PITTSBURGH, PA.- Carnegie Museum of Art announces a solo exhibition by Ian Cheng (b. 1984). Cheng presents Emissary Sunsets The Self, an open-ended digital simulation displayed on a massive, 13 foot-wide LED screen in CMOAs Forum Gallery. The artist is best known for his digital simulation works that draw on his background in cognitive science and employ rudimentary forms of artificial intelligence (AI). Coding these unpredictable animated worlds from the ground up, he uses the language of video games to probe complex themes such as evolution, human behavior, and the history of consciousness.
Emissary Sunsets The Self is the third work in the artists Emissaries trilogy (20152017). Each simulation in the seriesset on the same volcanic site separated by thousands of yearsexplores a pivotal moment in Chengs interpretation of cognitive evolution, past and future. His protagonists, or Emissaries, are equipped with a unique AI composed of multiple competing inner models, allowing them to shapeand be shaped bytheir strange environments as they work to accomplish narrative tasks.
In each episode, Cheng writes, the Emissarycaught between unraveling old realities and emerging weird onesattempts to achieve a series of deterministic narrative goals, an analogy to the narrative nature of consciousness. But crucially these goals can be set off course, procrastinated, disrupted by the underlying simulation and its non-narrative agents who vex the Emissary with other kinds of minds.
Emissary Sunsets The Self takes place many millennia in the future on a volcanic atoll now under the control of MotherAI. We observe the confrontation between radical mutations in the sentient atoll and the local inhabitants who were long ago engineered to immunize the landscape from monstrous deviations.