Mary Boone Gallery opens exhibition of new paintings by Erik Parker
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Mary Boone Gallery opens exhibition of new paintings by Erik Parker
Erik Parker, Shake Down, 2018. acrylic, collage/canvas, 102” by 102” (2) (259 cm by 259 cm). © Erik Parker. Courtesy Mary Boone Gallery, New York.



NEW YORK, NY.- On 3 March 2018, Mary Boone Gallery will open at its Chelsea location New Mood, an exhibition of new paintings by Erik Parker.

With intricate patterning and kaleidoscopic color, Erik Parker’s distinctive paintings are a mash-up of the styles and iconography of Pop, graffiti, psychedelia, Kustom Kulture, outsider art, and comics. They capture the modern condition of being subjected to a constant feed of disparate visual information.

A focal point of the current exhibition, the Artist’s first at the Gallery, is three large pyramid-shaped canvases arranged on one wall – a hallucinatory postcard view of Giza. The conspicuous stone courses are rendered as bands of interspersed painted and collaged elements. Tanks, aliens, Rasta men, clouds, Shirley MacLaine, hi-fi stereos, vines, waves, Miss Piggy, and Mr. Potato Head, all make an appearance in these captivating sub-narratives. Each pyramid too is emblazoned with its title: Feelin Lucky, Hood Wink, Shake Down, phrases that have become part of the contemporary global vernacular.

Striated pyramids appear again in New Mood and Cahoots, two complex compositions of distorted figures in silhouette against windows and suffused with tropical imagery. Lush pools, waterfalls, and palm trees are pervasive in Parker’s work; with their sultry colors and exotic allure, they act to seduce the viewer into his escapist fantasy.

An ongoing series of “Plank” paintings shows Parker freestyling on various motifs. The unusual format of these canvases – tall and narrow and leaning against the wall – evokes both Minimalist sculpture and surfboards. The ten foot high Limbo is shaped as an outline of Brancusi’s Endless Column. Here, the sole image is a colonnade of palm trees silhouetted against a glowing neon sky.

The exhibition, at 541 West 24 Street, is on view through 21 April 2018.










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March 3, 2018

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Top Spanish conductor Jesus Lopez Cobos dies

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Steven Kasher Gallery opens a survey of Michael Spano's recent photographic works

Blain/Southern opens exhibition of new work by Marius Bercea

Exhibition of cut paper drawing constructions by New York artist Adam Fowler opens at Brian Gross Fine Art

Pakistan aims to revive glory of ancient Mughal city Lahore

Mary Boone Gallery opens exhibition of new paintings by Erik Parker

Joslyn Art Museum completes capital improvements

Peabody Essex Museum celebrates Native American painter, poet and musician, T.C. Cannon

Ten-year survey exhibition of artist John Moore opens at the Center for Maine Contemporary Art

Museum Ludwig presents recently unearthed film by Günter Peter Straschek

Gerald McMaster appointed as adjunct curator at Remai Modern

Multi-media exhibition spotlights the women who work the land

Gladstone Gallery presents the United States premiere of Cyprien Gaillard's film Nightlife

Gommaar Gilliams' first solo exhibition in New York opens at De Buck Gallery

Jenkins Johnson Projects opens exhibition of works by Lavar Munroe and Rodrigo Valenzuela

Pamela Joyner to become Chair of the Tate Americas Foundation

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