Unknown historic blue diamond emerges onto the market for the first time in 300 years
The First Art Newspaper on the Net    Established in 1996 Friday, September 6, 2024


Unknown historic blue diamond emerges onto the market for the first time in 300 years
The Farnese Blue – a historic 6.16-carat pear-shaped fancy dark grey-blue diamond. Estimate: CHF 3.5 - 5 million (US$ 3.7 - 5.3 million). Courtesy Sotheby’s.



GENEVA.- One of the foremost historic diamonds – The Farnese Blue – will appear on the market for the first time in history this spring, after having remained in the same family for over three centuries. Given to Elisabeth Farnese, Queen of Spain (1692-1766), the legendary diamond has subsequently passed down through four of the most important royal families in Europe: Spain, France, Italy and Austria. Witness to 300 years of European history, from the aftermath of the Spanish succession War to the fall of the Habsburg Empire, the diamond has travelled across the continent for centuries. And all this time, it was kept secretly in a royal casket. Excepting close relatives, and of course the family jewellers, no one knew of its existence. The 6.16-carat pear shaped blue diamond will be offered in Sotheby’s sale of Magnificent Jewels and Noble Jewels in Geneva on 15 May 2018 with an estimate of CHF 3.5 - 5 million (US$ 3.7 - 5.3 million).

David Bennett, Chairman of Sotheby’s International Jewellery Division and Co-Chairman of Sotheby’s Switzerland, said: “It is difficult to put into words the excitement of holding between thumb and forefinger a gem discovered centuries ago, knowing it originated in the legendary Golconda diamond mines of India. This stone has witnessed 300 years of European history, and in colour is reminiscent of historic Golconda blue gems such as the Hope diamond.”

Dr Philipp Herzog von Württemberg, Chairman of Sotheby’s Europe and Managing Director of Germany added: “With its incredible pedigree, the Farnese Blue ranks among the most important historic diamonds in the world. From the first minute I saw the stone, I could not resist its magic and as such it is a huge privilege to have been entrusted with this sale.”

A ROYAL GIFT
The diamond was originally given to Elisabeth Farnese, Queen of Spain and descendant of Pope Paul III, following her wedding to King Philip V of Spain, grandson of Louis XIV, King of France. The wedding was celebrated in Parma in 1714, immediately after the War of the Spanish succession, during which Spain’s finances had been gravely depleted. To assemble a suitable dowry for the new queen, the Spanish government sent word to the governors of its colonies from Mexico to the East Indies, ordering them to send wedding presents to Madrid. A year later, in August 1715, the Golden Fleet sailed from Cuba ; 12 ships carrying a fortune in gold bullion and casket of enormous emeralds. Unfortunately, after 10 days of sailing, a hurricane destroyed most of the fleet in the gulf of Florida. Only one ship managed to escape. The story goes that the emeralds were lost in one of the sunken ships. But one diamond found its way to Spain: a pear-shaped blue diamond, gifted to the new Spanish queen by the governor of the Philippine Islands.

Blue has often been identified as the colour of the Kings and in the 17 and 18th centuries, blue diamonds were viewed as the ultimate royal gift. Like the famous Hope and Wittelsbach diamonds, the Farnese Blue was certainly found in the famed Golconda mines of India, which was the sole source of diamonds until the discoveries in Brazil in the 1720s.

A JOURNEY ACROSS 300 YEARS OF EUROPEAN HISTORY
For the next 300 years, worn by both men and women, the diamond travelled across Europe, as Elisabeth and Philip of Spain’s descendants married into Europe’s most important dynasties. Elisabeth Farnese passed the diamond to her favourite son, Philip (1720-1765), Duke of Parma and founder of the House of BourbonParma. Upon his death, his son Ferdinand (1751-1802) inherited the jewel which, in the midst of Napoleon’s invasion of Italy, passed to his son, Louis I (1773-1803), made King of Etruria and then his grandson, Charles II (1799-1883) who become Duke of Lucca, following the Congress of Vienna in 1815.

