comedy goes far beyond the business of making us laugh: it has long been a powerful tool for social change and a means of undermining authority. What we find funny can also be cruel, establishing symbolic boundaries that divide people, setting those with power against those without and vice-versa.

Double Act: Art and Comedy is curated by artists David Campbell and Mark Durden, founding members of the artists’ group Common Culture and studio holders at Bluecoat. The project stems from explorations in their own work of the comedic impulse within contemporary British culture.

Campbell and Durden said, “We are fascinated with comedy because of its capacity to cut through the often pretentious and serious nature of art. Humour opens up new critical ways of engaging with the world.”

Marie-Anne McQuay, Head of Programme at Bluecoat, said, “Double Act: Art and Comedy explores the use of comedic devices - satire, slapstick, deadpan – from the perspective of artist curators and their peers. Bluecoat is delighted to support Campbell and Durden in realising this ambitious dual site exhibition.

“As part of our spring season of events Bluecoat is also extending the theme of comedy to other art forms beyond the visual, staging comedy from the Arab world, a symposium on physical theatre and readings by writers meditating on the darker side of humour.”

To explore its theme of duality, the exhibition will itself be a ‘double act’ and will take place at two venues; Bluecoat, Liverpool and The MAC, Belfast. Each exhibition has overlapping artists yet will display different works examining the theme of comedy. The one exception is Maurice Doherty, whose neon sign spelling out the phrase “I slept with the curator to get this show” has been commissioned by both venues.
Double Act: Art and Comedy will run at Bluecoat from Saturday 9 April – Sunday 19 June, and at The MAC, Belfast from Friday 6 May – Sunday 31 July.

Artists featuring in the exhibition at The MAC include Bas Jan Ader, Cory Archangel, Terry Atkinson, Mel Brimfield, Common Culture, Keith Coventry, Maurice Doherty, Richard Hughes, Paul McCarthy, Jonathan Monk, Adrian Paci, Julian Rosefeldt, Joachim Schmid, John Smith, Michael Smith, Richard Wentworth, Olav Westphalen, Erwin Wurm.










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