Blondeau & Cie exhibits works by Rhona Bitner
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Blondeau & Cie exhibits works by Rhona Bitner
9:30 Club, Washington D.C., April 2, 2008. Produced in 2017. Color coupler photograph mounted on aluminium, 100 x 100 cm. 39.5 x 39.5 in. Edition 1/6 + 2 AP. © Rhona Bitner/ ADAGP.



GENEVA.- Following the exhibition STAGE in 2006, and the debut of LISTEN in 2011, Blondeau & Cie presents – on the occasion of the next Nuit des Bains on March 23rd in Geneva – an exhibition of Rhona Bitner, LISTEN: Imaging American Music, New Work. The exhibition assembles a selection of new work from her decade-long, encyclopedic project.

The closing of the legendary New York club CBGB in 2006, after 33 pioneering years of hosting landmark concerts, was a call to action for Rhona Bitner: a challenge to use her lens to record the unmistakable sounds of rock ’n’ roll in the United States.

In the ten years since, she has traveled to over 85 cities in 27 of the United States, visiting and photographing fabled sites including clubs, concert halls, arenas, fields, homes, churches and recording studios – the spaces in which the epic soundtrack of a generation is engraved.

She has traveled the artery of rock and punk, followed the Chitlin’ Circuit, and created a visual map of the fabled history of American popular music. She has given a landscape to the physical and ephemeral experience that is live music.

The selection of photographs at 5 rue de la Muse this Spring takes us to the high school auditorium where a young Bob Dylan began to play, the halls of Folsom State Prison where Johnny Cash performed and recorded his iconic album, the Williamsburg Bridge where Sonny Rollins perfected his astounding comeback and the Michigan State University gymnasium in Ann Arbor where a young Iggy Pop was inspired by Jim Morrison.

Meticulous research as well as anecdotal tales and whispered references went into each trip and identification of venue. LISTEN is an encyclopedic work of both physical presence and visual recall. Bitner stands alone in the empty spaces. The rooms are silent. There are no musicians at the microphone or facing the mastering booth. Nonetheless their reverberations echo in the vault of our collective memory.

She is represented in Paris by Galerie Xippas. Her photographs are included in the United States in the permanent collections of the Whitney Museum of American Art, New York, the Art Institute of Chicago, Chicago, The Wellin Museum of Art, Clinton (NY) and the Museum at California State University, Long Beach and in France in the permanent collections of the Maison Européenne de la Photographie, Paris, the Fonds National d’Art Contemporain, Paris, and the Fonds Régional d’Art Contemporain Bretagne, Rennes.










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