It was Charles II, known for his gregarious nature and love of travel, who had a tie-pin setting created for the diamond. Having regained the throne of Parma in 1847, Charles II abdicated in 1849 and the title of Duke of Parma passed to his son, Charles III (1823-1854), who was assassinated just five years later. The Farnese Blue was inherited by Charles II’s grandson, Robert I (1848-1907), the last ruling Duke of Parma.

Following the unification of Italy, Robert I found refuge in Austria. During his exile, the diamond was mounted on a diadem which had belonged to his mother, Louise Marie Thérèse of Artois (18191864). She had in turn inherited the jewel from her aunt and adoptive mother, Marie-Thérèse de France (1778-1851) (known as “Madame Royale”), the first child of Louis XVI (1754-1793) and Marie-Antoinette (1755-1793) and the only one of their children to survive the French Revolution. It is thought that the diamonds adorning this diadem belonged to Marie-Antoinette herself.

After the death of Robert I in 1907, the inheritance of his son Elias of Bourbon, Duke of Parma (1880-1959) included the diamond diadem and the Farnese Blue. Thanks to a detailed inventory of the family jewels compiled by Duke Elias’ wife, Maria Anna von Habsburg (1882-1940), Archduchess of Austria, there exists a written record charting the fascinating history of these extraordinary jewels.

ROYAL AND NOBLE JEWELS AT SOTHEBY’S
The Farnese Blue comes to the market at a moment when interest in royal and aristocratic provenance is at an all-time high. In 2007, 20 years after the legendary sale of the Jewels of the Duchess of Windsor, Sotheby’s held its inaugural sale dedicated to “Noble Jewels” in Geneva. Since then, the market for historic jewels has gone from strength to strength. Over the course of the last decade, Sotheby’s has sold more than 1100 lots of this type, achieving a combined total in this category of almost $285 million. Among them were the legendary Beau Sancy - a 34.98-carat modified pear double rose cut diamond worn by Marie de Medici in 1610 at her coronation as Queen Consort of Henri IV – which sold for CHF 9m ($9.7m) in Geneva in May 2012 and the Donnersmarck tiara, composed of 11 exceptionally rare Colombian emerald pear-shaped drops which weigh over 500 carats in total which fetched CHF 11.3m ($12.7m) in May 2011.











Today's News

March 22, 2018

Liebieghaus Skulpturensammlung exhibits works by artist William Kentridge

The California African American Museum receives significant gift of art from Gordon W. Bailey

Brazil museum selling prized Jackson Pollock to stay afloat

Van Gogh, Léger, Chagall in Christie's Impressionist and Modern Art Sale this May in New York

Immersive installation by Anthea Hamilton unveiled at Tate Britain

Sotheby's Auction of Important Chinese Art led by Shang Dynasty Archaic Bronze Ritual Wine Vessel and cover

Unknown historic blue diamond emerges onto the market for the first time in 300 years

China Guardian Hong Kong Spring Auctions 2018 to be held from 31 March to 3 April

Philip and Kathy Power donate renowned Inuit art collection

Exhibition at Bauhaus Dessau Foundation focuses on radical architect Carl Fieger

Exhibition presents the largest collection of Viking artefacts to ever displayed in Melbourne

Leandro Erlich: Argentina's master of optical illusion

Horny dino's headgear borne of sexual selection: study

Library of Congress to preserve Miami Sound Machine, 'Footloose'

Hawking's remains to be buried at abbey near Newton, Darwin

Amanda McMullen tapped to lead New Bedford Whaling Museum

Juan Antonio Guirado exhibited alongside Spanish masters

MAD presents paintings of Miriam Schapiro in conversation with the works of nine contemporary artists

P·P·O·W opens Ramiro Gomez's first solo exhibition in New York City

Young Chinese artists merge tech and art

Three artworks attributed to Andy Warhol bring a combined $50,400 at Woodshed Art Auctions

Tim Van Laere Gallery exhibits works by a key figure in emerging Polish painting today




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful