African wax prints tackle rivals for place in the sun
The First Art Newspaper on the Net    Established in 1996 Tuesday, April 29, 2025


African wax prints tackle rivals for place in the sun
Jean-Louis Menudier, CEO of Uniwax, talks during an interview at the Uniwax factory in Abidjan, Ivory Coast, on September 6, 2016. In a bustling market in Abidjan, women browse through a bewildering array of intricately patterned wax-print fabrics, each of which has a unique and sometimes quirky name. "Eye of my rival" is one which has an eye-like motif, while another is known as "capable husband". Another bale of this brightly coloured fabric is labelled "jealousy". Each print has a name and comes in different colours, so you could have a "capable husband" in red, green or a white and the same for “Eye of my rival". Known as a "pagne", this strip of printed cotton cloth can be worn in a number of different ways, tailored into a garment or used to make any type of fashion accessory or household item. ISSOUF SANOGO / AFP.

by Patrick Fort



ABIDJAN (AFP).- In a bustling market in Abidjan, women browse through a bewildering array of intricately patterned wax-print fabrics, each of which has a unique and sometimes quirky name. 

"Eye of my rival" is one which has an eye-like motif, while another is known as "capable husband". 

Another bale of this brightly coloured fabric is labelled "jealousy".

Each print has a name and comes in different colours, so you could have a "capable husband" in  red, green or a white and the same for “Eye of my rival".

Others have longer, more conversational names: "If you leave, so will I" or "If you divorce, I won't eat sand".

Known as a "pagne", this strip of printed cotton cloth can be worn in a number of different ways, tailored into a garment or used to make any type of fashion accessory or household item. 

The name often reflects a key element in the pattern and those attached to the most popular styles often spread quickly as rumours and jokes around Adjame market in Ivory Coast's economic capital.

"We don't know where they come from," chuckles Didi Sangare, a market trader who has been selling fabric for 15 years.

"From saleswomen, from the clients, people give them names... and sometimes they stick," she says.

"They come and they go. When there's a successful soap opera or some political event, the pagne that appears at the same time might get its name."

'We can do everything!'
One African pagne printed with cars is named "Renato's car" after a heartthrob in a Latin American soap, while other bales of fabric have been named after heroines of popular television series. 

Others reflect political events, with one named "Guei's Broom" for the general who briefly headed a military junta after leading a coup in December 1999.

Similar to Indonesia's celebrated batiks, these textiles are printed with motifs which reflect African themes.

"Pagne is beautiful, pagne is good," says Korotoum Ouattara, a 28-year-old trader. 

"Shirts, trousers, dresses -- clothes, but also bags, shoes, curtains, sheets, tablecloths," she says.

"We can do everything!" 

Despite her enthusiasm, the fabric is not fireproof with regulations advising against its use for anything other than clothes. 

And the rule is even wryly reflected in the name of one of the cheaper bolts of fabric: "Watch Out for Fire."

Dutch origins
Once a luxury item imported from The Netherlands, this wax-printed fabric today varies hugely in quality and the finesse of its designs.

Progress in African manufacturing and printing methods has sparked a production boom, spawning a broader range of themes, pushing down prices for customers -- and making some pagnes readily affordable.

Since the turn of the century, there has been strong competition from Asia. At Adjame market, as elsewhere in Africa, cloth imported from China and Thailand is on sale.

For the poorest customers, foreign products which cost between 2,000 and 6,000 CFA francs ($3.40-$10/3-9 euros) for six metres (yards) of fabric are more attainable than cloth from major local brands, which often sell for more than $25. 

"Our main competitors are counterfeiting and fraud," says Jean-Louis Menudier, who heads Uniwax, the Ivorian subsidiary of Dutch group Vlisco and a top west African manufacturer of print fabrics.

"The products of our rivals are made in Asia, mostly in China. 

"They almost exclusively reach the African continent through fraud -- contraband and tax evasion -- and much of the material is forgery using our designs."

'A strategy of creativity'
Menudier estimates that more than 90 percent of fabrics on the market are counterfeit or entered the country fraudulently.

"This posed an enormous threat to our activity between 2004 and 2006. We adopted a strategy of creativity, marketing, distribution and production that enables us to fight these phenomena effectively," he says.

"We create faster than imitators can copy," he adds, inspired perhaps by a print called "I run faster than my rival".

The strategy has paid off. 

Uniwax is thriving with 750 employees and a net profit of $7 million in 2015  -- a profit margin of 11 percent -- on revenues of $62 million.

At the start of September, the company announced plans to raise $17 million on the stock market to finance an investment scheme that should enable it to increase production by 70 percent over five years.

Though the firm sells 45 percent of its wares in Ivory Coast, it is benefiting from an expanding international market that is slowly opening the gates to Europe and even the United States.



© 1994-2016 Agence France-Presse










Today's News

September 30, 2016

Brussels to open Pompidou Centre art museum at a former Citroen garage

US-France court battle tied to Picasso comes to a head

Gagosian exhibits works by Duane Hanson and Olivier Mosset

The Morgan opens retrospective of drawings by Jean Dubuffet

Moscow gallery attack targets Ukrainian troop photos

US painter Shirley Jaffe, 93, dies in Paris

Tate acquires British Impressionist masterpiece

Mayor of London Sadiq Khan unveils David Shrigley's "Really Good" on Fourth Plinth

Lark Mason Associates announces Fall Sale of Asian, Ancient, and Ethnographic Works of Art

Leading Brazilian architect to receive United Kingdom's highest honour for architecture

Myriad masterworks unveiled at Sotheby's biggest-ever Dubai exhibition

Phillips announces highlights from the October Auctions of Evening & Day Editions, including Works on Paper

Anne Mosseri-Marlio Galerie announces the death of artist Nils Erik Gjerdevik

Moscow-based artist Amanita opens exhibition at Dadiani Fine Art

Major show for artist who helped kick-start Glasgow's emergence as a centre for contemporary art

A set of rare late Renaissance allegories of the months of the year surpasses the high estimate at Koller

New exhibition explores the experimental energy of the Toronto art scene in the 70s and 80s

African wax prints tackle rivals for place in the sun

Major exhibition of new work by London-based artist Helen Marten opens at The Serpentine

Philipp Demandt takes office as new Director in Frankfurt am Main

Famous Hepworth sculpture takes a Trinity Walk

Swann Auction Galleries enjoy works on paper success with leading artists at $2m auction

Hoxton Gallery opens survey of works in oil by the late Keith Cunningham

Yinka Shonibare MBE's '...and the wall fell away' on view at Stephen Friedman Gallery




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful