Emin Hurt By Art Loss Sniggering
The First Art Newspaper on the Net    Established in 1996 Tuesday, November 10, 2026


Emin Hurt By Art Loss Sniggering



 LONDON.-Artist Tracey Emin has spoke of her hurt at the public "sniggering" over the loss of major works in a warehouse fire. Three of her works were destroyed in the blaze in London last week along with pieces by other major modern artists including Damien Hirst, Chris Ofili and Jake and Dinos Chapman. About 100 "irreplaceable" works belonging to collector Charles Saatchi were destroyed. Emin said she was outraged by the public reaction. The artwork, which celebrated everyone the artist had ever slept with, is now itself sleeping with the fishes.

The guy ropes, tent pegs, and groundsheet met the same fate as the embroidered panels which bore the names of more than 100 of her companions. They were victims to a fire in the Momart art warehouse. Though it met a tragic end, the life of Everyone I Have Ever Slept With 1963-1995 was a short and controversial one. The tent helped Emin become a well-known artist, though her outspoken and often drunken pronouncements like: "I got a reputation not just of being a slag but of being a devious slag" also helped.

But the tent got a bad press partly because people thought it was just too much information about Emin’s sexuality. This was only partly true, as "slept with" really meant "slept with"; the names included Emin’s grandmother, her teddy bear, and her (later aborted) fetuses. Some observers found the action of climbing inside the tent to read the names strangely intimate.

 

Nevertheless, many others concluded that, even though they didn’t know much about art, they knew what they liked. And that didn’t mean embroidered tents. While many in the art world are mourning its passing, their views are not shared by members of the press. Some newspapers have tried to recreate the lost masterpiece by visiting a camping supplies shop. It cost one paper £67.50; another got a bargain at £39.99. (Art collector Charles Saatchi reportedly paid £40,000 for the original.)

The tent is survived by its younger sibling, My Bed, a representation of the artist’s unmade bed complete with empty Vodka bottles, cigarette packets and condoms, which were not in the same warehouse. In death as in life, the tent will remain, depending on your preference, either "a really remarkable work... intimate and loving", or "a massive sulk... bad art".



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