|
The First Art Newspaper on the Net |
|
Established in 1996 |
|
Thursday, September 19, 2024 |
|
Tramway presents twelve large scale multi-media collages by Steven Campbell |
|
|
Steven Campbell Love, collage, 177 x 121 cm 1991.
|
GLASGOW.- Love is an exhibition of twelve large scale multi-media collages by celebrated artist Steven Campbell (1953 2007) created on his return to Scotland in 1987 following a five year period of living and working in New York
Campbell is widely known for his vivid, figurative paintings, however this unique and rarely seen body of work reflects on a lesser known, experimental area of Campbells practice which also includes clay, plaster and papier mache sculpture, drawing, printmaking and textile design. While Campbells paintings were often executed with terrific speed; a canvas he claimed could be completed in five days, these large scale, predominantly two dimensional collages were each made over a period of weeks.
Completed over a 3 year period between 1988 and 1991 Campbell worked on the images intensively, in part because of the laborious way in which the artist chose to work with material. Campbells bold and often stylised collages were created in part using Matisses method of papier decoupe, using cut paper shapes to which he also applied a variety of materials including feathers, string and found textiles.
The compositional elements were roughly outlined in advance but the often complex detail was applied directly and instinctively as he developed the image. The use of string, painted then hand applied was a technique developed by the artist and intended to complicate the process of making, pushing his process and in turn his visual language to the extreme.
I thought people would be attracted by the sheer craziness of building a work up starting with a piece of string. It was only the madness I was interested in. To do the task was all I believed in. I only believed in applying string every day. -- Steven Campbell in conversation with Duncan McMillan.1
The artist's wife Carol Campbell has attributed the development of this body of work to a need for an activity to accompany a period of reflection and contemplation, a form of therapy through which Campbell could come to terms with the changes in his life following the family's return from America. Completed slowly and painstakingly at the kitchen table, amid the rhythms of family life the resulting collages are testament to Campbells modest needs, his restless imagination and experimental nature but perhaps even more so to his sensitivity to the world around him.
Love is curated by Linsey Young in collaboration with Tramway. The exhibition will be accompanied by a book which will include a new essay on Steven Campbells practice by Michael Bracewell and an interview with Carol Campbell.
1 Duncan MacMillan, The Paintings of Steven Campbell, The Story so Far, Mainstream Publishing, 1993
|
|
|
|
|
Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, . |
|
|
|
Royalville Communications, Inc produces:
|
|
|
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful
|
|