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Thursday, November 14, 2024 |
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Netflix to release "Sky Ladder: The Art of Cai Guo-Qiang" |
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Cai Guo-Qiang was trained in stage design at the Shanghai Theater Academy, and his work has since crossed multiple mediums within art, including drawing, installation, video and performance art.
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NEW YORK, NY.- The first feature-length documentary on Chinese artist Cai Guo-Qiang, directed by acclaimed filmmaker Kevin Macdonald, will be released on Netflix on October 14.
Told through the artist's own words and those of family, friends and vigilant observers, Sky Ladder: The Art of Cai Guo-Qiang tracks the artist's meteoric rise and examines how and why he engineers artworks that stretch as far as the eye can see and wow millions, such as a six mile-long gunpowder fuse stemming from the Great Wall into the Gobi Desert or the astounding opening and closing ceremonies of the 2008 Beijing Summer Olympics.
With the documentary's ambitious namesake a 1,650 foot ladder of fire climbing into the skies about his hometown the film captures Cai's work, which unites Eastern philosophy with contemporary social issues. SKY LADDER: THE ART OF CAI GUO-QIANG (Produced by Wendi Murdoch, Fisher Stevens and Hugo Shong, with Executive Producer Bennett Miller) is an in-depth portrait of a contemporary creative icon with an ever-present social-political consciousness, a man whose captivating works are visually imposing with implications just as grandiose. Directors of Photography: Robert Yeoman (The Grand Budapest Motel, Moonrise Kingdom) and Florian Zinke. RT: 79m.
Cai Guo-Qiang was trained in stage design at the Shanghai Theater Academy, and his work has since crossed multiple mediums within art, including drawing, installation, video and performance art. While living in Japan from 1986 to 1995, he explored the properties of gunpowder in his drawings, an inquiry that eventually led to his experimentation with explosives on a massive scale and to the development of his signature explosion events. Drawing upon Eastern philosophy and contemporary social issues as a conceptual basis, these projects and events aim to establish an exchange between viewers and the larger universe around them, utilizing a site-specific approach to culture and history.
Cai was awarded the Japan Cultural Design Prize in 1995 and the Golden Lion at the 48th Venice Biennale in 1999. Solo exhibitions and projects include Cai Guo-Qiang on the Roof: Transparent Monument, Metropolitan Museum of Art, New York, 2006 and his retrospective I Want to Believe, which opened at the Solomon R. Guggenheim Museum, New York in February 2008 before traveling to the National Art Museum of China in Beijing in August 2008 and then to the Guggenheim Bilbao in March 2009. Cai was the curator of the first China Pavilion at the 51st Venice Biennale in 2005.
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