Denver Botanic Gardens opens the first outdoor show of Calder's work in the west
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Denver Botanic Gardens opens the first outdoor show of Calder's work in the west
Alexander Calder, "Five Rudders," 1964. Lent by the Mildred Lane Kemper Art Museum, Washington University St. Louis. Gift of Mrs. Mark C. Steinberg, 1964. © 2017 Calder Foundation, New York / Artists Rights Society (ARS), NY. Photo Denver Botanic Gardens.



DENVER, CO.- Denver Botanic Gardens’ survey of iconic American artist Alexander Calder’s bold sculptures – Calder: Monumental – is on view April 28 – September 24, 2017 at the Gardens’ York Street location. It is the first outdoor show of Calder’s work in the west and the first solo outdoor exhibition in the U.S. in more than a decade.

Calder devoted much of his later working years to monumental sculptures, many of which were public commissions. Calder’s monumental works are made of industrial materials and bolted steel plates. In addition to the outdoor sculptures, one indoor mobile in monumental scale is presented in the Boettcher Memorial Center, on loan from the Denver Art Museum. The featured abstract and figurative sculptures span from 1956–1976.

Calder: Monumental is guest curated by Alfred Pacquement, Honorary Director, Musée National d’Art Moderne, Centre Pompidou in Paris, and organized in conjunction with the Calder Foundation, New York. Lenders to the exhibition include: Calder Foundation, Denver Art Museum, Smithsonian’s Hirshhorn Museum and Sculpture Garden, Museum of Fine Arts Houston and Mildred Lane Kemper Art Museum.

Alexander Calder (1898–1976) is celebrated as a titan of modern sculpture. He first gained recognition in the 1920s in Paris for his work of performance art Cirque Calder (1926–31). At the same time, Calder invented wire sculpture, moving volumes that could be seen from all angles. After turning to abstraction in 1930, Calder invented another new form of sculpture, the “mobile,” so-termed by artist Marcel Duchamp. As Calder’s renown grew, he received commissions from cities and museums around the world for monumental sculptures of the type exhibited at the Gardens, making Calder the first truly international artist – as well as one of the first to embrace public sculpture as an important element of civic life.










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