Exhibition of new works by Luisa Rabbia opens at Peter Blum Gallery
The First Art Newspaper on the Net    Established in 1996 Saturday, May 3, 2025


Exhibition of new works by Luisa Rabbia opens at Peter Blum Gallery
Luisa Rabbia, Birth, 2017. Colored pencil, acrylic and fingerprints on canvas, 108 x 202 inches (274 x 513 cm). Image courtesy of the artist and Peter Blum Gallery, New York.



NEW YORK, NY.- Peter Blum Gallery announces an exhibition of new works by Luisa Rabbia entitled Death&Birth at 176 Grand Street, New York. This is the artist’s third solo show with the gallery. The exhibition runs through April 7, 2018.

Luisa Rabbia's practice is deeply rooted in the dialectic between inner and outer space, between the phenomenological and the symbolic. Rabbia’s paintings operate on a macro and micro level, making reference to the touch and form of the human body, and depicting systems where everything is relational. Each work’s foundation is a field of deep blue acrylic on canvas, upon which colored pencil marks are intricately layered to create a glowing palette of yellow, red and violet hues. The surfaces of her paintings are a complex geography where the organic and human merge.

This exhibition is the culmination of the trilogy Love-Birth-Death, of which Love, 2016 is currently being exhibited in Rabbia's solo show at the Collezione Maramotti, in Reggio Emilia, Italy. Love-Birth-Death each measure 108”x202” (274 x 513 cm). In both Birth and Death, 2017 the cycle of life is explored as a process of transformation rather than as an experience with a distinct beginning and end. A countless number of fingerprints cover the surface of each painting alluding to individuality as well as to layers of marks left by humanity over the course of time. Both paintings reflect on interdependence, autonomy, separation and dissolution.

Death&Birth will be accompanied by a series of three smaller paintings titled LingamYoni. The titles of these paintings refer to the lingam and yoni shapes in Hindu culture, which are stylized representations of the male and female reproductive organs, often placed together to denote transcendental potentiality or the origin of the universe. Rabbia’s LingamYoni paintings represent three portraits depicting a belly button, like a stamp that both asserts individuality and links to the life that came before. These works merge genders, the surfaces are tactile, almost skin-like.

Luisa Rabbia was born in 1970 in Pinerolo (Torino, Italy) and lives and works in Brooklyn, New York. Solo exhibitions include: Collezione Maramotti, Reggio Emilia, Italy (2017-2018), Peter Blum Gallery, NY (2014); Isabella Stewart Gardner Museum, Boston (2014); Peter Blum Gallery, NY (2012); Fundación PROA, Buenos Aires (2010); Fondazione Merz, Torino, Italy, (2009); Fondazione Querini Stampalia, Venezia, Italy (2009); Isabella Stewart Gardner Museum, Boston (2008). Group exhibitions include: Lismore Castle, Ireland (2016); Macy Art Gallery, Columbia University, NY (2016); Shirley Fiterman Art Center, NY (2015); La Maison Particulière, Brussels (2014); Carpenter Center for the Visual Arts, Cambridge, MA (2013); Museo del Novecento, Milano, Italy (2012); the MAGA, Museo Arte Gallarate, Gallarate (VA), Italy (2010); MAXXI Museo Nazionale delle Arti del XXI secolo, Roma, Italy (2007); Museum of Contemporary Art, Shanghai, China (2006).










Today's News

February 9, 2018

The McNay Art Museum opens four groundbreaking African American art exhibitions

Rarest and most valuable white diamond ever to appear on the market unveiled by Sotheby's Diamonds in London

J. Paul Getty Museum announces gift of rare illuminated manuscript leaves

Mexican architect Frida Escobedo to design Serpentine Pavilion 2018

From idea to masterpiece: Exhibition at National Gallery of Denmark explores how a work of art is made

Guggenheim opens first comprehensive overview of work by artist Danh Vo

Exhibition of new works by Luisa Rabbia opens at Peter Blum Gallery

Exhibition showcases artwork largely unknown to American audiences by modern German artists

MoMA appoints Inés Katzenstein as Director of the Patricia Phelps de Cisneros Research Institute

Tate marks centenary of women's right to vote

Carrie Moyer's second solo exhibition with DC Moore Gallery opens in New York

Amy Sherald awarded 2018 David C. Driskell Prize by High Museum of Art

The Mennello Museum of American Art presents the work of Grace Hartigan

Items from the Taos home of the famous fashion icon Millicent Rogers to be sold at auction

Seattle Art Museum announces Manish Engineer as its first Chief Technology Officer

Haute Photographie returns to Art Rotterdam Week

BRAFA breaks a new record

Vero Beach Museum of Art announces new Director of Education

Mead Art Museum at Amherst College opens three new exhibitions

India's top court demands answers on Taj Mahal protection efforts

From strippers to rebels: the quiet genius of Susan Meiselas

OBJECT 2018: Architectural monument full of design talent

Exhibition focuses on Eduardo Paolozzi's idiosyncratic and experimental work of the 1940s to the 1970s

Meredith Rosen Gallery opens inaugural exhibition with new work by Jennifer Rubell




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful