RALEIGH, NC.- The North Carolina Museum of Art announces new works of art to be installed in the 164-acre NCMA Park. The works include a bronze tree by Italian artist Giuseppe Penone, a playful pair of benches designed by Hank Willis Thomas, and a 10-day installation of 23-foot-tall illuminated rabbits by Australian artist Amanda Parer. The sculptures will be featured at the NCMA’s Park Celebration on November 6, when the public is invited to experience the newly expanded Park with a variety of outdoor activities.
“We are thrilled to present these significant public art installations, as they offer our visitors new ways to enjoy and engage with the NCMA Park,” says Director Lawrence J. Wheeler. “These spectacular sculptures by a diverse group of international artists will make our redesigned Park even more special and—along with the new contemporary gardens and elliptical lawn—they distinguish the NCMA as a cultural destination for our community and beyond.”
Ideas of Stone–Elm by Giuseppe Penone, 2008 (installation: September)
Giuseppe Penone’s 26-foot-tall bronze tree, cast from an elm tree in Italy, cradles a huge river boulder in its branches. The boulder, weighing just under 3,000 pounds, appears to be barely suspended in the tree but is actually locked into place. The seemingly precarious placement of the boulder can be seen as a metaphor for the impact of human intervention in nature and the constantly shifting balance of natural forces.
In Penone’s words: “A tree summarizes in an exemplary way the contrast between two forces: the force of gravity and the weight of life we are part of. The need and the search for balance, which exists in every living being to counteract the force of gravity, is evident in every step and in every small action of our lives.”
Penone is fascinated by natural growth, cycles of change, decay, and regeneration. His sculptures have a deep connection with the natural world. Melding manmade and organic forms and materials, Penone explores human relationships and interactions with nature. He lives and works in Turin, Italy, and Paris, France.
Ernest and Ruth by Hank Willis Thomas, 2015 (installation: October)
Shaped like cartoon speech bubbles, Hank Willis Thomas’s sculptures Ernest and Ruth offer visitors a place to sit and interact with the works of art and with each other. The artist states, “When viewers occupy the piece, they are encouraged to contemplate what it means to inhabit their own speech and beliefs.”
Ernest and Ruth is part of a larger body of work that includes nationwide traveling public art project In Search of the Truth (The Truth Booth), created by Thomas and Cause Collective, which the NCMA hosted for two days in July 2016.
Hank Willis Thomas works in a variety of media to address history, race, class, gender, and identity as seen through the lens of popular culture, advertising, and marketing. By altering familiar images, icons, and logos, Thomas raises questions about how media reflect and shape popular opinion, and how history is negotiated, mitigated, and reconciled by the present. He lives and works in New York.
Ernest and Ruth is the second work of art by Thomas in the Museum’s permanent collection.
Amanda Parer: Intrude October 28–November 6, 2016
In artist Amanda Parer’s native Australia, rabbits are an out-of-control pest and have caused a great imbalance to the country’s endemic species. On the other hand, the rabbit also represents the fairytale animals from our childhood—a furry innocence, frolicking through idyllic fields. Intrude deliberately evokes this cutesy image with visual humor to lure visitors into the art, only to reveal the more serious environmental messages in the work.
