LONDON.- The Parallax scrolling screening programme, curated by Rebecca Lewin together with artists Nicholas Hatfull, Lauren Keeley and Jackson Sprague, explores the treatment of perspective, depth and perception in two and three dimensions.

Incorporating a number of different moving image techniques, the short films in the screening programme draw attention to the ways in which space and movement can be suggested on screen, creating both a precursor and a parallel to the experience of moving through the exhibition of works that will follow the screenings. The Parallax scrolling exhibition presents a selection of new and existing work by Nicholas Hatfull, Lauren Keeley and Jackson Sprague. The exhibition and screening will be accompanied by an exhibition text by Rebecca Lewin.

Nicholas Hatfull (born 1984, Tokyo, lives and works in London) graduated from the Royal Academy Schools in 2011 and was the Sainsbury Scholar in Painting and Sculpture, British School at Rome, 2011–12. He has been the subject of solo/2-person exhibitions at Focus, Frieze New York (2016), Josh Lilley (2014); Margini Arte Contemporanea, Massa, Italy (2013); Peles Empire, London (2012); and Karsten Schubert, London (2009). Group exhibitions include Pre-pop to Post-Human: Collage in the Digital Age, Hayward Touring (2014); D’Après Giorgio, Fondazione Giorgio e Isa de Chico, Rome (2012); Re-Generation, MACRO, Rome (2012); and Newspeak: British Art Now, Saatchi Gallery, London (2010).

Lauren Keeley (born 1986 Milton Keynes, lives and works in London) studied at The Ruskin School, University of Oxford (2010) and The Slade, UCL (2014). Recent group exhibitions include Frieze Art Fair, London; Slate Projects, London; GRANPALAZZO, Rome (2016). She has had recent solo exhibitions at Frutta, Rome; and Supplement, London (2015).

Jackson Sprague (born 1982, Devon, lives and works in London) gained an MA from Royal College of Art and BA from Goldsmiths College. Recent shows include: Maisterravalbuena, Madrid, SP; Emalin, Stirling, Scotland, UK; The Unturned archive, online; Frutta, Rome, IT; CASS Sculpture Foundation, Chichester, UK; Northern Gallery for Contemporary Art, Sunderland, UK; Edel Assanti, London, UK; Limoncello Gallery, London, UK; Cole Contemporary, London, UK (solo); Millington Marriott, London, UK; Institute of Contemporary Arts, London, UK; Liverpool Biennale, Liverpool, UK; Hobbs Mclaughlin, London, UK; Horton Gallery, Berlin, DE; Plaza Plaza, London. Past and forthcoming residencies include Cite des Arts, Paris, France and AIT in association with Camden Arts Centre, Tokyo, Japan.

Rebecca Lewin is Exhibitions Curator at Serpentine Galleries, London, where she has curated shows with Lucy Raven, Etel Adnan, DAS INSTITUT, Michael Craig-Martin, Duane Hanson, Pascale Marthine Tayou, Cerith Wyn Evans, Ed Atkins, Martino Gamper and Wael Shawky. She has worked on outdoor commissions by Michael Craig-Martin and Bertrand Lavier and the 2013 Serpentine Pavilion by Sou Fujimoto. She has also produced independent exhibitions, including A Partition at Cell Project Space (2016), The Palace of Green Porcelain at Breese Little (2013) and Pertaining to things natural… at the Chelsea Physic Garden (2012). Her essay on the Lucy Raven exhibition and on the collaborative practice of DAS INSTITUT were published in 2016 by the Serpentine Galleries and Koenig books.

The exhibition is on view at Breese Little through 18 March 2017.